Arrested Development backdrop

Character Analysis

Ron Howard

Narrator

Played by Ron Howard

494 jokes across 79 episodes of Arrested Development

WAR

324.1

Total Jokes

494

Avg Craft

7.4

Avg Impact

7.1

Comedy Style

Irony/Sarcasm

Narrator delivers 494 scored jokes across 79 episodes of Arrested Development, averaging 7.4 on craft and 7.1 on impact for a career WAR of 324.1. Their comedy leans toward irony/sarcasm. The highest-scoring line is below.

Funniest Narrator Lines

All Jokes — 1346 total

S1E01

Narrator · Michael:Narrator introduces Michael as happy while everything around him is clearly chaotic

7.26.3
S1E01

Narrator · Lindsay · Tobias:As a youthful act of defiance, Lindsay married this man.

7.56.5
S1E01

Narrator:Michael and his sister haven't spoken in a year. Neither has acknowledged this.

7.06.0
S1E01

Narrator:He also suffers from crippling panic attacks.

7.56.8
S1E01

Narrator:So why is Michael so happy? Because he's decided to never speak to these people again.

7.67.5
S1E01

Narrator · Tobias:Tobias recently lost his medical license for administering CPR to a person who, as it turned out, was not having a heart attack.

7.97.7
S1E01

Narrator · Tobias:Tobias, now believing the boat party to be pirate-themed, began searching through his wife's luggage for an outfit.

8.28.0
S1E01

Narrator · Tobias:Then, mistaking a group of garishly dressed men for pirates, Tobias boarded a van full of homosexuals. Soon he was unwittingly part of a protest against the local yacht club.

8.18.0
S1E01

Narrator · News Anchor:More intrigue on the high seas tonight, as dozens of local pirates were arrested for protesting the yacht club's discriminatory policies.

8.07.7
S1E02

Narrator:The narrator teases the banana stand fire as 'a delicious whodunit'

7.16.8
S1E02

Narrator · George Michael · Maeby:Narrator: 'George Michael was having a hard time adjusting to his new one' — cut to cramped van with 'ass to ankles' crowding

6.76.3
S1E02

Narrator:Narrator confirms: 'Lindsay's achievements in high school had always overshadowed Michael's'

7.06.7
S1E02

Narrator · George Michael · Maeby:Narrator: 'George Michael's attempt to distance himself from his cousin proved unsuccessful.' — George Michael and Maeby are literally at the banana stand together

6.86.7
S1E02

Narrator:Narrator: 'Oh, that poor woman.' — referring to Luz being sent on an errand, not to Lucille

7.37.2
S1E02

Michael · Narrator:The storage unit is on fire when Michael arrives — after following Luz all the way there

6.96.8
S1E02

Narrator · Gob:Narrator: Gob 'couldn't return a completely frozen dove to a pet store and get the full refund he felt he was entitled to'

7.87.3
S1E02

George Sr. · Narrator:George Sr. visibly panics after Michael leaves — 'George Sr. did think about that'

8.28.5
S1E02

Narrator:Narrator: 'He's an arsonist, not an embezzler.' — about T-Bone working the cash register

8.28.2
S1E02

Gob · Narrator:Gob 'dramatically hurled the letter into the sea' — which proved 'a more difficult dramatic gesture than he'd anticipated'

8.28.3
S1E02

Lindsay · Maeby · Narrator:Lindsay and Maeby both celebrate jobs they didn't actually do, at the same restaurant, with unearned money

7.57.2
S1E02

Michael · George Michael · Gob · Narrator:Michael, George Michael, and Gob bond while burning the banana stand together — narrator: 'Michael, his son and his brother together enjoyed the cathartic burning of the banana stand.'

7.37.3
S1E02

Narrator · Lindsay · Tobias:Narrator: Lindsay 'had slept through' her one day of employment, and Tobias 'couldn't hear the phone over the sound of the shower'

7.77.5
S1E03

Narrator · George Sr.:Narrator introduces cornballs as a Bluth family favorite since George Sr. unsuccessfully tried to market the device in the mid-70s.

7.56.5
S1E03

Gob · Narrator · George Sr.:Gob: 'Hey, the Cornballer. I thought these things were only legal in Mexico.' Narrator: 'In fact, the Cornballer wasn't legal anywhere. But George Sr. continued to market it there successfully. [cut to George Sr. in Mexico] Muy delicioso. Es verdad.'

8.38.3
S1E03

Gob · Michael · Narrator:Gob: 'I had another big fight with Marta.' Narrator explains Marta is a Spanish-language soap opera star. Gob: 'It looks like I'm going to be staying here for a while.' Michael: 'No, it doesn't. It doesn't look like that.'

6.65.7
S1E03

George Michael · Maeby · Narrator:Narrator reveals Maeby is auditioning to get closer to Steve Holt; George Michael is also auditioning to get closer to his cousin Maeby. Both characters ask 'And then we actually get to kiss, right?' / 'There's a kiss, right?'

8.38.2
S1E03

Lindsay · Lucille · Narrator:Lindsay: 'Michael just gave me the exact same lecture in front of everybody.' Lucille: 'Everybody? Who's everybody?' Lindsay lists everyone — and then the narrator delivers: 'He didn't invite Buster.'

7.67.2
S1E03

Narrator · Lindsay:Lindsay, meanwhile, still had the dress and she was starting to get some positive reactions to it. / Look at you. / I am.

8.07.5
S1E03

Buster · Narrator:Buster built the bike but 'neglected to build the brakes.' Buster: 'I'm flying!'

7.98.2
S1E04

Narrator:The warden was intrigued... less about the stunt... and more about the prison beatings this brash magician was sure to receive.

7.98.2
S1E04

Gob · Narrator:So Gob went about swallowing the key to prepare for his escape. [followed by ~30 seconds of implied key-swallowing action before Gob speaks again]

7.27.2
S1E04

Narrator · Lucille Austero:The other Lucille also suffers from severe vertigo. [followed by Lucille Austero losing her balance at the event]

7.57.3
S1E04

Buster · Lucille Austero · Narrator:Lucille Austero first took notice of Buster [visual: she sees him without his glasses for the first time and finds him attractive] — Buster, however, failed to notice her [visual: Buster walking past, oblivious due to blindness without glasses]

7.87.3
S1E04

Lucille Austero · Buster · Narrator:She sent him a proposition. [Lucille Austero sends a note to Buster via waiter]

6.76.3
S1E04

Narrator:The guards soon became concerned about the paperwork that would be required of them if Gob actually did jump.

7.87.5
S1E04

George Sr. · Gob · White Power Bill / Dirty Ears Bill · Narrator:And for the first time, Gob had the game of catch with his father he'd been waiting for his whole life. [George Sr. and Gob throw a ball in prison] — White power! — I'm... white.

8.38.5
S1E04

Narrator · Gob:Gob has been stabbed in the back. [narrator, then revealed literally: Gob is in the hospital with a stab wound]

8.48.5
S1E04

Doctor · Narrator · Gob:Looks like the shiv would have done some real damage if it hadn't been for this. It was in your lower intestine. So close. [the key Gob swallowed is revealed to have deflected the shiv]

8.28.2
S1E05

Narrator · Michael · George Sr.:Narrator intro: 'Michael Bluth was visiting his father in prison... anxious to get to the bottom of some mysterious bookkeeping. George Sr. was also anxious, but less about the bookkeeping.'

7.87.5
S1E05

Kitty · Michael · Narrator:Kitty says 'Your wife's on line one.' Michael's wife has been dead for two years. Beat. Kitty repeats: 'I said, your wife is on line one.' Narrator: 'But not immediately.'

8.28.5
S1E05

Narrator · Kitty:Kitty realized her mistake. 'I said, your wife is on line one.' But not immediately.

8.18.3
S1E05

Narrator · Gob:Gob checks into prison as a publicity stunt — but gets shanked.

8.48.3
S1E05

Michael · Narrator:Narrator: 'My God, she's repulsive.' — attributed to Michael's internal reaction to Kitty's obvious attraction to Gob.

6.76.3
S1E05

Narrator:The airport stairway vehicle was the last vestige of the Bluths' former wealth. Also, that House of Pies that went out of business.

8.28.2
S1E05

George Michael · Narrator:Narrator explains George Michael's prison fear: 'he accidentally watched HBO's Oz... mistaking it for the classic Judy Garland musical.' / Oz clip: 'I'm an innocent man!' / 'Eat it, bitch!' / George Michael: 'Lots of times.'

8.79.0
S1E05

George Sr. · Michael · Narrator:'How long? When did this start?' / George Sr.: 'Oh, come on! This is the first time.' / Narrator: 'Every Friday for the last eight years.'

8.28.5
S1E06

Narrator · Michael Bluth · George Sr.:Narrator: 'Michael Bluth was visiting his father in prison, anxious to get to the bottom of some mysterious bookkeeping... George Sr. was also anxious, but less about the bookkeeping.'

7.87.2
S1E06

Kitty · Michael Bluth · Narrator:Kitty: 'Your wife's on line one.' — Michael's wife has been dead for two years.

8.18.3
S1E06

Gob Bluth · Warden · Narrator:Narrator recap of Gob's prison stunt: 'You really think you can break out of my prison?' / Gob: 'You won't even know I was here.' — then gets stabbed with a shiv.

7.06.7
S1E06

Gob Bluth · Narrator:Gob escaping the hospital via being stabbed: 'thus fulfilling, in Gob's mind, his contract with the public' — followed by '?Ta-dah?'

8.48.2
S1E06

Narrator:Narrator: 'The airport stairway vehicle was the last vestige of the Bluths' former wealth. Also, that House of Pies that went out of business.'

7.97.8
S1E06

George Michael Bluth · Narrator:George Michael's fear of prison revealed: 'he'd been terrified of the very notion of prison since, as a young boy, he accidentally watched HBO's Oz, mistaking it for the classic Judy Garland musical.'

8.38.5
S1E06

George Sr. · Prisoners · Narrator:Prison riot erupts after strike call: 'Strike three!' / 'Strike three, my ass!' — followed by a full prison yard brawl.

6.26.8
S1E06

Narrator · Lucille Bluth:- Aaah! [implied carjacking flashback] Well, she's certainly toughened up since then. She's eating lunch by the pool now.

7.57.3
S1E06

Narrator · Warden James Buck · Gob Bluth:Gob had to do the right thing. [pause] But as he headed to his car, he ran into the warden, who had just read his strongly worded letter. Well, if it isn't 'Sincerely Yours.'

7.47.3
S1E07

Buster · Narrator:Narrator describes Buster accidentally flirting, accidentally bidding $10,000 at a charity auction, and accidentally entering her apartment saying 'I need you right now. Fellas, take a powder.'

8.58.5
S1E07

Narrator:Michael came home to find his mother's fourth least-favorite child.

8.28.2
S1E07

Michael · Narrator:I'm sure there'd be somebody else out there that would appreciate her. In fact, Michael felt that man was himself.

7.67.2
S1E07

Narrator · Lucille:Lucille had recently been featured on Fox's World's Worst Drivers.

7.77.5
S1E07

Narrator · Lindsay:Lindsay went to the prison to visit her father for the first time. But didn't get the reception she was expecting.

7.67.5
S1E07

Narrator · Lindsay:Lindsay was surprised once again that no heads were turned.

7.97.7
S1E07

Narrator:George Michael was finally moving beyond his crush on Maeby and felt happy to have a cousin he could just see a movie with. It was a love between two cousins that the world thought was wrong. But it was the world that was wrong.

8.28.3
S1E07

Narrator · Buster:Buster had recently brought the rock home from an archeological dig, but had yet to find a way to get it out of the car.

7.26.7
S1E07

Michael · Narrator · Lucille:Surprise! / And she was surprised... that her family didn't show up.

7.67.5
S1E07

Narrator · Buster · Lucille 2:You barely even leave Mom's apartment. In fact, Buster was worried about running into Lucille 2. So he never left his mother's apartment. Lucille 2 was also supposed to go, but was waiting until she saw Buster emerge.

8.38.2
S1E07

Narrator · Michael · Lucille:Michael, once again, arrived at the restaurant. — Surprise! — And once again, no one showed up.

7.47.5
S1E07

Gob · Narrator:So you're telling me that he can't go anywhere and he's incommunicado? / That's when Gob decided to take the yacht to South America for the summer.

7.67.5
S1E07

Gob · Michael · Narrator:Mom must have clubbed you with a champagne bottle or something so she could drive. / Gob, how'd you figure it out? / It's funny you should ask that... / No. He didn't figure anything out.

8.48.8
S1E07

Michael · Narrator:I probably got hit on the back of the head because of Buster's rock. Hey, big shot! Which was behind the passenger seat. Which means that she picked you up and dragged you over to the driver's seat.

8.38.3
S1E07

Narrator · Michael:Michael's insurance takes another hit. / Ow! / I was definitely driving that time.

7.98.0
S1E08

Narrator · Michael · Lucille:Narrator: 'Michael Bluth was fed up with his mother's extravagant spending.' Cut to Lucille asking for a yacht crew to throw the most lavish party this town has ever seen.

7.06.5
S1E08

Narrator · Buster · Lucille 2:Narrator describes Buster accidentally flirting with Lucille 2 while not wearing glasses, then accidentally bidding $10,000 on her at a charity auction, then accidentally entering her apartment thinking it was his mother's.

8.68.5
S1E08

Narrator:Narrator: 'Michael came home to find his mother's fourth least-favorite child.'

8.68.3
S1E08

Michael · Narrator:'I'm sure there'd be somebody else out there that would appreciate her.' / Narrator: 'In fact, Michael felt that man was himself.'

7.77.0
S1E08

Narrator · Lucille:Narrator: 'Lucille had recently been featured on Fox's World's Worst Drivers.'

7.87.5
S1E08

Narrator · Lindsay:Lindsay visits prison to tell George Sr. she's been undervalued for her intellect — but 'didn't get the reception she was expecting.' No heads turn in prison when she walks through.

8.07.8
S1E08

Narrator · Lindsay:Narrator: 'Lindsay was surprised once again that no heads were turned.'

7.67.2
S1E08

Narrator · George Michael · Maeby:Narrator: 'George Michael was finally moving beyond his crush on Maeby and felt happy to have a cousin he could just see a movie with. It was a love between two cousins that the world thought was wrong. But it was the world that was wrong.'

8.08.0
S1E08

Narrator · Buster:Buster recently brought home a large rock from an archeological dig but 'had yet to find a way to get it out of the car.'

7.56.7
S1E08

Narrator · Michael · Lucille:Surprise party #1: Michael arrives with Lucille at the restaurant. 'Surprise!' — and she was surprised that her family didn't show up.

7.87.8
S1E08

Narrator · Buster · Lucille 2:Buster was so worried about running into Lucille 2 he never left his mother's apartment. Lucille 2 was waiting for Buster to emerge. They were in a mutual standoff neither knew about.

8.37.8
S1E08

Narrator · Michael · Lucille:Surprise party #2: Michael arrives again with Lucille at the restaurant. 'Surprise!' — and once again, no one showed up.

7.27.3
S1E08

Narrator · Gob · George Michael:George Michael tells Gob that Michael can't use the phone or go anywhere — he's trapped at Lucille's. 'That's when Gob decided to take the yacht to South America for the summer.'

7.67.2
S1E08

Narrator · Gob:'I gotta alert this boat's crew.' [Cut to crew's devastated reaction.] 'They'll be devastated.'

7.36.7
S1E08

Gob · Michael · Narrator:'Mom must have clubbed you with a champagne bottle or something so she could drive.' / 'Gob, how'd you figure it out?' / 'It's funny you should ask that...' / 'No. He didn't figure anything out.'

8.68.7
S1E08

Narrator · Gob · Michael:'Hey, big shot!' [Flashback to Lucille yelling out the window.] Which was behind the passenger seat. Which means that she picked you up and dragged you over to the driver's seat.

7.67.3
S1E08

Michael Bluth · Narrator:TAG: Michael's insurance takes another hit. Michael is in another accident. 'Ow!' Then: 'I was definitely driving that time.'

7.98.0
S1E09

Narrator · Michael:Michael wished Marta was his girlfriend. A secret he had only shared with Lindsay.

7.57.2
S1E09

Narrator · Children:Real needle. Real apple. Real neck. Él es zombi!

8.68.7
S1E09

Narrator:Lindsay had always been celebrated for her wine and cheese charity fund-raisers.

7.77.2
S1E09

Narrator · Maeby · George Michael:George Michael had been trying to prove to Maeby that he was macho, after an embarrassing brush with her. 'Your legs look exactly like mine, and I just shaved mine.'

7.67.5
S1E09

Tobias · Narrator:Oh, no, no. I can't do that. / The next day, Michael was stopped on his way to work.

7.26.5
S1E09

Narrator · Buster:Tension had been high between the two Lucilles since Buster had announced he'd been dating her. Although neither had addressed this, both had given indications of their true feelings. / Mom, you're ruining our fort.

8.18.0
S1E09

Narrator · George Sr. · Lucille:Unfortunately, after a recent escape attempt, George Sr. had been put in solitary confinement. [30 seconds of silence/solitary scene]

6.96.7
S1E09

Narrator:And so, for the first time, Michael set a plan in motion to take something that didn't belong to him.

7.77.2
S1E09

Narrator:As Michael was becoming more selfish, his father was choosing a more pious path.

7.67.2
S1E09

Narrator · Tobias:And ended up in the wrong location. / Oh, I am glad I didn't go with that outfit. / Yes, hello. I am looking for the magic. / Danke schön.

8.08.2
S1E09

Narrator · Michael · Gob:So, the trick went forward as planned. / [Gob performs the trick; Michael is curled up in the box as 'the legs']

7.98.0
S1E09

Narrator:And when Lucille noticed how happy Marta had made Gob, she realized how important love was to her children.

7.16.8
S1E09

Narrator:Michael watched as the brother he swore to stop helping enjoyed the girlfriend he helped him reunite with.

7.36.5
S1E09

Narrator · Tobias:And Tobias gets some good news. / I got a gig.

7.67.5
S1E10

Narrator · George Michael Bluth:George Michael's grade card reads 'C-minus' and the narrator spells it out: 'C' M-I-N-E-S

7.47.0
S1E10

Michael Bluth · Narrator · George Bluth Sr. · J. Walter Weatherman:'You're as bad as Dad with his ridiculous lessons.' — followed immediately by a flashback of George Sr. staging an elaborate J. Walter Weatherman scenario.

8.48.3
S1E10

Narrator · Buster Bluth:Narrator: 'Buster's girlfriend, Lucille Austero, suffers from chronic vertigo... which she has been trying to fight without the use of medication.'

7.06.5
S1E10

Narrator · Buster Bluth:Narrator: Buster 'remembered a study he took part in on medical marijuana and its effects on nausea. The subject took the drug in the form of a T.H.C. pill. Nausea was then induced with a day at the carnival... which is what attracted Buster to the experiment in the first place.'

8.07.5
S1E10

Narrator · Buster Bluth:Narrator: 'Buster was found two days later trying to eat his way through this enormous plaster donut.'

8.58.5
S1E10

Narrator · George Michael Bluth · Buster Bluth:George Michael is introduced as 'the toughest, most streetwise kid' Buster knows — then shown at a banana stand in a paper hat.

8.08.0
S1E10

Narrator:Narrator explains the banana stand's history as a '70s marijuana meeting spot 'because of the banana's resemblance to a yellow marijuana cigarette.' Then: a jingle — '♪ Big yellow joint, the big yellow joint / I'll meet you down at the big yellow joint ♪'

7.98.0
S1E10

Narrator · George Michael Bluth:George Michael leaves a note on the yacht for Gob because 'as he'd been trained to do since childhood, [he] left a note.'

7.57.2
S1E10

J. Walter Weatherman · Narrator:J. Walter Weatherman's arm comes off on the dock: 'Oh, my God! My arm! Oh, my God! This guy's arm just came off and landed on the dock.'

9.09.3
S1E10

Narrator:'♪ Big yellow joint, the big yellow joint / I'll meet you down at the big yellow joint ♪' — plays over the final scene as Michael and George Michael stand awkwardly.

7.57.2
S1E11

Narrator · Headmaster:The Milford School credo: children should be 'neither seen nor heard' — followed immediately by the headmaster saying 'Woman.'

8.07.5
S1E11

Michael · Headmaster · Narrator:Michael assures the headmaster his family is 'back on track and no longer in any trouble' — cut immediately to the newspaper headline about the Klimpy's brawl.

6.56.0
S1E11

Narrator:'Sorry, Lindsay. There goes your dessert.' — Narrator's deadpan as food is apparently thrown during the fight.

6.96.5
S1E11

Narrator · Buster:Buster so excelled at being 'neither seen nor heard' that he remained at the Milford School undetected for a full two semesters after he was supposed to graduate.

8.98.7
S1E11

Michael · Narrator:Michael tells Tobias 'I never really noticed' about Jessie being cute — but the narrator immediately reveals he'd been working up the nerve to talk to her at the gym for weeks.

7.27.0
S1E11

Narrator:'You can always tell a Milford man.' — Narrator tags Buster's exit after the 'neither seen nor heard' moment.

8.28.2
S1E11

Narrator · Buster:Narrator: 'Buster was also doing his share for the family.' — cut to shot of Buster, presumably just sitting somewhere doing nothing visible

7.67.3
S1E11

Narrator:'You can always tell a Milford man.' — Second use, after Gob reveals Earl Milford was the man in the box.

8.48.7
S1E11

Narrator · Jessie:The narrator: 'Jessie had gone too far, and she had best watch her mouth.' — Then immediately: 'Michael's about to become the most unlikable man in town. Check the papers.'

7.06.5
S1E12

Narrator · Michael:Narrator: 'That can't feel good.' — after Michael says 'It's fine. I'm over it.'

7.87.3
S1E12

George Michael · Narrator:George Michael prays for a 'sign' about his crush on Maeby — looks at a candy heart that reads 'Maybe Tonight.'

7.87.5
S1E12

Narrator:Narrator: 'Actually, "Maybe Tonight" was a very popular candy slogan, and the chances were one in eight.'

8.48.0
S1E12

Bluth Family · Narrator:The family chants 'Speech, speech, speech' for no one in particular — Narrator confirms: 'The family continued to chant for no one in particular.'

7.57.2
S1E12

Michael · Marta · Narrator:Michael concludes his toast 'To love and happiness' — immediately cuts to Marta saying 'I love you all, Marta' and realizing it was Michael she wanted.

7.67.2
S1E12

Narrator · Tobias:Narrator: 'In fact, Tobias was a never-nude. As of yet, the D.S.M.-IV has not acknowledged the affliction.'

8.98.8
S1E12

Gob · Marta · Narrator:Marta on the phone says 'Hermano' — Gob thinks it's the name of a man she's cheating with. Narrator reveals she was talking to her mother about Michael.

8.58.5
S1E12

Buster · Narrator:Narrator: 'So, Buster loaded up his possessions and emancipated himself from his mother.' — Visual of Buster presumably carrying a tiny amount of belongings dramatically.

7.36.7
S1E12

Buster · Narrator:Buster sees Marta and immediately thinks: 'I've been dating an old lady.'

8.18.0
S1E12

Tobias · Narrator:Narrator describes Tobias's audition: 'The competition frightened Tobias, which he felt he could use in his performance. Unfortunately this made him more confident, which frightened him again.'

8.88.5
S1E12

Lucille · Narrator:Lucille, alone, turns on TV — George Sr.'s Caged Wisdom is playing. She turns it up to maximum volume and realizes she likes being alone.

7.87.5
S1E13

Narrator · Michael Bluth:Narrator explains Michael confronted Marta over 'Hermano' not knowing it means 'brother' — the cold open recap lands as an absurd dramatic irony

8.47.8
S1E13

Narrator:Narrator: 'George Michael never got an answer. It's Carl Weathers.'

8.28.5
S1E13

Narrator · Tobias Fünke:Narrator: 'Tobias was a never-nude, which is exactly what it sounds like.'

8.48.7
S1E13

Narrator:Narrator: 'Unfortunately, the actor who played Tio had also starred in a Mexican film about the life of Oscar De La Hoya.'

7.67.5
S1E13

Narrator · Michael Bluth:Narrator/Michael observing George Sr. in court: 'Oh, for God's sake. He's on his own for two days, and he joins a gang.'

7.67.5
S1E13

Narrator · Barry Zuckerkorn · George Sr.:Narrator reads the charges: 'Conspiracy, racketeering, evidence tampering, fraud, theft, grand theft, petty theft, resisting arrest...' Barry: 'Wow. I-I did not get that page.'

7.97.7
S1E13

Narrator · George Sr.:Narrator: 'George Sr., having never heard his charges listed consecutively in one sitting, panicked and ran with great intensity.'

8.18.2
S1E14

Narrator · Michael · Buster:Michael was sharing his bed for the first time in years. Unfortunately, it was with his younger brother, Buster.

8.07.8
S1E14

George Michael · Ms. Baerly · Narrator:George Michael's secret crush on Ms. Baerly is revealed via a shot of her teaching — 'Even minor crimes are punishable by brutally chopping off the offender's hand' — and George Michael notes 'No ring.'

8.07.7
S1E14

Lindsay · George Michael · Narrator:Lindsay mistakes George Michael's crush on Ms. Baerly as wanting to set up his father, believing George Michael wants someone to 'fill the role of his mother.'

7.36.7
S1E14

Narrator · Lindsay:Lindsay had never been more proud of anything she had said in her entire life.

8.48.5
S1E14

Narrator · Lucille:Lucille could see that her son was concerned, even jealous. And she knew how it felt to be overlooked.

7.06.3
S1E14

Michael · George Michael · Narrator:Michael tells George Michael that Gob slept with Ms. Baerly — when actually Michael was the one dating her.

7.16.8
S1E14

Narrator · Michael:Michael knew he had an ethical responsibility to tell his son the truth. / Yes. / Your Uncle Gob slept with her.

8.28.3
S1E14

Gob · Michael · Narrator:I slept with the ethics teacher. I'm sorry. / What are you talking about? / Lindsay told me that you liked her and I'm not proud of this, but... Mrs. Whitehead. / In fact, Gob mistook the civics teacher for the ethics teacher Michael was dating.

7.97.7
S1E15

Michael · George Michael · Narrator:Michael's Saturday morning 'bike ride' with his son — Michael is driving a slow car alongside George Michael on a bike, multitasking work calls instead of being present

7.87.3
S1E15

Lucille · Annyong · Narrator:Annyong's name is revealed to not be a name but the Korean word for 'hello' — every time he 'says his name' he's just greeting people

8.38.3
S1E15

Buster · Narrator:Buster panics at the mention of Catalina because of 'an unfortunate encounter in a photo booth on the wildlife-populated island of Catalina'

7.77.2
S1E15

Tobias · Narrator:Tobias arrives at prison with a letter of introduction from Carl Weathers

7.47.2
S1E15

Michael · Lindsay · Narrator · Employees:Michael: 'They're sheep. They'll wander off, and you'll lose the sheep.' Lindsay: 'They'll be fine.' — cut to employees boarding Lupe's family reunion bus thinking Lindsay chartered it for lunch

7.36.8
S1E15

Investigators · Lindsay · Narrator:Cut to the surveillance team after the employees leave: 'The place is empty. All right. Let's get in there and bring this company down.' — directly echoing Lindsay's 'Like that's even possible'

8.07.8
S1E15

George Sr. · LittleJustice · Narrator:George Sr. converting inmates to Judaism in prison while a gang leader threatens him for 'trying to convert my team'

7.67.3
S1E15

Worker · Gob · Narrator:After the forklift chicken race: 'Wow. Who won?' — and 'for the first time, Gob saw his brother as a man'

7.97.8
S1E15

Narrator · Gob:After the forklift chicken showdown, narrative beat: 'For the first time, Gob saw his brother as a man.'

7.36.8
S1E15

Michael · Narrator:Michael's solution to the zoning problem (no individual pools, one big communal pool) is revealed to have been inspired by his sand castle collapsing

7.97.8
S1E16

Narrator · George Michael · Gob:Narrator sets up spring break in Newport Beach as George Michael spends time with his uncle — cut to Gob doing a bad card trick shirtless

7.26.7
S1E16

Gob · Narrator:Flashback: Gob on a youth-oriented music network announcing he will make a yacht disappear in one year — crowd goes wild

7.87.5
S1E16

George Michael · Narrator:'He hasn't done it, and you're holding a four of spades in your hand.' / 'I don't care. I'm loving the ride, you know?'

7.26.5
S1E16

Narrator:Narrator: 'Sounds like you guys are getting more than you think.'

7.87.8
S1E16

Lindsay · Maeby · Narrator:Lindsay and Maeby arrive at 'Nana's' — it's not Nana. 'A fact that took Lindsay and Maeby an hour and a half to ascertain.'

7.57.3
S1E16

Kitty · Narrator:Narrator explains Kitty wasn't included in a Girls With Low Self-Esteem video the previous spring break — shown producer saying 'We got all the good stuff here'

7.37.2
S1E16

Tobias · Narrator:Narrator: Tobias 'produced a videotape... but its brief success was due to its misleading name. Once discovered, all but 10 of the videos were returned.'

8.38.0
S1E16

Narrator · Lucille:Narrator: 'In fact, Lucille's mother had been dead for six months.'

8.18.5
S1E16

Narrator:News chyron/narrator: 'A woman shows all during a fracas at a local restaurant, sources say.'

7.37.3
S1E16

George Sr. · Tobias · Narrator:George Sr. visits Tobias in prison — the man 'he once tried to shove out of a moving car'

7.57.3
S1E16

Michael · Narrator:Michael: 'She'll turn up.' — about missing Kitty — cut to Kitty apparently having been grabbed for evidence

7.47.3
S1E16

Lupe · Annyong · Narrator:On the Next Arrested Development: 'Lupe makes a startling discovery. Oh, so that makes Annyong 18.'

7.87.5
S1E16

Police Officer · Michael · Narrator:'On the Next AD': Michael is questioned about Kitty's disappearance. 'She showed her knobs in the steakhouse, sir.' — police using 'knobs' as official terminology

7.78.2
S1E17

Lucille · Narrator:Michael's reveal that he was in a drama club production of 'The Trial of Captain Hook' to satisfy an English requirement — implying he played a lawyer in 10th grade

7.06.7
S1E17

Narrator · Michael:Narrator: "The next morning, Michael was wondering how to end his first one-night stand."

7.06.7
S1E17

Narrator:Narrator: "Michael realized that the woman he was attempting to never see again was blind."

7.87.7
S1E17

Narrator:Narrator explains that despite building dares, "the one thing they never dared each other to do was consummate the marriage"

7.77.5
S1E17

Narrator:"It was hot." — Narrator's one-line assessment of Gob and his wife's argument

7.77.8
S1E17

Gob · Narrator:Gob: "Believe me, we didn't do any sleeping. I had sex last night." Narrator: "But he really didn't."

8.28.5
S1E17

George Sr. · Narrator:George Sr. in the blooper footage: "Faith is a fact. No. Faith is a facet. I almost said faith is a fact."

7.97.8
S1E17

Narrator · Maggie Lizer:Narrator reveals Maggie is the prosecutor — "Yes, Maggie was the most feared prosecutor in all of Orange County."

8.08.2
S1E17

Narrator · Maggie Lizer:Narrator explains Maggie wins cases "not because she was a particularly adept lawyer, but because she won the sympathy... of the defendants themselves" — cut to a defendant saying "I was in that room"

8.17.8
S1E17

Gob · Narrator:"On the next Arrested Development" tag: Gob's seal business update — "The seal deal fell through. Three of the seals died on their way to Chad."

8.08.2
S1E18

Narrator · Michael:Narrator introduces Chareth Cutestory as the false identity Michael gave himself

8.38.2
S1E18

Narrator · Michael:He decided to keep seeing her so as not to appear superficial — the woman is blind and can't see his face anyway

8.28.3
S1E18

Gob · Michael · Narrator:Gob shows up in a garish bright sweater because 'the wife likes me in bright sweaters' — but he only got married days ago on an escalating dare

7.16.7
S1E18

Lindsay · Narrator:I've always been very passionate about the separation of church and state. [Lindsay, who literally just decided this hours ago]

7.77.3
S1E18

Family member · Buster · Narrator:Buster is injured — 'He was trying to help some handicapped girl up to the bleachers, and he fell. It's just a sprain. But at least it's legitimate.'

7.27.0
S1E18

Gob · Narrator:Flashback: Gob switching the evidence folder while his siblings argued about the Ten Commandments

8.07.7
S1E18

Lindsay · Narrator:Flashback juxtaposition: The SAME scene of Lindsay saying 'I've always been very passionate about the separation of church and state' plays again, immediately after showing Gob's sleight-of-hand

7.87.3
S1E18

Narrator · Maggie · Buster:Meanwhile, Maggie's interrogation of Buster was proving fruitless.

7.26.8
S1E18

Tobias · Narrator:Tobias uses his catlike agility to get the evidence. 'The cat is in.'

6.96.7
S1E18

Tobias · Maggie · Narrator:Tobias concerned about Maggie's heightened sense of smell, sets off to cloak himself in her scent — spends extended time in her bathrobe/perfume area while she walks around the house

7.87.8
S1E18

Narrator:In fact, Maggie wasn't blind... but had been pretending to be since she found it helpful in taking the LSATs.

8.69.2
S1E18

Narrator · Maggie · Tobias:Her ability to see, however, was currently proving a disadvantage... as she couldn't reveal to the man she recognized as Tobias that she knew he was there without betraying her secret.

8.78.8
S1E18

Narrator · Tobias · Maggie:Narrator: 'Tobias was finding her an uncannily difficult blind girl to outmaneuver.' — as Maggie tracks his every move while pretending not to see

7.97.8
S1E18

Narrator · George Michael · Michael:George Michael spotted his father and, not wanting to appear to be abusing the legal system, found a place to hide. / Michael, determined to expose Maggie, hid to avoid tipping his hand.

7.36.8
S1E18

Michael · George Michael · Narrator:Michael also hides — 'Michael, determined to expose Maggie, hid to avoid tipping his hand.' Both Michael AND George Michael are hiding from each other at the courthouse.

7.77.2
S1E18

Michael · Narrator:'It's not like there's some list of rules handed down to us from on high.' Ten Commandments fall on Michael's head.

9.09.5
S1E18

Narrator · Maggie · Michael:Unfortunately, Maggie had been temporarily blinded that day. / I can't see! / Bailiff. / That was my plan. What do you got?

8.38.8
S1E18

Barry · Narrator:On the next Arrested Development: Barry gets a sign from God. / I will obey your will. I will lead a good life. / Well, the hell with this then!

8.08.0
S1E18

New Prosecutor · Narrator:Maggie is replaced with a new, less generous, prosecutor. / I was made to understand there were grilled cheese sandwiches here.

8.08.3
S1E19

Narrator · Tobias:Narrator: 'Oh, no.' / Cut to: 'Oh, no was right.' — introducing Dr. Fünke's 100% Natural Good-Time Family-Band Solution

7.87.7
S1E19

Narrator · Tobias:The full band name: 'Dr. Fünke's 100% Natural Good-Time Family-Band Solution' — and then the corporate ownership chain revealed by the narrator

8.28.2
S1E19

Narrator:Zanotab pharmaceutical side effects: 'dry mouth, hair loss, an overly alert feeling, and in some cases may diminish your sex drive'

7.67.5
S1E19

Narrator · Gob:'Who called the cops?' / Narrator: 'And with the aid of some helpful gays.'

7.57.3
S1E19

Narrator:Narrator: 'You're out of the band.' — after the Teamocil sign flashes during Tobias's performance

7.67.5
S1E19

Narrator · Narcoleptic Stripper · Buster:The narcoleptic stripper wakes up, sees Buster with red around his mouth, and thinks she killed him for groping her. Narrator: 'Not again.'

8.48.8
S1E19

Narrator · Ira Gilligan:'And Gilligan... fulfills his destiny.' — cut to Ira on a desert island (implied), phone ringing, narrator: 'Let it ring.'

7.97.5
S1E20

Narrator:Narrator: 'Michael was preparing for a meeting with the Bluth Company board to decide what to do with some recently unfrozen funds. Wow. Exciting, huh?'

7.16.5
S1E20

Lucille · Narrator:Lucille: 'I seem to remember a certain someone running to Mommy when his algebra teacher made an example of him.' [Narrator: Michael had been suspended when another boy cheated off his test.]

7.67.5
S1E20

Michael · Lucille · Narrator:Flashback young Michael: 'Tracy won't marry me. I won't get a job, and...' Lucille: 'Let Mama take care of it.' [Narrator: The next day, Mr. Vandenbosch was not in school. He was never heard from again.]

8.88.8
S1E20

Narrator · Lindsay:Narrator: 'Lindsay, meanwhile, arrived at the salon hoping to increase her self-esteem. Unfortunately, her stylist had just been called up by his reserve unit.'

7.06.5
S1E20

Lindsay · Stylist · Narrator:Lindsay: 'Come on! These salon wars have got to stop!' Stylist: 'The war, Lindsay. The real war.' Narrator: 'Lindsay was stunned, not just that she was losing her stylist, but that apparently, there was a war going on.'

8.28.3
S1E20

Lindsay · Narrator:Narrator: 'And Lindsay found a solution to her self-esteem problem.' — cut to Lindsay holding an anti-war protest sign.

7.87.3
S1E20

Narrator · Lindsay:Narrator: 'And Lindsay found a solution to her self-esteem problem.' [Lindsay puts on a protest sign]

7.16.8
S1E20

Narrator · Gob · Tobias:Narrator: 'Gob and Tobias accidentally had Michael on the hook and they didn't want to blow the deal.' [cut to Gob and Tobias staring at each other in silence]

6.86.2
S1E20

Jordan · Narrator:Jordan: 'I'm afraid... this offer comes off the table at midnight tonight.' Narrator: 'Maybe the worst bluff I've ever seen. Even the members of Gobias agreed on that one.'

7.87.7
S1E20

Narrator · Lindsay:Narrator: 'And Lindsay discovered that the activism that came out of her desire for prettier hair really did boost her self-esteem.'

7.77.2
S1E21

George Michael · Narrator:George Michael's 'I'm your girl' joke on Bring Your Daughter to Work Day

7.77.3
S1E21

Gob · Narrator:Gob's magic show was filmed for 'Girls with Low Self-Esteem'

8.08.3
S1E21

Gob · Narrator · Maeby:The tape shows Gob's magic act failing — 'The only thing this guy could make fly away was the crowd.' DOUCHE CHILL.

7.67.5
S1E21

Gob · Narrator:Gob: 'It's not like they used the part where I made the yacht disappear.' / Narrator: 'Sunk the yacht. Blew it up, sunk it.'

7.57.3
S1E21

Lindsay · Narrator:Narrator reveals Lindsay applied for a job — shown in flashback with 'Can I have a job application please?' — but was 'relieved when Michael gave her the out'

8.27.8
S1E21

Annyong · Michael · Narrator:Annyong appears as Lucille's date to the soccer game and says 'She don't want other soccer moms think that she a single mother. She old school. I liked it better when he just said Annyong.'

7.67.5
S1E21

Michael · Narrator:Michael: 'Damn it! Can't you just find somebody else, please, to look like your husband?' / Narrator: 'In fact, there was someone else who looked like Lucille's husband...'

7.37.0
S1E21

Narrator · George Michael · Tobias · Buster:Narrator: 'And back at the model home, three of the Bluth men struggled with their manliness.'

7.97.8
S1E21

Michael · Narrator:'And apparently a fun one.' / 'Let's go see what's going on in the back room.' / Narrator: 'Were those the last words Kitty ever heard?'

7.77.5
S1E21

Gob · Narrator:Gob: 'You're saying I should just be myself?' — mishearing George Michael's attempts to change subject / 'And he had to drive her home. So I think I did pretty good.'

7.16.5
S1E21

Tobias · Narrator:Tobias leaps into action as security guard — 'a surprisingly catlike one'

7.57.3
S1E21

Michael · Narrator:'I've put a bounty on my own head.'

7.77.5
S1E21

Tobias · Narrator:On the next AD: Tobias loses his security job trying to solve the store's mice problem.

7.17.0
S1E21

Lindsay · Narrator:On the next AD: Lindsay 'goes with her initial instinct' — shown applying for another job application

7.06.8
S1E22

Narrator · News Anchor:Low-carb diets are sweeping the nation — news anchor segues immediately to 'And the latest on Iraq...' as the Atkins diet becomes the episode's running thematic thread

7.57.0
S1E22

Narrator · Gob:Stage direction: 'Gob's not on board' appears on screen as a chyron/narrator note while Gob is physically present and very much expressing opinions

7.46.8
S1E22

Lindsay · Narrator:Narrator describes Lindsay's failed 'Mommy, What Will I Look Like?' business: 'which gave new parents a glimpse at what their infants would look like in half a century.' Lindsay: 'Hey, you put an ugly kid in, you can't be surprised when an ugly adult comes out.'

7.77.3
S1E22

Lindsay · Narrator · Tobias:Lindsay: 'Actually, I am the breadwinner, Michael, as it turns out. I was walking in a strange place today — a place I'd never set foot in before.' Narrator: 'Tobias, walking down a street he'd been down many times, saw a book he'd written years earlier as a psychiatrist.'

7.36.7
S1E22

Narrator:Narrator: 'The book, initially unsuccessful, had suddenly caught fire — although, strangely, only in the gay community.'

8.28.2
S1E22

Michael · Lindsay · Narrator:Michael: 'It's Dip-A-Pet all over again.' Narrator: 'Lindsay also had a brief foray into what she had then hoped would be the burgeoning fad of custom pet coloring.' — cut to Lindsay chasing a pet

7.47.0
S1E22

News Reporter · Narrator:Iraq news report: reporter comments 'a lot of this damage is just due to shoddy workmanship' — referring to Saddam's palaces that turn out to be Bluth-built

8.58.8
S1E22

Narrator · George Sr. · Michael:Narrator: 'There's a good chance I may have committed some light treason.' / George Sr.: 'This might even be considered light treason.'

8.79.0
S1E22

Gob · Narrator:Narrator: 'Gob realized that the power play he promised to make with Kitty had perhaps come at a bad time.' Gob: 'I've made a huge mistake.'

7.47.8
S1E22

George Sr. · Narrator:George Sr.: 'Yeah. What if she gives it to someone who's even moderately intelligent?' Narrator: 'In fact, Kitty had gone to someone moderately intelligent in her continuing quest for control of the Bluth Company.'

7.46.8
S1E22

Tobias · Lindsay · Narrator:Tobias: 'Come on, Lindsay. This is my family.' / Narrator: 'And Lindsay realized that perhaps they did have something left — a real connection.' / Tobias: 'Also, Dale, one of the gentlemen from my reading, is a nurse here, so we were able to park right out front.'

7.77.5
S1E22

Narrator:Narrator: 'And that's when the family realized that George Sr. wasn't dead, but was fleeing the country that he loved so very much.'

8.08.0
S2E01

Narrator · Michael:Narrator intro: 'This is Michael Bluth. Right now he's taking his son, George Michael, to start a new life in Arizona.'

6.75.5
S2E01

Narrator:Narrator explains George Senior escaped prison using 'the family's portable stairway vehicle' — the stair car

7.26.8
S2E01

Narrator · Michael:Narrator: 'And so, once again, the guys were on their way to Phoenix, never to look back.' — immediately followed by Michael turning around

6.86.3
S2E01

Narrator · Oscar:Narrator: 'In fact, the police only thought they'd arrested George Senior... but had gotten his twin brother Oscar instead.' Oscar in custody: 'Do you have any cookies with no preservatives?'

7.97.8
S2E01

Michael · Narrator:Michael: 'I better get over there before he brings the whole company down. It's only been three hours. How much damage could he really do?' Narrator: 'And release... In three hours, Gob had done $45,000 in damage.'

7.57.7
S2E01

Narrator · Gob:Narrator: 'In three hours, Gob had done $45,000 in damage.' — cut to Gob in Michael's office with a massage table and various impractical additions

7.06.8
S2E01

Narrator · Gob:Narrator: 'It was at that moment that Gob found something the jury might not like.' — followed by a long pause before whatever document he discovers

7.37.0
S2E01

Narrator · News Anchor:News teaser: 'Are you living in one of Saddam's mini-palaces? They may have been built by the same developer.' Cut to news anchor: 'And a seal attack — meet one surprised bather, coming up.'

7.37.3
S2E01

Narrator · Tobias:Narrator: 'Tobias rushed to the theater hoping to be seen. Unfortunately, it was dusk, and he couldn't be seen.'

8.48.3
S2E01

Narrator · George Senior:Narrator: 'In fact, it was George Senior who took the wig, and was fleeing the country with the evidence Michael so badly needed.' Final shot: George Senior in Uncle Sam costume/wig.

8.58.7
S2E01

Narrator:Narrator, over George Senior fleeing in the Uncle Sam costume: 'You made a huge mistake.'

7.77.3
S2E01

Narrator:Final title card/tag: 'You made a huge mistake.'

7.87.8
S2E02

Narrator:He even did so for the prison he built and, somewhat ironically, would later occupy.

8.58.0
S2E02

Narrator · Lindsay · Tobias:In fact, neither Lindsay nor Tobias did have the guts to go through with it. [Cut to both claiming they already have.]

7.67.3
S2E02

Gob · Saleswoman · Narrator:Let's get some digits. / I'm sorry. I don't give it out without a firm offer. / Oh, I'll make you a firm offer. / Unfortunately, she wasn't flirting.

7.16.8
S2E02

Narrator · Gob · Michael:Gob was hurt. / Bye, Pop. / Hey, whoa, whoa — was that Dad? / Yeah, I had to, uh, jump off.

7.37.0
S2E02

George Sr. · Narrator:George Sr. was brutally hurt when he was mistaken for his twin brother Oscar. / Marijuana? No, no. That's my brother. 'Brothero. Brothero.'

7.47.3
S2E02

Narrator:He looked like a movie star because he was a movie star. His name was Tom Jane, and he was making two movies for a major studio. One was a gritty personal project about a junkie's life, which he got to do in exchange for making a rigidly, formulaic popcorn movie.

7.77.8
S2E02

Narrator:But as it turns out, Michael was right to not be optimistic it could be done. [The house collapses]

7.98.3
S2E02

Buster · Narrator:Buster saw the chance to get injured enough to keep him out of the army — but instead got a glimpse inside.

7.67.5
S2E02

Buster · Tobias · Narrator:I can't look at that. / Unfortunately, Tobias had to.

7.06.7
S2E02

Buster · Narrator · Tobias:I can't look at that. / Unfortunately, Tobias had to.

8.08.0
S2E02

Gob · Michael · Narrator:Gob charged at Michael with the scissors — but Michael, as he always did, picked rock — which beat scissors.

8.38.5
S2E02

Narrator · Lindsay:Lindsay, crushed and alone, for the first time misses her husband. Tobias.

7.26.8
S2E03

Narrator · Starla:Narrator: 'Flashes of Quincy. Starla claimed to have had a relationship with music legend Quincy Jones.'

7.67.0
S2E03

Lucille · Narrator:Lucille's reaction to Gene Parmesan: 'Gene! Oh, Gene!' — followed by narrator: 'Gene was far from the best.'

8.08.0
S2E03

Gob · Narrator:Gob, inspired by his mother's private detective, decides to hire someone to follow Michael. Narrator: 'He decided to hire someone to keep an eye on his brother.' Gob: 'I think I might have someone who's going to cirsumvrent the law.'

8.07.5
S2E03

Michael · Narrator:'And 8:01. Curtain has risen.' — Michael checks his watch as soon as he asks Tobias if he's free

7.66.8
S2E03

Michael · Gob · Narrator:Narrator: 'Michael and Gob had been to Mexico once before. Chiclet? Chiclet?' / 'You're the Chiclet! Not me!' — Narrator: 'Unfortunately, in Mexican culture, this was a much more inflammatory gesture.'

7.67.5
S2E03

Lucille · Narrator:Lucille: 'Just because he thinks I'm having an affair with the boy's uncle.' / Narrator: 'Yes. And she's not having an affair with the boy's... uncle.'

8.07.7
S2E03

Gob · Ice · Narrator:Ice introduced as Gob's 'friend' on the couch. 'Ice may be my best friend.' Narrator: 'In fact, the man was Ice, a bounty hunter that Gob hired to follow Michael.'

7.67.3
S2E03

Michael · Narrator · Buster:Michael: 'I'm gonna have to start putting people in the trunk.' Narrator: 'In fact, at that moment, Buster was climbing into the trunk.'

8.59.0
S2E03

Buster · Narrator:Narrator: 'Six minutes later, Michael dropped off his mother's housekeeper.' / Buster emerges: 'Mexico.' / Narrator: 'In fact, he was in Santa Ana, a town six minutes inland from his own.'

8.48.8
S2E03

Narrator · Gob:Narrator: 'Gob realized that perhaps he really didn't have any friends.'

7.57.3
S2E03

Lucille · Gob · Gene Parmesan · Narrator:Lucille: 'Gene?' / Narrator: 'It's just some idiot with balloons.' / Lucille: 'Oh, is it?' / Gob appears with balloons. Lucille: 'I knew it!'

7.97.8
S2E03

George Sr. · Kitty · Narrator:George Sr. is in a church in Mexico, being mourned by Kitty — he's been declared dead.

7.36.8
S2E03

Michael · Maeby · Narrator:Michael and Maeby conversation: Michael thinks they're talking about Ann; Maeby thinks they're talking about Lindsay. Narrator: 'At no point were Michael and Maeby talking about the same person.'

7.97.8
S2E03

Narrator:Narrator: 'And it's not a race thing.' — as punctuation on the Michael/Maeby miscommunication

8.38.3
S2E03

Narrator · Michael · Ann:Narrator: 'Unfortunately, this left the girl Michael was determined to get to know alone in Mexico.'

7.67.3
S2E03

Michael · Narrator:Michael realizes he left Ann in Mexico. Long pause. 'She's gonna be fine. We just gotta beat the sun.'

7.78.0
S2E03

Ice · Lucille · Narrator:Ice tackles a man, declares 'George Bluth, you're coming with me.' The man is George Michael's grandfather (Oscar? or wrong person entirely). 'It's an honest mistake. Also, I think your knee is on my heart.'

7.97.7
S2E03

Michael · Narrator:Michael pays Gene and Ice to be Gob's friends for the weekend while they search for George Sr.

7.57.3
S2E03

Tobias · Narrator · Lucille · Gene Parmesan:Tag scene: Tobias seeks medical attention. 'Thank God! A new doctor. Finally we can get a straight answer in this place.' Doctor: 'Uh, I've got some bad news.' Then Gene Parmesan appears. 'I'm Gene Parmesan. How you doing?' Lucille: 'He got me again!' Narrator: 'But I did overhear that he's bleeding internally.'

8.48.8
S2E04

Narrator · Michael · Gob:Michael was adjusting to his new position as vice president, which meant doing the work of the president, his brother Gob.

7.06.5
S2E04

Narrator · Ice:Ice the bounty hunter has 'always bounty-hunted to support his first love — party planning.'

7.37.0
S2E04

Barry · Narrator:Barry: 'The will is at my office, next to the hot plate with the frayed wires.' — followed by narrator: 'In fact, Barry had lost George Sr.'s will.'

7.46.8
S2E04

Narrator · Buster:The flashback to Buster's parakeet: it landed on housekeeper Rose's wig, flew away when she took out trash, and flew into a transformer.

8.38.7
S2E04

Narrator · George Sr.:Flashback: The Mexican authorities' attempt to fake George Sr.'s funeral is 'a less-than-perfect deception' — shown with chaotic crowd noise and shouting.

6.86.5
S2E04

Narrator · George Sr. · Lucille · Oscar:George Sr. sees a newspaper story about his wife giving 'mouth-to-mouth to a homeless man' — but the narrator reveals he knew the truth: she was kissing his brother.

7.67.5
S2E04

Narrator · Gob · George Sr.:Narrator reveals the laborer digging Gob's burial hole had been 'hired by George Sr. three days earlier for the same hole.'

7.87.3
S2E04

Narrator · Michael · Buster:Michael remembers what Buster did to 'what he thought was Rose's car with what he thought was Rose's favorite toy.' — Cut to: driver being attacked.

7.47.2
S2E04

Michael · Narrator:Michael spots Glisten toothpaste in the dirt and suddenly realizes George Michael's 'Pop-Pop in the attic' meant the actual George Sr.

8.58.8
S2E04

Narrator · Michael:Michael noticed something in the dirt. [Sighs] Glisten. / And suddenly he realized what his son meant when he said he had Pop-Pop in the attic.

8.58.5
S2E04

Narrator · Buster:'On the next Arrested Development': Buster finds out about the death of Captain Kangaroo.

7.87.5
S2E04

Narrator · Gob:'On the next': Gob finally makes the cover of Poof magazine.

8.07.8
S2E05

Narrator · Michael · Lucille:Narrator: 'It's a new prosecutor. It's a whole new beginning. A new day, a new case, a whole new set of lies.' / Michael: 'I'm not lying anymore, Mom.' / Narrator: 'Michael was lying.'

8.17.7
S2E05

Narrator · Lucille:Narrator, after Lucille eats the egg whites George Sr. was waiting for: 'Wow, now more is going to come up than go down.'

6.76.0
S2E05

Narrator:Narrator: 'In fact, it was a recent ruling, prosecuted by the same man who Michael was soon to meet with. It's going to be a long time before Sergeant Wendell Baker calls someone "Private Homo" again.'

7.67.0
S2E05

Michael · George-Michael · Narrator:Michael tells George-Michael that Ann got him a B-minus. George-Michael: 'Well, it wasn't Ann. She's an expert in math.' Michael: 'Isn't that cute?' / Narrator: 'Is it?'

7.26.7
S2E05

Narrator · Lindsay:Narrator: 'Lindsay had been frequenting singles clubs, also still hoping to make her open marriage work... [Lindsay: 'Whoo!'] ...which it won't.'

7.57.0
S2E05

Narrator · Maeby · Steve Holt:Narrator: 'At that moment, Lindsay's daughter Maeby was in the process of wooing her own man.' / Maeby's delivery boy arrives. 'Who is it?' / 'Steve Holt!'

7.37.0
S2E05

George-Michael · Narrator:George-Michael about Steve Holt: 'He's 19. He's a senior at my high school.' Narrator: 'And had been for several years.'

7.77.7
S2E05

Narrator · Interrogator · Gob:Interrogators: 'He knows less than anyone we have ever questioned.' Narrator: 'Gob knew too little to know that, however, and his confidence had never been more shaken.'

7.67.5
S2E05

Gob · Tobias · Narrator:Gob convinces Buster they should go to the 'old playground.' Tobias then appears asking to borrow Gob's phone. Gob: 'I'm not fit to run a company, and I don't deserve a fancy phone.' Tobias: 'Well, the Blue Man Group might need me, and I do deserve a fancy phone.' Narrator: 'They didn't, and he doesn't.'

7.77.3
S2E05

Tobias · Narrator:The Blue Man Group might need me, and I do deserve a fancy phone. / [Narrator: They didn't, and he doesn't.]

8.17.8
S2E05

Michael · Oscar · Narrator:Michael suggests Oscar should 'take a leap at freedom like my father' and 'run.' Oscar: 'Is that her rape horn?' Michael: 'It's more like a starter's pistol.' / Narrator: 'Run.'

8.07.8
S2E05

Gob · Buster · Narrator:Gob and Buster at the playground: Gob is clearly enjoying pushing Buster on the swings more than intended. Narrator: 'It was fun, but it wasn't making him a better soldier.' Buster: 'Push me higher!'

7.37.0
S2E05

Lindsay · Michael · Narrator:Lindsay claims Oscar disappeared 'because of something you said to him.' Michael: 'I can't talk right now.' Narrator: 'Really? What's wrong with your voice?' Michael: 'I can talk — sure.'

7.06.5
S2E05

George-Michael · Narrator · Maeby:George-Michael to Gob about Lindsay: 'She's on her way to meet Steve Holt.' George-Michael: 'I do; I'm crazy about him. But he's obsessed with her. That's all he wants to talk about.' / Narrator: 'Lindsay felt bad... But she would have felt worse if she'd remained even a moment longer. But it's only because he thinks she's got a penis. Oh, I told him she was a tranny.'

7.77.5
S2E05

Michael · George-Michael · Narrator:Michael looks at George-Michael's glasses: 'Hey, I've seen this before.' Narrator: 'For a while, George-Michael had shared a room with his Uncle Tobias.' [Flashback or implication that these are Tobias's glasses]

8.18.0
S2E05

Narrator · Lucille · Oscar:On the Next Arrested Development — Oscar returns and is immediately cold-shouldered by Lucille. Narrator: '...which was what attracted him to her in the first place.'

8.07.5
S2E05

Tobias · George Sr. · Narrator:On the Next — Tobias, 'traumatized by the public exposure, returns to an unfortunate quirk.' Tobias: 'Thank God — my cutoffs!' [finds denim cutoffs in attic] George Sr.: 'There were cutoffs up here?'

8.08.2
S2E06

Narrator:Narrator: 'Michael was using the Bluth Company crane to retrieve the family-owned frozen banana stand after it had been dumped in the bay, a holiday tradition among the local youth.'

7.36.7
S2E06

Michael · Narrator:Narrator describes a past Christmas party: Michael turning down gifts and directing them to charity barrel while telling an employee 'We just can't have them resent us.'

7.16.7
S2E06

Narrator · Oscar:Narrator: 'Every year, Oscar attempts the 420-mile walk from Newport Beach to Berkeley, California. In the 12 years he's attempted this, he's never made it past UC Irvine.'

7.77.3
S2E06

Narrator · Buster:Narrator reveals: 'In fact, Buster never went to the Army. He'd gotten hooked playing the skill crane and missed his first day.'

7.26.5
S2E06

Narrator:Narrator: 'And so, Michael started to become relaxed. And a short time later, his mother arrived anything but.'

6.35.8
S2E06

Narrator · Gob:Narrator: 'In fact, Gob had stolen it [the liquor] earlier that day to cut down on the cost of the party.'

7.77.5
S2E06

Michael · Tobias · Narrator:Michael leaves a voicemail for Tobias asking him to go to Lucille's. The voicemail is accidentally routed to Michael's home — where the Blue Man Group is performing for Tobias. 'The Blue Men!' / 'You have 101 unheard messages. First message.'

7.87.8
S2E06

Narrator · Tobias:Narrator: 'Unfortunately, Tobias missed the call from the Bluth Company, and it went through to Michael's home voice mail.' Cut to: voice mail machine reading '101 unheard messages.'

7.87.5
S2E06

George Michael · Narrator:George Michael's description of Ann's family party is interrupted by the narrator: 'The word George Michael was searching for was "creepy."' Cut to the Ann family Christmas party — adults singing German religious hymns in unison.

7.87.8
S2E06

Lucille · Oscar · Narrator:Narrator: 'And Oscar was giving Lucille a little "Afternoon Deelite."' — Cut to Lucille eating brownies contentedly.

7.97.8
S2E06

Narrator · Gob:Narrator: 'Later, Gob was inside the banana stand and it was getting pretty hot in there, so he decided to lose a layer.'

7.77.5
S2E06

Narrator:Narrator: 'The effects of Lindsay and George Michael's "Afternoon Delight" was overshadowed by the effects of Oscar and Lucille's "Afternoon Deelite."'

8.18.3
S2E06

Buster · Gob · Narrator:Buster arrives with the Army crane and 'rescues' Gob — but the narrator warns: 'Unfortunately, Buster's newfound skills did not involve lowering gently.' Gob is hoisted and then slammed down.

8.38.5
S2E06

Narrator · Tobias:On the Next Arrested Development: 'The Blue Man Group finally calls for Tobias with a life-changing opportunity. Unfortunately, he can't hear it and his life stays the same.'

8.98.8
S2E07

Michael · Narrator:I think he'll be pretty impressed, knock on wood. [wood collapses/clatters]

8.28.3
S2E07

Tobias · Narrator · Lindsay:Teamocil: the Tobias folk band supplement flashback — 'Teamocil may decrease your sex drive.' 'Good job, buddy.' 'Thanks, friend.'

8.18.2
S2E07

Michael · Narrator:Well, you certainly tried. You guys wore matching outfits till he was 12. [Narrator:] Even once on a magazine cover that had been mocked within the family for years.

7.27.0
S2E07

Michael · George Sr. · Narrator:Sudden Valley just sort of implies that something awful could happen all of a sudden. — Plus, it's on a hill. — What are you taking, stupid pills? Come on. Save us some money.

7.27.0
S2E07

Gob · Narrator · Sitwell:What the hell just fell off your face? — One of this guy's eyebrows fell in the candy beans. — I always carry a spare.

8.38.8
S2E07

Narrator · George Sr. · Sitwell:While Stan Sitwell used the game to raise funds for underprivileged children. — Oh, I think one of your orphans is heading towards the street. — Strike three.

8.18.2
S2E07

Gob Bluth · Narrator:Narrator: The league requirement for female players was 'difficult to meet given Gob's behavior in the third inning of last year's game.' Cut to Gob hitting on female players from opposing team during the game itself.

7.37.3
S2E07

Narrator:We lost our entire outfield and a couple of court cases.

7.98.0
S2E07

Michael · Lindsay · Narrator:Lindsay, wake up. I need you to play on the softball team. — [Narrator:] Lindsay felt the intended effect of Teamocil — a sense of camaraderie. — Count me in, Michael. Happy to help the team.

7.37.0
S2E07

Oscar · Narrator:[Vietnam flashback] Croc! No, sorry. Wait. Log. Just a log. No, wait. Sorry. Croc! — Oscar served as a croc spotter on a Swift boat.

7.57.3
S2E07

Tobias · Narrator:That Fünke is some kind of something. — Boy, this Fünke is all anybody's ever talking about. — So sick and tired of hearing about how brilliant that Fünke is. — Overrated. I'll just move — I'm sorry. — Okay. We're okay.

8.69.0
S2E07

Narrator · Gob · George Sr.:[Narrator] Gob's own father had only once played catch with him. And it ended as badly as any game of catch could end.

8.48.3
S2E07

Narrator · Gob:[Narrator] Gob was both angry... and overwhelmed... by the approval from this new father figure. It was confusing.

7.47.0
S2E07

Gob · George Sr. · Narrator:[Softball flashback] Gob especially gifted at sacrificing his body — Play's at second! Play's at second! — Yeah! Suck on that, Sitwell! — Your Tweety Bird dance just cost us a run, you moron.

7.46.8
S2E07

Michael · Lindsay · Narrator:Lindsay, did that oven vent hit you? Your foot is bleeding. — My foot is bleeding. — [Narrator] Teamocil may cause numbness of the extremities.

7.77.5
S2E07

Michael · Lindsay · Narrator:You're gonna be able to play on our team, right? — Why do you think I'm taking Teamocil? — To curb your sex drive. — That's right. What team are you talking about? — [Narrator] It may also cause short-term memory loss.

8.08.0
S2E07

Narrator · Buster:[Narrator] And so, Buster was pulled out of combat training and put into U.S.O. training.

7.57.3
S2E07

Narrator:[Narrator] And that's when Maeby realized she had become a successful film executive.

7.47.2
S2E07

Narrator · Ann:Spin, spin, spin. — [Narrator] Ann wasn't as amazing as George Michael led his father to believe.

7.77.8
S2E07

Narrator:[Narrator] And Gob finally felt that someone believed in him. Even though they weren't his ideas. And he decided to make Sitwell proud.

8.28.0
S2E07

Michael · George Michael · Narrator · Gob:You better pull an ankle or something. — Come on, George Michael! Get that ball in there! — [Narrator] Then he went headfirst into The Wall. — I'm safe. — You're out! — Out? I was safe! I'm safe!

8.58.8
S2E07

Gob · Michael · Narrator:Michael, I could've sworn I just saw Dad. — Or not. I think hallucination is one of the side-effects of Teamocil. — [Narrator] It isn't.

8.58.8
S2E08

Narrator · Gob:Narrator: 'His ideas failed to evolve.' — Cut to Gob pitching 'Swing City'

7.67.0
S2E08

Narrator:Narrator: 'A spokesman for Mr. Jones denies they've ever met, although he could not explain the six signed gold records in Starla's apartment.'

8.58.8
S2E08

George Sr. · Narrator:George Sr. reads the script Maeby dropped. His note: 'Armageddon. That's a bad title.'

7.57.0
S2E08

Narrator · Michael:Narrator: 'Michael had just indulged himself with an expensive sports car—' [cuts to Michael already at the dealership signing] 'And here again, please.'

7.36.8
S2E08

Michael · Narrator:Michael: 'Did you guys not read the letter?' Narrator: 'None of them had read past the word "unfrozen."'

8.08.2
S2E08

Narrator:Narrator: 'Starla being a woman that wasn't 70.'

8.18.0
S2E08

Narrator:Narrator: 'I guess she didn't see the drawings.'

8.38.5
S2E08

Narrator · Lindsay:Narrator: 'Tobias didn't want to sell his new club, but Lindsay did. Which is why she hired several members of a local stripper agency called the Hot Cops to pose as the roughnecks.'

7.77.5
S2E08

Narrator:Narrator: 'And at the "Tobias is Queen Mary"...'

7.77.8
S2E08

Narrator:Narrator: 'Meanwhile, Michael and Lucille 2 arrived to find the club nearly empty. Although Michael would have fit in perfectly.'

7.87.8
S2E08

Narrator · Lucille 2:On the next Arrested Development: Lucille 2 'reclaims some space.' [Implied: she moves the wall back or goes further]

7.16.5
S2E09

Michael · Narrator:Michael's only music is 'either instructional or humor,' and he's particularly fond of the Jerky Boys.

7.56.8
S2E09

Lindsay · Narrator:Lindsay claims she 'stopped by' the protest but 'hadn't chosen a side' — then we see her shouting 'MURDERERS! YOU'RE ALL MURDERERS!' while someone else advocates for gun rules.

7.87.7
S2E09

Narrator:The protester turns out to be 'People's Choice nominated actor Moses Taylor, famous for his portrayal of the rule-abiding detective Stop Sign, Frank Wrench, star of the television show Wrench.'

7.47.3
S2E09

Narrator:TV news: 'Plus, another wolf sighting in the park. What that means for your weekend...'

7.26.8
S2E09

Narrator · News Anchor:News broadcast teaser: 'Another wolf sighting in the park. What that means for your weekend...'

7.26.8
S2E09

Michael · Narrator:Michael says 'We're done pampering ourselves in this family' — cut to him immediately calling to order the biggest air conditioner available for the banana stand.

7.47.2
S2E09

George Sr. · Narrator:Flashback to young Michael at the golf course: George Sr. shouts 'IT LOOKS LIKE MY BOY IS GONNA BE STICKING IT TO YOUR DAUGHTER, SITWELL. STICK IT TO HER. STICK IT TO HER.'

7.27.3
S2E09

Narrator · Tobias:Narrator: 'Tobias came across a flyer that promised to improve both his masculine self-image and his financial standing. They're literally blue, not sad.'

7.67.0
S2E09

Narrator:Narrator: 'And so lunch continued with both Bluth boys trying to prove they weren't interested in the women they were interested in.'

8.07.7
S2E09

Michael · Narrator · George Sr.:Michael's credit card is declined at the club — 'In fact, the increased activity on Michael's card was his father's.' — cut to George Sr. having a hot tub installed in the attic.

7.67.3
S2E09

Lindsay Fünke · Narrator:Lindsay, dazed: 'I'm being saved by Frank Wrench.' Narrator: 'No, you're not.'

7.87.8
S2E09

Narrator:Narrator reveals Moses Taylor was 'just trying to distance himself from the outlandish Moses Taylor Hunts People scandal that had been started by a rabid anti-gun fanatic.'

7.97.7
S2E09

Narrator · Michael:Narrator: 'Michael did look heroic as he went to put out the fire. Unfortunately, Sally arrived too late to see him that way.'

7.67.5
S2E09

Narrator · GOB · Lucille:Narrator: 'And GOB was just depressed enough to do so.' — after Lucille asks him to bid on her.

7.06.5
S2E09

George Michael · Narrator:George Michael about the bonfire: 'I hope I didn't confuse people by saying it was a CD burning party.' Cut to: a massive rave-like party with people burning CDs they just made.

8.69.0
S2E09

Ann Veal · George Michael · Narrator:Ann: 'Hey, Rubberneck.' Narrator: 'He knows it was us.' George Michael: 'What?'

7.57.3
S2E09

Narrator · George Sr.:On the next Arrested Development: George Sr. shows up to bid on Lucille, but 'the sound of his wolf call and the smell of chicken teriyaki interfere.'

7.97.7
S2E10

Michael · Narrator:Michael tells George Michael the Valentine's basket is 'for us' — narrator immediately cuts to Michael at Sitwell Enterprises trying to set up a date with Sally.

7.97.7
S2E10

Michael · Stan Sitwell · Narrator:Michael at Sitwell's: 'This is not for her. It's for my son. Just don't tell her I came by.' — The narrator reveals Michael was actually talking to Sally's father the whole time.

7.36.8
S2E10

George Sr. · Narrator:George Sr. gets himself wedged under the furnace chasing a sour ball that rolled out of his pocket.

8.98.8
S2E10

Narrator · Jack Dorso:The Jack Dorso origin story: radio/film serial 'Red McGibbon and Bullet: Nazi Hunters.' Bullet's catchphrase is 'Shoot me!' which everyone literally does — glass shatters, gunshot sounds.

7.77.5
S2E10

Narrator:The narrator explains the audience wasn't ready to accept Bullet as a romantic lead 'despite his powerful upper body.'

7.87.5
S2E10

Jack Dorso · Narrator:Jack Dorso's annual birthday feat of strength: 'Five pounds for each year of my life.' He loses the use of his legs on his 70th birthday — 'Release!' [Cracking] 'Too much!'

7.97.7
S2E10

Buster · Narrator:Buster has been using his 'army stealth training' to sneak in and out of Lucille 2's apartment — hiding behind doors, grunting 'Makin' that love.'

7.37.0
S2E10

Narrator · Buster:Narrator: 'And perhaps it was screaming it out loud that made Buster realize that he missed Lucille 2.'

7.16.3
S2E10

Lucille · Dragon · Narrator:Jack Dorso is announced as 'half deaf.' Lucille says it was 'a stupid, stupid hire.' Dragon mishears 'higher' and positions himself at eye level.

7.77.3
S2E10

Michael · Narrator:Michael offers his sister to Jack Dorso for money. Narrator: 'Michael was torn. The business meant the world to him, but his sister's honor — ' Michael: 'Let's do it. Let's go share the good news.'

8.68.7
S2E10

Narrator:Narrator: 'Michael had offered his sister to his UncleJack in exchange for money to save the company. Remember, it's not their real uncle.'

8.08.0
S2E10

Narrator:[Narrator] Meanwhile, Buster had decided to pursue a new girlfriend: His old girlfriend.

7.77.0
S2E10

Narrator · Stan Sitwell:Narrator: 'Lucille 2 showed up with Stan Sitwell, who did look a little like Edgar Winter.'

7.47.2
S2E10

Narrator · Jack Dorso:The narrator notes the spa jets proved too powerful for Uncle Jack's tiny legs.

7.57.0
S2E10

Tobias · Narrator:Tape: 'I wouldn't mind kissing that man between the cheeks, so to speak.' Tobias finally realizes something is wrong. Narrator: 'And he realizes there is something distinct about the way he speaks.' Tobias: 'Tobias, you blowhard!'

9.19.3
S2E11

Narrator:The narrator warns against ordering the Skip's Scramble immediately after describing it as famous and containing everything on the menu.

7.87.3
S2E11

Narrator · Michael:Narrator reveals that their eight dates included 'a record-tying three lovemaking sessions in one night for Michael,' punctuated by Michael's offscreen 'Yes!'

7.98.0
S2E11

Gob · Narrator:Gob: 'Yeah, I keep forgetting that I got married.' / Narrator: 'Gob met a woman one night. And after a series of escalating dares, married her.'

8.08.0
S2E11

Narrator · Gob:Gob's wife is revealed to be 'a seal dealer' — she 'raised and sold seals to aquariums.'

7.67.2
S2E11

Lucille · Narrator:Lucille: 'Well, I may not have been a perfect mother. But, you know, kids don't come with a handbook.' Narrator: 'In fact, there are thousands of books written on child-rearing. But Lucille was in denial.'

7.77.3
S2E11

Barry · Narrator:Barry: 'You know who's defending the fatty? Maggie Lizer.' — introducing Maggie as the opposing counsel in the fat suit case.

7.67.3
S2E11

Narrator · Michael:Narrator explains Maggie was 'both pretending to be blind and prosecuting the family' during her affair with Michael. 'It was with her he'd first set the three-time record. Yes!'

7.47.5
S2E11

Narrator · Judge Ping:The judge has his bailiff assemble an 'Ocean-Sounds Toddler Rocker' as a gift for Maggie's baby — in chambers.

7.57.3
S2E11

Narrator:Narrator: 'Michael had just learned that the woman he'd been intimate with eight and a half months earlier was eight-and-a-half months pregnant.'

7.98.2
S2E11

George Sr. · Narrator:George Sr. is wearing the 'God costume' from the annual Living Classics Pageant — a recreation of Michelangelo's Creation of Adam where he plays God.

7.87.5
S2E11

Narrator:Narrator: 'This was a big get for God.' — on Ann converting the grief-stricken Lucille to prayer.

8.28.3
S2E11

Michael · Narrator:Michael breaks up with Maggie: 'Good-bye. It's been fun—' [pause] '—not.'

8.48.7
S2E11

Barry · Narrator:[On the Next] Barry: 'The fat girl in my Skip Church's case? Not fat. The attorney bought her a fat suit.' / 'I've got another case. Maggie is suing you for paternity.'

7.47.3
S2E11

Narrator · Buster:[On the Next] 'Loose seal! Watch out for loose seal!' / 'I don't care about Lucille! She lies!' / Narrator: 'And then a seal bites off his hand.'

9.810.0
S2E12

George Michael · Narrator:Ann's religious group is trying to get Nip/Tuck off the air. 'Ironically, she likes Gangy.'

7.57.0
S2E12

Narrator · George Michael:Narrator: 'Michael hadn't seen her in eight and a half months, during which she had filled out.' George Michael: 'Really? Could have sworn it was a year.'

8.07.7
S2E12

Narrator · Lindsay · Tobias:Narrator reveals Lindsay and Tobias broke into Maggie's house to hide in her bathroom and collect/test her urine.

7.16.7
S2E12

Maggie · Narrator:Maggie: 'Oh, you're so right, Michael, 'cause I'm fakin' it—' Narrator: 'But he was proven wrong.' Maggie: '—Not.'

7.77.5
S2E12

Lucille · Oscar · Narrator:Lucille: 'I don't know which one.' Oscar: 'The hand.' Narrator: 'I do.'

7.77.5
S2E12

Narrator · Buster:Buster was attacked by 'a loose seal' — audio of seal barking.

9.39.5
S2E12

Michael · Narrator:Narrator: 'Michael had always thought of himself as that great a guy. The kind of guy who could raise someone else's baby.' Michael: 'Of course I am.' Narrator: 'But he wasn't — and he regretted it the moment he said it.' Visual of Michael mouthing silent words.

8.58.3
S2E12

Lindsay · Tobias · Narrator:Lindsay and Tobias claim to know where their daughter Maeby is. 'She's with her debate club, and they're on their way to Sacremende for the semifinals.' Narrator: 'She wasn't. And a Google search of the word "Sacremende" only came up with this.'

8.07.8
S2E12

Michael · Narrator:Michael: 'For once, I'm one lie ahead of Maggie Lizer's lies.' Narrator: 'In fact, Michael was one lie behind her.'

7.87.7
S2E12

Narrator · Tobias · Lindsay:Narrator: 'It was Loretta's urine that Tobias and Lindsay ended up testing — a fact they missed when they were making out in the shower.'

7.37.7
S2E12

Narrator · Lucille:Narrator: 'And back at the penthouse, Lucille was praying for the second time in her life.'

7.97.5
S2E12

Narrator · Buster:Narrator: 'It was at that exact moment that Buster did forget he'd lost his hand.' — as Buster's prosthetic hook catches in something and he screams.

8.38.0
S2E12

Gob · Buster · Narrator:Gob confesses to Buster that the seal was his, gives a tearful truth-telling moment. Buster: 'You did this to me?' Gob: 'Yeah.' Narrator: 'And Gob was about to experience something that didn't feel that good.'

7.87.8
S2E12

Michael · George Michael · Narrator:Michael tells George Michael: 'You're the only son I've ever needed.' Bell dings. Narrator: 'That's all the adventure I've ever needed.' Then Michael sends George Michael to 'M. Main floor.' Narrator: 'But M didn't stand for main floor.'

7.97.8
S2E12

Narrator:PA System: 'Dr. Ward to the morgue, please. Dr. Ward to the morgue, please. Stat.' [Tool whirring sound]

7.17.0
S2E12

Michael · Maggie · Narrator:Michael and Maggie make a vow: 'No more lying. No deceit, no sex. Everything.' Narrator: 'But that, too, turned out to be a lie.'

7.57.3
S2E12

Narrator · Buster · Gob · Doctor:On the next AD: Buster and Gob 'find themselves closer than ever' after Gob's hook is lodged in Buster's ass. Doctor: 'You've still got a hook in your ass.'

8.28.5
S2E13

Lucille · Michael · Narrator:Lucille is already dressed, made up and waiting for Michael at an ungodly hour — narrator notes 'which put her wake-up time in the 3:00, 3:30 area'

8.27.5
S2E13

Narrator:'As one entered sexual maturity, and the other one left it, it became harder to win.'

8.68.5
S2E13

Michael · Lucille · Narrator:Michael: 'That could have something to do with the fact that a seal ate his hand.' / Lucille: 'I don't know what it is.' / Michael: 'I think that's what it is.' / Lucille: 'Who knows?' / Narrator: 'It was that.'

8.58.3
S2E13

Narrator · George Sr. · Bluth Children:The Bluth children had been uneasy about missing limbs since their father used a one-armed man to teach them lessons. ['That's why you don't yell.'] / [All Whimpering]

8.38.5
S2E13

Tobias · Narrator:Tobias's vanity plate for being cast as 'Frightened Inmate Number Two' — and the narrator notes 'this wasn't the first time'

8.17.8
S2E13

George Sr. · Narrator:George Sr. is secretly living in the attic — narrator reveals this while George Sr. tries to be friendly to passing family members: 'Nellie. Now — who wants to take their top off?'

7.57.2
S2E13

George Michael · Michael · Maeby · Narrator:George Michael: 'What? Why? Because I'd miss school?' / Michael: 'No.' / George Michael: 'You get to miss school for that?' / Narrator: 'And that's when Maeby decided to become a devout Christian.'

7.67.3
S2E13

Gob · Narrator:Gob had once gotten married on a dare — a fact he'd only remembered when he was served with divorce papers.

8.17.7
S2E13

Michael · Gob · Narrator:'That would be disgusting if you'd actually slept with her, but I don't think you did.' / 'I did! And it was disgusting.' / Narrator: 'They didn't, but it would have been.'

8.48.5
S2E13

Carl Weathers · Narrator:Carl Weathers: 'Did you know that you can get a refill on any drink you want here, and it's free?' / [Laughs] / Narrator [chuckling]: 'It sure is.'

8.28.3
S2E13

George Michael · Lucille · Narrator:George Michael dressed in a sailor suit by Lucille — who claimed they were going to the Promise Land — being taken to Motherboy instead

8.18.0
S2E13

Narrator:Narrator: 'No, he was going south.' / [pause] / 'South to Motherboy.'

7.77.5
S2E13

Gob · Narrator:Gob: 'Well, we did have sex. And I'm not a great liar.' / Narrator: 'Both things he just said were lies.'

8.48.3
S2E13

Michael · Narrator:Michael spots a 'very bored-looking little Sonny Bono on that balcony' — meaning George Michael in the sailor suit variant.

7.47.0
S2E13

Narrator:Narrator: 'And so Gob set about consummating the marriage he'd finally agreed to claim he hadn't.'

8.58.2
S2E13

Lucille · Narrator:'And back at Motherboy XXX, Lucille was finding her new partner an asset.' / Lucille to the judges: 'Is this your son?' / Lucille: 'No, I'm his grandmother. He's an orphan.'

6.76.3
S2E13

Michael · Buster · Narrator:Michael: 'I create a diversion, and you grab George Michael and go. We need a name.' / Buster: 'Maybe "Operation Hot Mother."' / Narrator: 'No, let's try to top that.' / Narrator: 'They never did.'

8.48.2
S2E13

Michael · Buster · George Michael · Narrator:Michael, Buster, and George Michael arrive at the Promise Land — Buster holds a 'Saddest' trophy

7.87.8
S2E13

Maeby · Buster · Narrator:Maeby tells a campfire horror story: 'Knock, scrape. The only thing more terrifying than the escaped lunatic's hook was his twisted call!' / Buster appears: 'Hey, campers.' / Kids scream. / 'I'm a monster!'

8.99.2
S2E14

Michael · Narrator:Michael was surprised to find the house still a mess a week after the fumigation — narrator reveals Michael was hiding his father in the attic, making his request to clean up self-sabotaging

8.07.5
S2E14

Lindsay · Lupe · Narrator:Lindsay intercepting Lupe (her mother's housekeeper) as she arrives for work and taking her to the Bluth house to clean — 'Can I take you the rest of the way? Almost done. Yours... or Mister's?'

7.36.8
S2E14

Tobias · Narrator:Tobias takes up residence in Detective Frank Wrench's apartment on the set of the TV show 'Wrench.'

7.97.5
S2E14

Family members · Narrator:Home video reveals: 'Is that Qusay Hussein at the omelet bar?' / 'Look at this. These guys move, they don't get paid.'

7.77.7
S2E14

George Michael · Narrator:George Michael's home video turns out to be a Star Wars reenactment — narrator: 'as a 13-year-old, George Michael had been heavily influenced by the Star Wars films and had endeavored to recreate his favorite moments'

7.37.3
S2E14

Buster · Narrator:Buster videotaped himself recreating moments from Chicago — then also liked Star Wars — visual of Buster in a full dance costume, then presumably with a lightsaber

8.38.5
S2E14

Narrator · Buster:Narrator: 'He also liked Star Wars.' — after showing Buster's elaborate Chicago dance video

8.69.0
S2E14

Lindsay · Lupe · Narrator:Lupe feels sorry for Buster's loss of a hand; Lindsay feels sorry for her loss of Lupe — visual of Lindsay dramatically mourning without a housekeeper

8.27.8
S2E14

Lindsay · George Sr. · Narrator:Lindsay finds Polly the parrot (George Sr.'s only friend in the attic) and thinks of eBay: 'I haven't seen this in ages. Ebay!' — narrator: 'Unfortunately, it was a new friend to George, Senior. Polly!'

7.36.8
S2E14

Security Guard · Narrator:The security guard who escorts Gob out 'had recently lost half his tie to office magic.' / Guard: 'Oh, I don't mind.'

7.97.7
S2E14

Tobias · Lindsay · Narrator:Tobias arrives as 'Mrs. Featherbottom' — a female housekeeper from 'Blackstool' — wearing drag and a British accent

7.38.0
S2E14

Narrator:Narrator: 'It was the exact plot of the film Mrs. Doubtfire. There was also some Mary Poppins in there.'

8.48.8
S2E14

Narrator:Narrator: 'Michael realized that he had lived like Gallant, and if he wanted some dirty tricks to help his son's election, he would have to find Goofuth.'

8.08.0
S2E14

Narrator · Ann:Steve Holt's campaign video was produced by Ann Veal — revealed as a surprise

7.87.5
S2E14

Narrator:The Star Wars footage appears mid-attack-video: 'Uh-oh... I couldn't find another tape.'

8.58.8
S2E14

Steve Holt · Gob · Narrator:Steve Holt tracks down his real father — the scene cuts to Gob. Steve: 'I've been wondering my whole life who he is. A scientist, a doctor, a senator...' / Narrator: 'Well, we got some bad news.'

9.09.5
S2E15

Narrator · Michael:Narrator undercuts Michael's claim about blueprints: 'Well, that part wasn't true. But they would've.'

8.27.5
S2E15

Narrator · Starla:Narrator reveals Starla was bitten by 'a well-known music producer's guard dog'

6.86.2
S2E15

Gob · Store Owner · Narrator:Gob spots the Sword of Destiny and the store owner's explanation that it contains ancient magic — followed by the narrator's non-sequitur: 'Still, where'd the lighter fluid come from?'

7.67.2
S2E15

Narrator:Narrator, about the flaming lighter fluid: 'Still, where'd the lighter fluid come from?'

7.87.3
S2E15

Narrator · Michael · George Michael:Narrator: 'And Michael rushed home to teach his son to drive' — followed immediately by Michael explaining the stair car's quirks

7.47.3
S2E15

Narrator · Michael:Michael is immediately hit (presumably by the stair car steps) mid-lesson, the narrator commenting: 'And that's when Michael decided that perhaps it was time for a sick day'

7.27.0
S2E15

Narrator · Michael:Michael gets hit by the stair car during the lesson. Narrator: 'And that's when Michael decided that perhaps it was time for a sick day.'

7.36.8
S2E15

Narrator:Narrator: 'Tony Wonder had startled the world by baking himself into a loaf of bread. He sold DVDs of it on his Web site, which many claimed suffered due to its pop-up ads.'

8.28.0
S2E15

Narrator:Narrator: 'Michael realized he was going to wake up to nothing but trouble.' — as the news reveals George Sr. is in Iraq

6.36.2
S2E15

Tobias · Narrator:FBI news broadcast plays the tape — which ends with Tobias in turban saying 'This is my demand. Booyah!'

8.18.2
S2E15

Narrator:Narrator: 'Actually, he'd been hiding inside the dumbwaiter for over 20 minutes, waiting for someone to use the word wonder.'

8.68.7
S2E15

Narrator · FBI Agent · Tobias:FBI interprets George Sr.'s message tape as a 'terrorist training film' — the footage is Tobias in karate gear shouting 'You're not half the man he was!'

8.38.5
S2E15

Narrator · FBI Agent · George Sr. · Michael:FBI footage reveal: 'We think it's a terrorist training film.' Cut to: George Sr. yelling at Michael while Michael does push-ups. 'You're not half the man he was!'

8.38.5
S2E16

Narrator · Tobias:Narrator reveals Tobias had been posing as an English nanny named Mrs. Featherbottom

8.47.7
S2E16

Michael · Narrator:We just call it a sausage. [Narrator] The family, of course, knew it was Tobias...

7.77.3
S2E16

Narrator:But the house had never been cleaner.

7.77.2
S2E16

Narrator · Gob:Franklin said some things Whitey wasn't ready to hear. / He also said some things that African-Americany wasn't ready to hear either.

8.28.5
S2E16

Narrator · Lindsay:[Narrator] In fact, Lindsay was currently wearing it on her middle toe, roast beef.

9.09.2
S2E16

Narrator:[Narrator] And that's when Michael devised a new plan to win the Veals' disapproval.

7.47.0
S2E16

Michael · Narrator:You'll understand when Maeby starts getting proposals. / [Narrator] Actually, Maeby had given two that day.

8.38.2
S2E16

Narrator:[Narrator] Michael had just been kissed by the mother of his son's girlfriend.

7.87.7
S2E16

Narrator:[Narrator] Michael had just been kissed by the mother of his son's girlfriend.

7.36.8
S2E16

Narrator · Lucille:[Narrator] And Lucille awoke, half in the bag. / What am I doing in a Nordstrom bag?

8.78.8
S2E16

Narrator · Oscar · George Sr.:[Narrator] Oscar charged at George Sr., finally willing to fight for Lucille. But they did think alike... and neither could land a blow.

8.68.5
S2E16

Tobias · Narrator:Look at all the bobbies. [Chuckles] / Oh, no. My wig seems to have run off. / [Narrator] On George Sr., as it turned out.

8.08.0
S2E16

Narrator · Buster:[On the next Arrested Development] Buster finds someone else interested in kissing his hook. / Oh, God! / Drug dog's got something. Get him, Bennett!

7.77.3
S2E17

Narrator · Michael · George Sr.:Narrator reveals Michael asked Lucille to call the fumigators 'long before he began hiding his fugitive father in the attic'

7.77.5
S2E17

Narrator · Lucille · Lupe:Narrator reveals Lucille didn't actually clean the house — she intercepted Lupe (her mother's housekeeper) mid-commute to do it for her

8.18.0
S2E17

Narrator · Lupe · Lindsay:[Narrator] 'Lupe never accepted a ride from Lindsay again.'

7.87.8
S2E17

Narrator · Tobias:Tobias takes up residence in the apartment of 'Detective Frank Wrench' on the set of the TV show 'Wrench'

7.87.3
S2E17

Narrator · George Michael · Gob · George Sr.:Narrator reveals George Michael re-enacted Star Wars scenes — including 'You cut off my hand!' / Gob: 'Worth every penny.'

8.68.8
S2E17

Narrator · Buster:Narrator: 'Not so. Buster had once videotaped himself re-creating moments from his then-favorite film, Chicago.' / [Buster trilling and dancing] / 'He also liked Star Wars.'

8.78.8
S2E17

Narrator · Michael:Star Wars theme plays when Michael suggests George Michael run for president because 'you are George Michael!'

7.47.2
S2E17

Narrator:Narrator: 'As Lupe felt sorry for Buster's loss of a hand, Lindsay felt sorry for her loss of Lupe.'

8.28.3
S2E17

Lindsay · Narrator:Lindsay discovered a garbage problem from cleaning one room — and found eBay while stashing trash

7.77.5
S2E17

Lindsay · Narrator:Lindsay, searching for somewhere to dump garbage, discovers eBay: 'I haven't seen this in ages.'

6.96.3
S2E17

Narrator · George Sr.:Narrator: 'Unfortunately, it was a new friend to George Sr.' — implying George Sr. is also using eBay from the attic

7.77.5
S2E17

Narrator:Narrator: 'The guard had recently lost half his tie to Office Magic.'

8.07.8
S2E17

Tobias · Narrator:Man on set: '...dirty cop, so Frank Wrench is gonna clean ya.' / [sounds of a scuffle] / 'Why is this door locked?'

7.26.8
S2E17

Narrator:Narrator: 'It was the exact plot of the film Mrs. Doubtfire.'

8.58.8
S2E17

Narrator:Narrator: 'There was also some Mary Poppins in there.'

8.08.0
S2E17

Narrator:Narrator: 'Michael realized he had lived like Gallant, and if he wanted to help his son's election, he would have to find... Goofuth.'

8.58.7
S2E17

Gob · Narrator:George Michael's campaign video continues: 'George Michael Bluth is a cool guy. His dad is a powerful executive working for this man.' [photo of George Sr. — fugitive criminal] / 'The girls like him just fine. Young and old. It doesn't matter. In the dark.'

7.47.2
S2E17

Narrator:'Until this part.' — [Star Wars theme, George Michael's childhood re-enactment tape plays to the school audience]

7.88.2
S2E17

Tobias · Lucille · Narrator:'On the next Arrested Development' — Lucille finds a new housekeeper: it's Tobias again (as Mrs. Featherbottom), giving Lucille a ride in a car while doing laundry — 'Yoo-hoo! I'll take you the rest of the way!'

7.37.2
S2E17

Steve Holt · Narrator:'On the next AD' — Steve Holt tracks down his real father: 'a scientist, a doctor, a senator?' / 'Well, we got some bad news.' / 'Wow. Is that what's gonna happen to my hair?'

8.18.2
S2E18

Narrator:The narrator opening: 'Michael Bluth was working at home when he noticed something unusual.'

6.45.5
S2E18

Narrator · Oscar · Buster:Oscar secretly believes Buster to be his natural son — and greets him warmly saying 'Hey, Uncle.' Oscar replies 'I feel so responsible for that.'

7.36.8
S2E18

Narrator · Oscar · George Sr. · Buster:Oscar getting injured on a shoddy device George Sr. invented — when he forgot Buster was wearing a prosthetic hand. 'Buster! The Cornballer!'

7.47.5
S2E18

Oscar · George Sr. · Narrator:It's my father's fault! / My fault? I was trying to keep you from burning yourself, you idiot! / I mean, yes, yes. George Sr. Sure rushed this to market.

7.57.0
S2E18

Narrator · Maeby:Narrator: 'It wasn't great, and Maeby knew it.' — Maeby works at the studio that made the American remake of 'Dangerous Cousins'

6.86.3
S2E18

Narrator:The studio tried to avoid controversy 'by artlessly explaining that the two leads weren't biological cousins'

7.57.2
S2E18

Narrator · Tobias:The Blue Man Group has dropped their cease-and-desist and invited Tobias to audition

7.47.3
S2E18

Narrator · Tobias:Narrator reveals Tobias was 'asked to address a group of depressed men who had been described over the phone as blue' — cut to Tobias in full blue body paint addressing a depression support group

8.89.0
S2E18

Narrator · Kitty · Cal:[Narrator] And meetings with Kitty had never ended well. / Say good-bye to these. Spring break! Whoo! / Perhaps this'll jog your memory. / [Cal] Oh! They're crooked!

7.37.8
S2E18

Narrator · Gob · Franklin:Narrator reveals Gob made a recording called 'Franklin Comes Alive' — a racial harmony ventriloquism album — and plays a clip: 'It ain't easy bein' white / It ain't easy bein' brown / All this pressure to be bright / I got childrens all over town'

8.38.3
S2E18

Narrator · Gob:Narrator: 'But Franklin didn't want to kiss at all. Gob had soaked the puppet's mouth in ether.'

8.99.3
S2E18

Narrator · Gob · Michael:The incriminating photo is actually the card from Gob's unopened CD — the card with Gob's face on it, found by a traffic camera

8.58.8
S2E18

Ann · Narrator · George Michael:Ann: 'No, I want to get the whole church group together. We're gonna picket those bastards.' Narrator: 'George Michael had only heard Ann swear once before...'

7.77.7
S2E18

Ann · George Michael · Narrator:Narrator: Ann's previous swear was at a protest of Marc Cherry's home, executive producer of Desperate Housewives. Cut to Ann: 'It's a satire!' / George Michael: 'There's nothing funny about fornication!' / Ann: 'The bastard saw us!'

8.28.5
S2E18

Narrator · George Michael:'And the promise of another kiss was too enticing to turn down.' George Michael: 'Well, yes. The bastards.'

7.88.0
S2E18

Narrator · Gob · Michael:Guards play Gob's confiscated CD — the racial harmony ventriloquism album — in the prison. Michael hears it and realizes he can't turn Gob in.

8.18.0
S2E18

Narrator · George Michael · Maeby:Narrator: 'And that's when George Michael finally got close to Maeby — who, by the way, might not be his biological cousin.'

8.08.2
S2E18

Gob · Narrator:Gob hid George Sr. under the model home — the home that has just collapsed. 'Dad's gonna be crushed.' / 'You don't have to tell him!' / Narrator: 'But Gob was referring to his own father, who he had hidden under the house.'

8.28.3
S2E18

Gob · Narrator:Then Gob remembered that this meant Michael would have to go to prison — a moment of dawning horror at his own competence

7.87.8
S2E18

Narrator · George Sr.:Narrator: 'Later, while George Sr. was shaving his unconscious brother's head, he wondered whether there really was a reward, and if he could get it.'

8.48.5
S2E18

Narrator:'On the next season of Arrested Development' — the preview reveals Oscar going to prison after being framed by George Sr.

7.77.5
S2E18

Narrator · Oscar:'Oscar, robbed of his fingerprints, has difficulty proving his identity.' / Oscar: 'My hair's gonna grow back. You'll see.'

8.48.8
S2E18

George Sr. · Narrator:George Sr. turns out to be right about the effects of stress: shown apparently losing his hair in prison — 'What's happening to me? Why won't it grow back?'

7.97.8
S3E01

Lucille · Narrator:Narrator describes young Lucille releasing the emergency brake to roll her car into a lake, and Lucille responds 'Good for her'

8.48.5
S3E01

George Sr. · Young Gob · Narrator:Narrator reveals through flashback that young Gob was repeatedly ditched by George Sr. with escalating absurd excuses, ending in 'Come on, you're old enough to figure this out. I'm nailing this broad.'

8.68.8
S3E01

Gob · Narrator:Gob's speech about what he'll do if he has a son: will take him to the cabin / will promise to take him but not / but will never NOT tell him he's taking him and then NOT take him

8.68.8
S3E01

George Michael · Narrator:Narrator reveals George Michael slept outside NOT to see Michael but to hide from his cousin after 'an awkward incident' — they share a bunk bed

8.18.2
S3E01

Narrator · George Michael · Maeby:Narrator: 'They'd since been trying to avoid each other, which was difficult considering they shared a bunk bed.'

7.97.8
S3E01

Michael · Narrator:'There's only one sleeping bag, so we're gonna have to double up. Pigs in a blanket.' — immediately cut to: 'Sorry, pal, something came up.'

7.26.8
S3E01

Gob · Narrator:Gob says 'Yeah, like I'd ever hear from that son of a bitch' — cut to narrator revealing Gob received a letter from S.A.D. (a father-son reunion group) earlier that day

7.87.5
S3E01

Narrator:Narrator: 'So once again Michael went after the father who'd once again abandoned him, only to find he was about to do the same thing to his own son.'

7.97.5
S3E01

Young Steve Holt · Narrator:Flashback visual: a boy with a severed hand saying 'Hey Dad, look what I found.' / 'Anything for his father's approval.'

8.48.8
S3E01

Gob · Steve Holt · Narrator:Narrator reveals Steve Holt IS Gob's son through a montage of 'these girls got pregnant, this one had a baby, and that baby would grow up to be... Steve Holt!'

8.79.0
S3E01

Narrator · Gob · Steve Holt:Heartbreaking. / You look familiar. / I think that's because we actually kind of look alike.

7.47.3
S3E01

Narrator:Remember when I said Gob had a son? / I'm Gob. / I wasn't just saying that.

8.08.0
S3E01

Steve Holt · Narrator:Narrator: 'If Steve had had a father, he would've warned him not to go into the woods with strange men. But he didn't.' Steve Holt: 'Sure, let's go! Yeah, baby. Steve Holt!'

8.48.2
S3E01

Narrator:Reno is competing with Vegas's 'What happens in Vegas' campaign — the Reno version is implied to be much sadder

6.56.3
S3E01

Narrator:Swallows is 'a family-style restaurant by day and an anything-goes pan-sexual bazaar by night'

7.47.5
S3E01

Tobias · Michael · Narrator:Tobias is working at Swallows as a waiter — having 'destroyed his life' to join Blue Man Group, only to find the role was already cast

7.47.0
S3E01

George Sr. · Narrator:George Sr. hid as a Blue Man — 'until he choked on a marshmallow and almost died when no one noticed he turned blue'

8.68.8
S3E01

Narrator · George Michael · Maeby:Narrator: 'The kids found themselves closer than ever on the bumpy road to Reno.'

7.87.5
S3E01

George Michael · Narrator:'It's finally happening.' / 'It's never happening.' — Narrator's deadpan response to George Michael's excitement

7.67.3
S3E01

Michael · Narrator:Michael promises to tell the cops about Oscar 'before' taking his son camping — framed as a moral concession — 'Your uncle Oscar can stay in prison one more day, right?'

7.77.0
S3E01

Narrator:Narrator: 'Not according to that day's blog on imoscar.com'

7.87.7
S3E01

Narrator:Narrator: 'As Michael was forcibly taking his son out to the cabin, Lucille was ready to forcibly throw hers out.'

7.87.0
S3E01

Lucille · Narrator:'Well, that was a freebie.' — After Lucille presumably accidentally hits/hurts Buster (the narrator's commentary on off-screen slapstick)

8.07.8
S3E01

Narrator:Narrator: 'Gee, why wouldn't she want him back?' — after the Tobias tableau reveal

7.77.7
S3E01

Michael · George Michael · Narrator:The cabin has had its bedrooms 'trucked off' — Michael and George Michael are in an empty living room shell of a cabin

8.17.8
S3E01

Narrator:Narrator: 'And the next morning, Michael rose early to spend the day with his son, only to find himself, once again, dragged away by his family.'

7.77.8
S3E02

Narrator · George Michael:Narrator reveals the girl is his cousin Maeby, immediately after George Michael insists the girl isn't stupid.

7.27.3
S3E02

Narrator:Michael awoke to find his camping trip going south.

6.86.0
S3E02

George Sr. · Narrator:You gotta send me back to prison. / More touching.

7.26.8
S3E02

Gob · Michael · Narrator:He'd been ducking him ever since. / Tom? Come on over here. I've got a vitamin for you. / He's the one who can't see me. / Because you were hiding in the trick? / Illusion, Michael.

7.67.8
S3E02

Narrator · Michael:The clerk was asking for a bribe — but this was lost on Michael. / You guys do go for the jugular.

7.67.3
S3E02

Narrator:Not her. / Wait for it. [Visual: Michael spots Rita]

7.27.0
S3E02

Michael · Narrator:You know, and what is it with the fathers in this family always trying to deceive their... [Michael realizes George hired the British threatening man]

6.96.3
S3E02

Narrator:And that's when Michael realized that the man who threatened him must have been hired by George Sr.

7.46.8
S3E02

Michael · Rita · Narrator:Sorry, I just wanted to let you know that I'm not gonna be needing your passport after all... So it's bye-bye to Rita, then? / Yes, I'll shake your hand good-bye... I was wondering if you might want to... / I wouldn't. I'll make you blue.

7.36.8
S3E02

Narrator:Rita was just talking about the finger paint, but Michael didn't know that.

8.07.7
S3E02

Narrator:Had he been Jack the Ripper, he would have soothed himself in a most unsavory way. But instead he just sat in his car and ate a whole thing of candy beans.

8.18.0
S3E02

Narrator:It was a... bird day...

7.26.7
S3E02

Narrator · Gob · Tobias:And at that moment, Gob chose to show his own son what he was capable of. / I've decided I will be performing the feat... myself. / Wait. We're back to hair?

8.18.0
S3E02

Tobias · Narrator:Boy. Did I catch a break. [Tobias having found it too painful to part with his new hair, so he opted for a bald cap]

7.97.7
S3E02

Gob · Narrator:I'm sorry, Steve. I need to be a father. [Gob running through storm drains]

8.08.0
S3E02

Michael · Rita · Narrator:And then, just to prove to himself he wasn't a coward, he went one step further. [Michael kisses Rita]

7.26.8
S3E02

Narrator:For you see, Rita had a secret of her own.

7.97.8
S3E03

Bob Loblaw · Narrator:Bob Loblaw introduction — the attorney's name is itself a joke: 'Bob Loblaw' sounds like 'blah blah blah,' and his ad tagline 'Why should you go to jail for a crime someone else noticed?' is an absurdist non-sequitur

8.88.8
S3E03

Michael Bluth · Rita · Narrator:Michael describes Rita as 'exquisitely beautiful, fun, carefree, smart, full of surprises' — then the narrator reveals she's secretly working with a suspicious British man who's dropping her off

7.47.0
S3E03

Narrator · Rita:Narrator: 'Michael hurried to the British section of Orange County for his date — only to find that Rita had chosen Wee Britain's one American-themed restaurant.' A British man shouts 'American! Get out of the road!'

7.26.8
S3E03

Michael Bluth · Rita · Lucille Bluth · Narrator:Michael sees his mother appearing and immediately tells Rita he doesn't have a family: 'I don't have a family. I can't believe I've never told anybody that before.'

7.97.5
S3E03

Narrator:Narrator: 'It's probably because a seal bit off his hand. The army has taken to giving medals for being food.'

8.18.0
S3E03

Tobias Fünke · Narrator:Tobias: 'If this was a Lifetime Moment of Truth movie, this would be our act break. But it wasn't.'

8.17.7
S3E03

Narrator · Maeby Fünke:Narrator: 'Maeby was too young to know what to do. Ironically, in her after-school job as a movie studio executive, she'd just green-lit two films that dealt with the very issue.'

8.27.8
S3E03

Narrator · Buster Bluth:Narrator: 'Buster had overcome his fear of seals. Unfortunately, he'd done so by knocking out Michael's new girlfriend.'

8.28.3
S3E03

Michael Bluth · Narrator:Michael calls in: 'Hi, it's Michael. I will be coming to the party because I love you, too.' The banner 'Welcome Rita' is being taken down and they have to make a new one.

7.27.0
S3E03

Michael Bluth · Rita · Narrator:Michael brings Rita to the party. She sees the family. Everyone freezes. Narrator: 'Michael feared he'd been caught in a lie about his family. His family feared they'd been caught by a woman they clubbed, drugged and left on a bench. It was awkward.'

8.99.2
S3E03

Narrator · Michael Bluth:The banner is revealed: 'Family Love...' — apparently the rest is cut off or implies something inappropriate

6.66.3
S3E03

George Sr. · Narrator:George Sr. makes his escape through the back (avoiding the front door monitor) using the hydrogen balloons as a hot-air balloon escape

7.87.8
S3E03

George Sr. · Narrator:George Sr.'s balloon escape — narrator: 'But it turns out that hydrogen is more explosive than helium.' — and the balloons explode.

8.28.5
S3E03

Lindsay Bluth · Bob Loblaw · Narrator:Lindsay in a maid's uniform to 'work off her debt' with Bob Loblaw. Bob: 'Get a maid's uniform and come by my house around 7:00.' Narrator: 'There is no way to misinterpret that. Except the one.'

8.28.0
S3E04

Narrator · Michael · Lindsay:Michael was heading to work when he saw something he had never seen before lunch, his twin sister Lindsay.

8.07.5
S3E04

Michael · Narrator:Michael asks 'Snog? Is that another one of your new British-isms?' after unconsciously using the word himself

7.46.5
S3E04

Narrator:Narrator: 'Michael had recently fallen bum-over-noggin for a beautiful Englishwoman called Rita.'

7.66.8
S3E04

Narrator:Narrator explanation + WWII cutaway: 'Rita meant it in the British sense, meaning sweet or gentle, as in pussycat' — cut to soldiers calling a pacifist soldier a 'pussy' as a compliment

8.58.8
S3E04

Narrator:'When I miss your lips, I'll put a (bleep) in my mouth and think of you.' Narrator: 'That also had a different meaning over there.'

8.18.5
S3E04

Narrator · George Michael:Narrator: 'In fact, the only thing George Michael really liked was hanging motionless from the monkey bars. Which the President's Council on Fitness ranks as slightly easier than the slide.'

8.28.2
S3E04

Narrator:The State Fair is going to be a 'Church and State Fair' — the state ran out of money and a church agreed to fund it if they got a presence

7.47.3
S3E04

Narrator:Narrator: childhood progressive pageants claimed to celebrate beauty in all forms, 'but the winners still tended to have it going on in the conventional sense.'

7.16.7
S3E04

Maeby · Narrator:Maeby's pageant disguise: the Nicole Kidman prosthetic nose from The Hours, purchased by Jamie Kennedy at a charity auction for $10,000

7.57.2
S3E04

Buster · Narrator:'That spells Army' — Buster discovering that 'At Risk Male Youth' is an acronym for ARMY

8.28.2
S3E04

Steve Holt · Michael · Narrator:Steve Holt gives Michael pills he calls 'Oxy-Incontinent' — 'they keep you from being incontinent.' Narrator: 'Steve didn't have that quite right.'

8.38.7
S3E04

George Sr. · Narrator:George Sr. wanders into the wrong 'Startled Straight' tent — the church-sponsored one designed to scare gay men into heterosexuality

8.08.3
S3E04

Michael · Narrator:Narrator reveals the triathlon is tricycles, inflatable pools, and fathers/sons manacled together. Michael: 'What the hell is this?'

7.77.8
S3E04

Narrator:Narrator: 'It seems Gob was right about what happens to third-place contestants.' — Ann has met a man (Tobias)

8.18.2
S3E04

Michael · Narrator:Hey, do this with me! / And that's when Rita noticed Michael. / Wait for me! Wait for me!

7.37.3
S3E04

George Sr. · Narrator:George Sr. in a Humvee at the fair, attempting to escape — then choosing between the 'bulletproof' Pope Mobile and the Army Combat Humvee, 'and he decided to escape in the bulletproof one.'

8.28.2
S3E04

Rita · Michael · Narrator:Rita: 'You're a complete and utter (bleep).' Narrator: 'I can't believe we had to bleep that. It would have been such a nice moment.'

7.77.5
S3E04

George Sr. · Narrator:'On the next': George Sr. escaping in a fake Pope Mobile — 'a fake Pope Mobile can't stop real bullets.' George Sr.: 'Thank God I wasn't in the Humvee.'

7.77.8
S3E05

Narrator:I hate it when they hire Yanks to play Brits. You can always tell.

7.77.0
S3E05

Rita · Narrator:Whee! — And Rita was falling for Michael too.

8.07.5
S3E05

Narrator:Frank said CIA, a government agency that was responsible for this catastrophe. But Tobias thought he said CAA, a talent agency that was responsible for this one.

8.68.7
S3E05

Tobias · Narrator:Her grades are terrible. She's gonna start getting F's. — Actually, she'd already gotten one...

8.27.8
S3E05

Tobias · Michael · Narrator:She's that Rita Leeds? Wasn't she on the cover of Newsweek? — No. — Yes. — Michael was thinking of this man.

7.46.8
S3E05

Larry (surrogate) · Narrator:You like to build it with me? — Larry really never knows how to sell the sarcasm.

7.67.2
S3E05

Narrator · George Sr.:And that's when George Sr. Did a Web search for the words, 'Jet pants.'

8.48.5
S3E05

Lucille · family members · Narrator:And she's 'Britishish.' — She's a spy. — I haven't told Rita anything. — This was not strictly true.

7.37.0
S3E05

Narrator · George Sr. · Larry (surrogate):And Larry, the surrogate, showed up to pick up the jet pack... What is that, a train set? Look down, Larry. — No, not down at your feet. — Left. — My left, your right.

7.16.7
S3E05

Narrator · George Sr.:Actually, George Sr. was in the kitchen trying to soothe himself with an ice cream sandwich. And that's when he discovered a way to possibly slip by the sensors.

7.36.7
S3E05

Buster · Narrator:Maybe we could build our Tiny Town together. Do you want to, Dad? — Buster had always wanted to do the same with Gob.

7.66.8
S3E05

Narrator:Only Larry was disappointed. But he was such a pro you'd never know it.

7.77.0
S3E05

George Michael · Michael · Narrator:They dropped off the package you sent, but I don't think I'm old enough for it. — Of course you are. I want you to have a little fun. You're not gonna break anything. — But of course, Michael thought he was talking about the train set. Not the extremely dangerous jet pack the boy had just found at the front door.

7.87.5
S3E05

Narrator:Michael had just noticed that Rita was wearing a suspicious bracelet.

8.07.5
S3E05

Narrator · Maeby:And Maeby received a call about the latest lava cauldron accident. Already? It's only been an hour.

7.97.7
S3E05

Narrator · George Michael:George Michael, meanwhile, was trying to solve a mystery of his own. The jet pack had come with an instructional DVD that seemed to confuse more than clarify.

7.26.7
S3E05

Narrator:And it did seem like a lot of work for a little payoff.

6.86.2
S3E05

George Sr. · Narrator:Where the hell am I? — He was actually somewhere between the linen closet and the guest room.

7.46.8
S3E05

Buster · Gob · Narrator:I'm really glad that we're doing this together. I've never felt so close to you. — Oh! I feel the same way. — He's crying now. — Oh, God, look at us. We're like a couple of girls on the last day of camp.

7.47.0
S3E05

Narrator:He had, in the poorly narrated reality series, Scandalmakers.

8.17.8
S3E05

Narrator:Motoyoshi said, 'I thought the woman was pretending as a monster but she was just out of vodka.'

8.68.7
S3E05

Narrator · Tobias:So, as you can see, any rumor of a mole problem is completely untrue. But, unfortunately, this was just as Tobias appeared in his rented mole outfit.

8.89.3
S3E05

Narrator · Gob · Lucille:Lucille! — Who can save our village? — Michael! — As it turned out, it was George Michael who had finally gotten his grandfather's jet pack to work.

8.18.3
S3E05

Narrator:The Japanese were never to be heard from again.

7.97.8
S3E05

Narrator:But even a pro like Larry has a breaking point.

7.36.5
S3E05

Narrator · George Sr.:George Sr., disoriented in the walls, almost makes contact with a new mole. — Not that one. Wait for it.

8.07.5
S3E06

Narrator:Narrator: 'For Rita had only mentally progressed to the level of a first grader. Michael might have noticed her disability if it had not been masked by her English accent.'

8.28.3
S3E06

Lucille · Narrator · Michael:Lucille: 'People just see what they want to see. If she loved you, she'd show it.' — Narrator: 'Michael was worried — his mother may have been making sense.'

7.67.2
S3E06

Lucille · Michael · Narrator:Lucille: 'People just see what they want to see. If she loved you, she'd show it.' Narrator: 'Michael was worried — his mother may have been making sense.'

6.96.3
S3E06

Tobias · Narrator:Tobias: 'Oh, like when they say poofter to mean tourist, yes.' Narrator: 'Boy, that Rita's a smarty.'

8.78.7
S3E06

Narrator:Narrator: 'Actually, her record was 20 seconds.'

8.28.2
S3E06

Michael · George Sr. · Narrator:Michael calls his father from the hotel — awkwardly claims Rita is 'in the shower.' George Sr.: 'I'll wait.' Narrator: 'Let's wait.'

7.57.3
S3E06

Narrator · Michael:Narrator: 'And that local calls were $2.95 a minute.' Michael: 'Come on!' Narrator: 'That's where they get you.'

7.77.7
S3E06

Michael · Rita · Narrator:Michael and Rita escape on... something. Rita cheering 'Yay! Michael! Yay!' as they flee. Then they hit something: 'I hate that (bleep) doll.'

7.37.0
S3E06

Narrator · Michael · Rita:Narrator: 'And that's when it dawned on Michael.' — then plays back: 'Oh, you teach kids, huh?' / 'Oh, I like to think they teach me.' / 'That way I can see if you have a monster.' / 'Be careful.'

8.48.3
S3E06

Michael · Rita · Narrator:Michael 'tests' Rita: 'How many houses are there in the British Parliament?' Rita: 'Seven.' Michael: 'Are there?' Narrator: 'The answer is three.' Michael: 'Does sound about right.' Rita: 'Three is the correct answer.'

7.97.7
S3E06

Narrator · Michael:Narrator: 'And Michael felt he deserved a $15 thing of candy beans.'

7.77.3
S3E07

Narrator · Michael:Michael had been so devastated by their breakup that he'd even broken out the old guitar.

7.26.7
S3E07

Buster · Narrator:Stay in this box that Uncle/Father Oscar left behind. / In fact, it was a box of Oscar's legally obtained medical marijuana.

7.16.5
S3E07

Narrator · Bluth family members:'Herpes.' 'Shrinkage.' / Somebody saw Seinfeld last night.

7.88.0
S3E07

Narrator:'Neck flap.' / 'Ovarian cancer.' Gee, I wonder who that was.

7.37.0
S3E07

Narrator:The Bluths ended up raising over $25,000 to fight 'TBA.' / And then—and here's the really horrible part—they did it again the following year.

8.48.5
S3E07

Narrator:Keep fighting, little guy. With your support of the Bluth Foundation, we'll live in a galaxy where 'TBA' does not exist.

7.57.5
S3E07

George Sr. · Narrator:Uh, yeah, looks like I won't be going anywhere for a little while. What do I care, huh? I have a beautiful wife, I have a wonderful hobby. Hah— look at me, I'm having the time of my life! / His hobby was making papier-mâché copies of his own head.

8.38.2
S3E07

Narrator · Child actors:Warden Gentles had convinced his granddaughters' teacher to mount New Warden as a school play. / 'I understand I've been causing problems. Nobody sells any coke in this pen without daddy getting a taste.' / 'Beat him with a pillowcase full of batteries.'

7.67.7
S3E07

Lindsay · Narrator:Oh, right. Uh, he spoke at my school for a 'Startled Straight' assembly. / Actually, she'd met with him in the hopes of using his prison as a location for a film.

7.77.7
S3E07

George Michael · Narrator:Oh, I may skip that, I don't like galas. / Actually, he loved galas, all kids do.

7.77.3
S3E07

Narrator · George Michael:What he was having trouble with was looking directly at his dying uncle.

7.26.5
S3E07

Gob · Narrator:But, thankfully, he'd found a way to forget that. / I've got a thing of pills in my pocket. I don't suppose I could convince you to grab me one? / Luckily, that worked, too.

8.17.8
S3E07

Narrator · George Michael:George Michael was concerned about family love after reading Maeby's script, which he took as a subtle message to him from his cousin. / 'Anything can happen when two people share a cell, cuz.'

8.18.0
S3E07

Narrator:Oscar never got a chance to hide behind the mirror. Although, it wasn't the first time he'd been knocked out by a powerful lid.

8.17.7
S3E07

Narrator:And Michael himself was feeling a little like the host that the grafting family was rejecting.

8.17.5
S3E07

Michael · Narrator:I'll just stay here and read. / But this, too, would prove challenging, as the family had no books. / Other than those.

7.06.5
S3E07

George Sr. · Narrator:So he searched through Gob's magic stuff to find something that might. / Well, that was a freebie.

8.17.7
S3E07

Gob · Narrator:Yeah, Dad made me move my stuff out of Buster's room. / But only after hiding himself in the cage to get past the cops at the door.

7.77.3
S3E07

Michael · Gob · Narrator:Now just make sure you tell me before you hit any buttons. / Good. Now we know what the strap was for. / Okay. Under the crotch. / Need a new plan. Yeah.

7.47.5
S3E07

Michael · Gob · Narrator:Wish I knew the layout of this place. / Way ahead of you, Michael. Drew a map of it on my stomach. It's upside down, so it might be a little awkward. / It was awkward.

8.58.8
S3E07

Guard · Narrator:Hey, guys. / If you're gonna party, you want to bring it inside? / That was a freebie.

7.26.8
S3E07

George Michael · Maeby · Narrator:'Because anything can happen when two people share a cell, cuz.' / It's a line from New Warden. / Oh. Oh! Okay, yeah. / I don't know what I was worried about. / That would be the happiest moment George Michael would ever experience in his life.

8.08.2
S3E07

Narrator:And just as the prisoners had proven they could throw a gala as well as the rich, so the rich proved they could throw a riot just as well as the prisoners.

8.38.3
S3E07

Narrator · George Michael · Maeby:George Michael gets closer to his family. / That was close, huh, Maeby? / Oh, she's in the next cell. / Looks like we're gonna be sharing a cell all night, cuz. / George Michael experiences his unhappiest moment ever.

8.58.5
S3E07

Narrator · Buster:Buster tries to forget his recent losses by breaking out the old guitar.

8.07.7
S3E07

Narrator · Gob:And Gob finally faces a phobia he'd faced before. / No! Not here! / Wait. I've seen this before. / Oh, God, I've seen this before!

7.77.3
S3E08

Narrator · George Sr. · Michael:He's calling you a liar. I don't want your cards, Michael! / He believed it created a competitive spirit... He also believed footage of the tussles would be a big hit in the burgeoning home video market.

7.67.0
S3E08

Narrator:Boyfights 2, A Boyfights Cookout, and Backseat Boyfights: The Trip to Uncle Jack's 70th.

8.28.3
S3E08

Michael · Narrator:You guys are both gonna be sleeping with your eyes open. / Mom, however, will not have a choice.

8.48.3
S3E08

Narrator · Buster:The job was at an Iraqi-owned toy store that was hoping to deter shoplifting. / [visual: Buster with a hook hand standing by a store entrance] / They only wanted me because I had one hand. And I won't do it!

8.38.5
S3E08

Narrator:But FAO al-Jabaaly Muhammed a-Abat wasn't the only one having trouble scaring kids. So was Hollywood's third youngest movie studio executive, Maeby Funke.

7.46.7
S3E08

George Michael · Narrator:That's gonna be difficult. Plus, they have a very aggressive slogan. [visual: Gob's banana stand sign visible 20 feet from the Bluth stand]

7.47.3
S3E08

Narrator:A pulse makes him worth it.

7.87.5
S3E08

Narrator · Maeby · Lucille:That night, Maeby, displaced by Buster, heard a noise. / Hello? George Michael? / I'm thirsty. / And Maeby knew she had found her blood-sucking creature.

8.89.0
S3E08

Narrator:And they did. But it was less entertaining than you might imagine — no matter what music was put under it. / It was kind of funny to 'Yellow Submarine,' but who could afford it?

8.58.7
S3E08

Narrator:So here's what happened at the end. / [scene showing the escalated absurdity]

7.67.0
S3E08

Narrator:While Tobias was trying to get his mouth around Bob Loblaw...

8.38.2
S3E08

George Sr. · Narrator:I'm not going to resist you guys, because, you know, I don't want you to beat me. / But the mistreated painters were actually looking forward to that part.

7.87.5
S3E08

Narrator · Gob · Michael · George Sr.:And that's why you don't pit Gob and me against each other. / Yes! Yeah! / You set me up. / That's right! / No more 'Boyfights.' / J. Walter Weatherman was in on it, too? / Right from the very start.

8.48.5
S3E08

Police · Michael · Narrator:Freeze! Drop the gun. / We're just trying to teach this guy a lesson. / Drop the gun! / Oh, my God! Buster's good hand just... came... flying off.

8.38.3
S3E08

Narrator:And that's why you don't use a one-armed person to scare someone.

8.58.5
S3E09

Narrator · Buster:Children were neither to be seen nor heard at the school Buster had attended — the Milford Academy.

8.48.3
S3E09

Lucille · Narrator · Buster:He's like the steel man from The Wizard From Oz. / Tin man? / Is that what he's called? / He knows.

7.87.8
S3E09

Michael · Narrator:'Save Our Bluths' — S.O.B.s

7.67.7
S3E09

Narrator:Please tell your friends about this show.

9.09.3
S3E09

Lindsay · Narrator:Hot ham water.

8.58.5
S3E09

Narrator:Actually, it was because he was afraid his Aunt Lindsay was going to burn the house down.

7.47.0
S3E09

Narrator:He sent the man a basket of poisoned muffins. Do you know the Muffin Man? There's a reward in it if you do.

8.48.5
S3E09

Narrator · Buster:You can say what you want about the Milford Academy — the kids that came out of there were prepared for life. / Does anyone know how to eat one of these?

8.38.2
S3E09

Donny Richter · Narrator:Identical quintuplets, actually. There was Andy the showoff, Donny the sensitive one, Jerrifth the flirt, Rocky the risk-taker and Andy's stunt double, and Emmett who asked that we not show his picture.

7.88.0
S3E09

Narrator:Emmett who asked that we not show his picture. Although, composite photography tells us he'd look something like this.

8.18.3
S3E09

Narrator:The glitter queen struck again. Never hire Tobias Funke.

7.97.5
S3E09

Narrator · Gob:And Gob realized he'd accidentally worked a day in his life.

8.58.3
S3E09

Narrator · George Michael · Maeby:And that's when he decided it was time to cheat off of her. / It also gave him an opportunity to smell her neck.

7.77.5
S3E09

Narrator:Okay, we'll just tell you now. She's the one who dies.

8.79.0
S3E09

Narrator:We're veering away from relatability again.

8.48.5
S3E09

Narrator:I mean, think about it -- we can't show Emmitt without blurring him.

8.08.3
S3E09

Narrator:The speech was disturbing, the food inedible and the gift bags... pretty frightening.

7.77.5
S3E09

Narrator · Buster:Oh, and then that old racist woman choked on Buster's thumb. My thumb!

9.09.3
S3E09

Narrator:All in all, it was one of the Bluth's better dinner parties.

8.48.5
S3E09

George Sr. · Narrator:They're all sending in donations. And you know what key was? Your speech. It didn't sound desperate.

8.08.0
S3E09

Michael · Narrator · Director:They're all sending in donations. And you know what the key was? Your speech. It didn't sound desperate. / Well, I guess it really doesn't pay to be desperate. / It sure doesn't. And... cut!

7.87.8
S3E10

Narrator:Buster knew a great deal. For Lucille, almost nightly, got drunk and told him.

7.37.0
S3E10

Narrator:You know, Michael, just because you played a role, doesn't make it real. Of course, Buster did grow up to be Captain Hook.

8.89.0
S3E10

Lucille · Narrator:Oh, no. He thinks he's a lawyer again. / Devotees will remember that Michael once played a lawyer in a school play.

7.26.8
S3E10

Michael · Doctor · Narrator:Could that mean that he's faking it? / Highly likely this is fake, although there doesn't seem to be very much brain activity. / No, that's him.

8.38.5
S3E10

Narrator · George Sr.:Guess who liked that idea? / He says he doesn't want to do it. I'm actually trying to respect his choices lately.

7.47.3
S3E10

Michael · Narrator:Nichael Bluth? / Am I N. Bluth?

8.28.3
S3E10

Narrator:One room over, George Michael was also trying to convince someone to pursue a fake marriage.

7.97.5
S3E10

Maeby · George Michael · Narrator:We'd have to kiss. Wouldn't that be kind of weird after what we've been through? / Well, that was a long time ago. / It had been two months since they'd kissed.

8.18.0
S3E10

Narrator:And so, like many people who no longer felt anything for each other, they decided to get married.

8.58.7
S3E10

Narrator · Maeby:And Maeby did the thing she had always thought was so corny... / I can't do this. I can't do this. / ...and ran away.

8.38.5
S3E10

Narrator:And as George Michael acted like a boy becoming a man, Michael returned to his office to find a man acting like a boy.

8.37.8
S3E10

George Michael · Narrator:Yeah, it's my dad's exercise room. / Although for all her worldliness, Maeby was still a child in many ways.

7.26.8
S3E10

George Michael · Narrator:And I just feel now like we left a lot of old people sad there today. / Again, not true.

7.98.0
S3E10

George Michael · Narrator:I'm just saying maybe we could take those weird feelings and turn them into something positive. / He really wanted that kiss.

8.38.5
S3E10

Michael · Narrator:Hey, you guys know about this room, too, huh? I'm just looking for some evidence for my trial against Pop-pop. / For Pop-pop.

8.17.8
S3E10

Lindsay · Tobias · Narrator:I'm trying to get on with my life, and you know what? You can't deal with it. / No, I can't, Lindsay. You're not interested in me. And you're not capable of intimacy. / Well, just fake it! / Coma. / And believe it or not, that actually got through to them.

7.67.5
S3E10

Jan Eagleman · Narrator:We don't abandon each other. No one's closer than the Bluth family. / They were. / I now pronounce you husband and wife.

8.69.2
S3E10

Narrator:For, as it turns out, the fake priest was called to a patient's room, and Father Ben filled in, not knowing it was fake. Congratulations. And that's how the kids got married.

8.28.7
S3E10

Narrator · Announcer:The mock trial with J. Reinhold leads to imitators. All rise. Bud Cort is now in session.

7.77.7
S3E10

Narrator · Michael:And Michael discovers that he wasn't N. Bluth after all. / I have an older sister? / So much for not abandoning family.

8.79.0
S3E11

Narrator · George Michael · Tobias · Lindsay:Marital love can be so romantic. / What's that supposed to mean? / What? / Marital love. You were looking right at me, and you said 'marital love.'

7.26.8
S3E11

George Michael · Narrator:We're married? / ...was, in fact, as real and binding as the rice pudding the disoriented patients had thrown at them.

7.47.2
S3E11

Gob · Narrator:If someone was always asking you to embrace the Holy Trinity, what would you think they meant? / Gob thought it meant a three-way.

7.77.8
S3E11

Employee · George Sr. · Narrator:So, when do we get to see our new, fancy office? / Soon as you get your new, fancy job. / You're all fired.

7.57.3
S3E11

Narrator · Buster's Nurse:She found his complete lack of personality and movement enchanting. / I wish you would say something. Of course, if you did, everything would be ruined 'cause you wouldn't be as pure.

7.67.2
S3E11

Narrator:She grew into the nose.

8.38.3
S3E11

Michael · Nellie · Narrator:Michael and Nellie bond over an elaborate, boring locker story that goes nowhere — the narrator cuts away to check on other characters.

7.97.8
S3E11

Narrator:Nellie was just a great listener. / Most prostitutes are.

8.18.3
S3E11

Michael · Nellie · Narrator:How did you get into this line of work? / Well, I was buried in loan debt from business school, so I started whoring myself out. / Not that there weren't clues.

7.57.5
S3E11

Narrator:Nellie has blown them all away.

7.07.0
S3E11

Michael · Narrator:Franklin is Frank? / Mr. F.

8.48.8
S3E12

Narrator:Title card reads 'It's... Attested Development'

8.27.7
S3E12

Tobias · Michael · Narrator:Tobias explains finishing off the vodka: 'It goes bad once it's opened.' Michael: 'I think that's another one of Mom's little fibs. You know, like I'll sacrifice anything for my children.'

8.07.5
S3E12

Narrator · Michael · Maeby:Narrator: 'Actually, he'd already told her about it.' — immediately after Michael says he's planning a 'surprise' party for Maeby.

7.36.7
S3E12

Narrator · Tobias:Narrator: 'He's a classic scrapbooker. Right down to the woman's suit.' — as Tobias takes the scrapbooking flier.

7.36.7
S3E12

Buster · Narrator:Buster is serving as a 'live body' for medical students, a human canvas for beauticians, AND a set of teeth for at-risk youth dental trainees — all while 'in a coma.'

8.28.3
S3E12

Narrator · Buster:Narrator: 'That's okay, you put too much collagen in there. No, no, try it again.' — describing beauticians practicing on the comatose Buster.

6.96.5
S3E12

Narrator · Buster · Dogbone:Dental student named 'Dogbone' has his forearm on Buster's windpipe. Instructor: 'Oops, you've got your forearm right on his windpipe there, Dogbone.' Narrator: 'It really was amazing for their self-esteem.'

7.98.0
S3E12

Buster · Adelaide · Narrator:Adelaide tells Buster: 'Take a single step to show me your love, Gary.' — then Buster, who has been on his back for weeks, actually tries to step and falls. Narrator: 'It was love that made Gary take that step. Of course, he hadn't used his legs in three weeks.'

7.67.2
S3E12

Narrator:Narrator: 'And imagine the impact if that had come on right when we turned on the TV.' — after Gob's segment finally plays, way too late.

7.87.5
S3E12

George Michael · Narrator:George Michael considers Maeby's address book and decides 'I don't think Steve Holt has to come to this.' — but does invite Mickey Rourke.

8.07.8
S3E12

Narrator:Narrator: 'The scrapbooking sting had helped the D.A. gather evidence against people as diverse as Ken Lay... Oliver North, but ironically not Martha Stewart.'

8.48.7
S3E12

Narrator · Tobias:The scrapbooking class turns out to be a D.A. sting — the pre-made template pages include 'Foreign Bank Statements' and 'Shh! Family Secrets' alongside 'My Favorite Birthday.'

8.48.3
S3E12

Narrator · Adelaide:The taxi driver arrives and 'went into a coma as soon as they pulled up to the hospital.'

7.67.3
S3E12

Narrator · Buster:Narrator describes arriving in Iraq, then: 'He said he's taking surface streets to LAX because the freeway's backed up all the way to Knott's Berry Farm.' — the cab driver is navigating Los Angeles while purportedly in Baghdad.

7.77.3
S3E12

Buster · Narrator:Buster, instead of a cab, 'hired them the only rickshaw in Baghdad.'

7.98.0
S3E12

Narrator · American Instructor:The Iraqi prison guards are being trained by Americans — and they're practicing walking prisoners through a metal detector while forgetting to actually turn it on. 'The what? / The metal detector. / That's okay. Try again.'

7.97.5
S3E12

Gob · Narrator:Gob performs 'The Burning Bush' illusion — with the crowd chanting 'Burn Bush, burn Bush' — which gets mistaken for an anti-American political demonstration.

8.58.8
S3E12

Gob · Narrator:Gob: 'Oh shoot, I forgot to say good-bye to Yusef.' — then they're immediately released. Narrator: 'That was a lot easier than I expected. Almost too easy.'

7.87.5
S3E12

Gob · Narrator:Gob: 'Oh, shoot, I forgot to say good-bye to Yusef.' / [They immediately walk out of prison] / Narrator: 'That was a lot easier than I expected. Almost too easy.'

8.17.8
S3E12

Narrator · George Michael · Maeby:Narrator: 'But they didn't know it was the fake wine from Gob's magic show.' — as George Michael and Maeby happily drink.

7.67.2
S3E12

Gob · CIA · Narrator:The CIA staged an 'honor marathon' to get Gob to run — showing Gob running through the prison yard. Narrator: 'They thought he was sure to take advantage of.'

7.67.0
S3E12

Narrator · George Michael · Maeby:Narrator: 'And perhaps it was the fake wine, but that was the night George Michael and Maeby went to second base.'

8.38.5
S3E12

Narrator:Narrator: 'And so, with Operation Hot Brother a success...' — finally calling it by Gob's name.

7.06.7
S3E12

Narrator:Narrator: 'And so, with Operation Hot Brother a success...'

8.07.8
S3E13

Narrator:So why is this man crying? Because now he'll have to stay with these people for a long, long time.

8.28.2
S3E13

Narrator · George Michael:It was the monster called lust, to which he'd recently succumbed.

7.77.3
S3E13

Narrator · George Michael:Although he'd only gotten to second base, he'd gone in head first, like Pete Rose.

8.48.5
S3E13

George Sr. · Narrator:The Frozen Banana itself was the brainchild of a Korean immigrant who threatened to sue them. Your mother said she'd take care of it. The guy was deported to Korea the next day.

8.28.2
S3E13

Narrator:Where his business never recovered.

8.07.7
S3E13

Narrator · Gob:Michael went to cancel the reservation on the party boat Buster so feared. Gob! When he saw Gob on a party boat of his own.

7.47.0
S3E13

Narrator:Lighthouse wasn't far off.

8.28.2
S3E13

Lindsay · Narrator:!@%$, let me !@%$#%!@$%#@! Get your !@%$#%!@$%#@! Be gentle, she's almost 40!

7.37.3
S3E13

Narrator:He also mentioned that we all only had three more weeks on Earth and that fossils were just something the Jews buried in 1924.

8.48.5
S3E13

Narrator:And so, feeling that he couldn't go home, George Michael decided to seek out his own creepy uncle.

7.36.8
S3E13

Narrator:George Michael was about to come across a hot seaman of his own.

8.79.0
S3E13

Narrator:Gob had been dating Ann since he awarded her third place in an inner beauty pageant.

8.48.3
S3E13

Gob · Ann's friends · Narrator:What? I thought that's what all you guys lived for. / While Gob debased everything they believed in.

7.87.5
S3E13

Gob · Narrator:It's really not that big of a deal, George Michael. I'm 18 now. And besides, we really haven't even done anything. Practically nothing. But what are you gonna do? The girl obviously needs a man. And that's when George Michael became one.

8.38.2
S3E13

Narrator · Gob:Gob, angry at Michael for sending his son to the docks, went into a kind of knee-jerk revenge mode. / Why go for the best when you can go for the rest... of your life with a younger man?

8.48.3
S3E13

Michael · Narrator:My brother Gob, who I know would never do anything to hurt anyone in this family. / Except for dating his nephew's girlfriend and hitting on his adopted sister.

8.07.8
S3E13

Narrator:It wasn't exactly a turn-on.

7.97.7
S3E13

Lucille · Narrator · Hot Sailors:But Lucille was not going peacefully. / You boys know how to shovel coal? / I don't even wanna tell you what these guys thought that meant.

8.38.3
S3E13

Michael · Narrator:What the hell was that? / It was his mother, who moments earlier had taken control of another queen.

8.18.0
S3E13

Various · Narrator · Buster:It's moving! Oh, my God! / And Buster faced his second biggest fear. / I can't swim! I can't swim! / And then his first.

8.48.7
S3E13

Narrator:And the two grand ladies made their escape together.

7.67.0
S3E13

Narrator:It was Arrested Development.

7.97.7
S3E13

Narrator:Michael wakes up to another strange bedfellow after his first night at sea.

6.86.5
S4E01

Narrator · Lucille Bluth:The narrator explains Cinco de Cuatro originated as 'a particularly vicious response by a young Lucille Bluth to the Mexican holiday of Cinco de Mayo' — she invented a counter-holiday to deprive Mexican-Americans of party supplies

8.78.3
S4E01

Narrator:The narrator delivers a Grinch-parody passage: 'You see, the Hispanics of Newport liked Cinco a lot / but high up on Coast Highway, Lucille Bluth did not... And then Lucille had a horrible thought, a thought that was thoughtless and better to not.'

8.88.5
S4E01

Narrator · Unknown revelers:'Fill the bay with chorizo. Chorizo dump!'

7.57.2
S4E01

Narrator:Narrator notes the Festival of Lights is 'another phrase they wanted back'

7.26.7
S4E01

Narrator · Lucille 2:Lucille 2 is introduced as 'a longtime patron of the Bluth family' and the narrator immediately undercuts this: 'She certainly had demonstrated that with many of the men in the family... even having fallen for a few, although some of that was the vertigo she suffered from. But not all of it.'

8.48.2
S4E01

Narrator:Narrator: 'Later that night, after Michael did something unthinkable, he was looking for a place to hide'

6.86.8
S4E01

Narrator · Gob Bluth:Narrator reveals Gob has been taking Forget-Me-Nows (roofies) to erase his own memories: 'Gob had always taken a pill he called a Forget-Me-Now for that... but was commonly known as a roofie.'

8.28.2
S4E01

Narrator:The 'Arrested Development' theme plays and the title card reads: 'Now, the story of a family whose future was abruptly canceled and the one son who had no choice but to keep himself together.'

8.28.8
S4E01

Narrator:Narrator: 'Six months before the Forget-Me-Now, Michael had made good on a long-standing threat to go to Phoenix, and even though the Phoenix he went to was online, he still enjoyed the full college experience by living in a dorm room while doing so.'

8.18.0
S4E01

George Michael Bluth · Narrator · News Anchor:George Michael mentions wanting to 'wean off the name George Michael' due to embarrassing search results, and the news clip plays: 'It was in this men's room in -- get this -- Beverly Hills that singer George Michael was arrested for soliciting sex from an undercover cop.'

7.27.2
S4E01

Michael Bluth · Narrator · News Anchor:Michael suggests 'Boy George' as an alternative name, and the BBC news clip immediately plays: 'Singer Boy George in the news again today, this time for sexual assault in a men's public bathroom.'

8.28.7
S4E01

Narrator:'Prior to this, his only dream had been to possess the power of flight. But that one turned out to be not as much fun as he thought.' — followed by 'Loose seal! Loose seal!' audio clip

8.58.8
S4E01

Narrator · Michael Bluth:Michael has a detailed knowledge of maritime law from playing a lawyer in a school play called 'The Trial of Captain Hook' — and before that, 'his only dream had been to possess the power of flight. But that one turned out to be not as much fun as he thought. Watch out for the seal! Loose seal! Loose seal!'

7.67.3
S4E01

Narrator:Narrator: 'He simply traded his shares of the Bluth company to Lucille 2. Getting himself out, and giving the balance of power to a woman who had no power of balance.'

7.87.8
S4E01

Michael Bluth · Narrator:Michael dramatically announces 'You know what, I am done with this family' — and then the narrator immediately notes: 'But he did anyway.'

8.17.8
S4E01

Narrator:The narrator teases disaster: 'Michael truly felt that nothing could go wrong. And then something did. Not that. That happens all the time. This.' — followed by a housing market collapse news segment

7.77.3
S4E01

Michael Bluth · Narrator:The vote begins: Michael reads first vote — 'Michael' — then: 'Huh, what are you gonna do?' Second vote: '...Michael.' Narrator: 'Michael expected this, but didn't expect the sting. Wow.'

8.17.8
S4E01

Narrator · Michael Bluth:The narrator wonders why Michael opens the fourth ballot: 'Was it out of hope or confusion?' — and whatever is on it is worse than three Michael votes

7.47.2
S4E01

Michael Bluth · Narrator:Michael 'kicked himself for a pose he thought would express humility to Sanjiv, the Altitude photographer' — implying a deeply embarrassing photo in the magazine

7.77.5
S4E01

Michael Bluth · Narrator:Michael steps out of the Phoenix airport: 'Hope you know a good place to live because I'm... Ooh, dear Lord.' The narrator: 'Whoa, Mother of God! Dear Lord! Whoo!'

7.67.8
S4E02

Narrator:Narrator: 'Actually, George Sr. had come to the desert to escape questions'

7.97.8
S4E02

Barry's son · Narrator:Barry Zuckerkorn's son proposes they become a 'No Liability Corporation' — 'an NLC'

7.26.8
S4E02

Stan Sitwell · Narrator:Narrator explains alopecia renders Stan hairless — then Stan asks 'That's kelp; why would I put it onto my chest or head or anywhere else?'

7.16.5
S4E02

Narrator:Halliburton Teen — narrator reveals Halliburton rebranded as a youth lifestyle retailer

8.08.3
S4E02

Narrator:Narrator: 'It's also how their deep-water drilling enterprise spawned this company.' [showing Halliburton Teen graphic]

7.37.0
S4E02

Narrator:Narrator: 'As you can imagine, her letters really stood out.'

6.86.7
S4E02

George Sr. · Narrator:George Sr.'s noble speech about being 'the best brother in Southern California' — Narrator: 'George Sr. was going to say, by gouging the government...' / 'but he'd save that for Lucille.'

8.17.8
S4E02

Narrator · Lucille Bluth:Narrator: 'his wife was also confined to a smoke-filled room, having found a way around both the building's strict no-smoking policy... and the fact that her ankle monitor prevented her from approaching the balcony.'

8.17.8
S4E02

Narrator:Narrator: '...which is why this seat was empty at his wife's trial.'

6.96.3
S4E02

Narrator:Narrator: 'George Sr. had been passed out for two days after having a vision... which is why this seat was empty at his wife's trial.'

6.96.5
S4E02

Narrator:'He went to work on constructing a seminar, much of which he borrowed from his brief stint as a Jewish-y guru while in prison.'

7.56.8
S4E02

Narrator · George Sr.:George Sr. gets ordained online to avoid taxes: 'he needed to be actually ordained as a religious preacher to avoid tax implications'

7.67.2
S4E02

Narrator:Narrator: '"Squeeze" had two meanings.'

8.07.7
S4E02

Narrator:Narrator: 'which is why it seemed that Father B. was so resilient to the depleting effects of the sweat lodge' — because it was actually Oscar all along

7.36.8
S4E02

Narrator:'While Oscar was bushed.'

7.57.2
S4E02

Narrator · Lucille Austero:Lucille Austero: described as 'so pro-immigrant' — 'She'd even taken in a Latino foster child, which she denied was an attempt to bring in the Hispanic vote.'

7.36.8
S4E02

Narrator · George Sr. · Oscar Bluth:Narrator: 'George, who was acting more like Oscar, finally found Oscar, who was acting more like George.'

7.97.2
S4E02

Narrator:The on-screen graphic: 'We 12 publishes a rare retraction. Oscar confirms his suspicions of the wall while impersonating George Sr.'

7.26.7
S4E03

Narrator:Narrator: 'The hillside was also known for their bargains on designer handbags.'

7.77.2
S4E03

Narrator:Title card: 'It's Lindsay's Arrested Development.' The episode title screen parodies the show's main title with Lindsay's name.

7.97.7
S4E03

Narrator · Lindsay:Narrator: 'Lindsay was on a spiritual journey to let go of all possessions and to find something cute to keep her stuff in.'

8.58.2
S4E03

Narrator:Narrator: 'after finding out she wasn't born to the family she couldn't bear.'

7.46.8
S4E03

Narrator · Michael · Lindsay:Narrator: 'So, after getting briefly creepy with her brother... / Michael: I'm just not that into older women.'

7.47.3
S4E03

Lucille · Lindsay · Tobias · Narrator:Lucille: 'You cannot say one nice thing to your daughter, can you?' / Lindsay: 'Adopted daughter.' / Tobias (narrator intro): 'This is Tobias Fünke, who should have taken more.'

7.77.5
S4E03

Lindsay · Bystander · Narrator:Lindsay: 'My life is a fallacy.' / Bystander: 'Is that a gall see?' / Narrator: 'No, it's just a fallacy.'

6.86.3
S4E03

Narrator:Narrator: 'We loved that. Where's that from? It's from nothing.'

7.16.8
S4E03

Narrator · Lindsay:Narrator: 'Lindsay was looking for inspiration before she set out on her new path. And it only took until the 'Pray' section of Eat, Pray, Love for her to find it.'

7.16.5
S4E03

Narrator · Lindsay:Narrator: 'after an hour or so with SkyMall, where she was proud of herself for only buying two things: a self-cleaning litter box in case she ever got a cat, and an inflatable hat box in case she ever got a hat.'

8.38.2
S4E03

Narrator · Lindsay:Narrator: 'she got to a great article in the in-flight magazine and found herself filling up with inner peace and acceptance. I mean, not right away. That passenger had been pushing on her seat for, like, four hours.'

7.36.8
S4E03

Narrator:Narrator: 'Lindsay's journey to let go of her baggage got off to a bad start at baggage claim when she picked up the wrong baggage.'

7.06.5
S4E03

Narrator:Narrator: 'She had [been to the beach]. It was just too crowded to see the water.'

6.86.5
S4E03

Lindsay · Narrator:Lindsay: 'But I'm not here just for the stimmy... is Tobias.' — After much soul searching, she concludes love is where she left it — at home with Tobias.

7.36.8
S4E03

Narrator:Narrator: 'Mother's Day eve was the most joyous day of the year.' — Cut to the enormous, unfurnished new house.

7.06.3
S4E03

Lucille · Lindsay · Narrator:Lucille's testimony includes the line 'when I was hungry, I suckled at her champagne glass breasts.' Buster wrote it from a camp letter.

8.68.8
S4E03

Lucille · Lindsay · Narrator:Buster wrote it. / Recently? / I adapted it from a letter he wrote from camp. / I miss you, Mommy. Camp is scary at times. When I was cold, you clothed me. When I was hungry... Suckled at your champagne glass breasts.

8.88.8
S4E03

Narrator:The camp is named 'Camp Kiss-A-Me-Mommy.'

8.08.0
S4E03

Lindsay · Tobias · Narrator:The clinic turns out to be the 'Garden Grove Methodone Clinic.' Lindsay: 'What did you say the name of this acting class was again?' / Tobias: 'Method One Clinic.' — The sign reads 'Garden Grove Methodone Clinic.'

7.57.3
S4E03

Lindsay · Tobias · Narrator:What did you say the name of this acting class was again? / Method One Clinic. / 'Garden Grove Methodone Clinic.'

8.38.8
S4E03

Lindsay · Marky Bark · Narrator:Lindsay: '...he turned into an ostrich at the end, so... / They're not going to have that at the Embassy Suites.' / Marky: 'That's funny. I actually run an ostrich farm.' / Narrator: 'Coincidence?' / Lindsay: 'That's not a coincidence.' / Narrator: 'Yes, it is.'

8.38.3
S4E03

Marky Bark · Narrator:Marky: 'That's because I say what I mean, I do what I feel. No lies.' / Narrator: 'Marky felt guilty because it wasn't his motto. It was the motto of a surf and skateboard company.' — Cut to company logo: 'Live truthfully. Skate through life.'

8.08.0
S4E03

Marky Bark · Narrator:That's why my motto is, 'Live truthfully and skate through life.' / Marky felt guilty because it wasn't his motto. It was the motto of a surf and skateboard company.

8.28.3
S4E03

Lindsay · Marky Bark · Narrator:Marky/Narrator post-sex: 'Wow. That was so fast.' / 'Thanks.' / 'I didn't know how long we'd be stuck in traffic, so...' / Narrator: 'And it sounds like it's moving, so... Move it!'

7.47.3
S4E03

Narrator:Narrator: 'And soon, the lovers arrived and discovered the joys of their new desert home, dancing and making love all night.' / 'Now, that time was also very quick. And now we've freed the night up to dance again.'

7.98.0
S4E03

Narrator · Marky Bark:Now, that time was also very quick. / And now we've freed the night up to dance again.

7.97.8
S4E03

Narrator · Lindsay:Narrator: 'And, in an effort to be less glamorous, Lindsay cuts her hair, only to discover, much to her frustration... / Great. Even cuter.'

7.26.7
S4E03

Narrator · Tobias · C.W. Swappigan's Employee:And Tobias becomes addicted to his new profession. / I'm an addict, and I'm starving. / Yes, you are starving, so would you like some butter? / I could give you some butter, and you can pay for it with a shoe.

7.77.7
S4E04

Michael Bluth · Narrator:Michael takes a job at a company that drives a car photographing every private residence — but the show blurs out the Google Street View car and logo, with the narrator saying 'we're just going to blur it anyway' and Michael told to 'something' it.

7.27.2
S4E04

Narrator · Michael Bluth:I'm used to a car with some stares. Albeit one that had trouble negotiating low-hanging obstacles.

8.08.3
S4E04

Narrator · Michael Bluth:This is going to be low. / I hooked it. — Visual: the Google camera car knocking into a low-hanging obstacle.

7.37.3
S4E04

Narrator:But it's also a company that won't let us show the car that takes those pictures. In fairness to them, it is their property.

7.57.3
S4E04

Narrator:Narrator: 'Michael drove to the North American headquarters of Imagine Entertainment, the modest film, television and streaming colossus'

7.16.5
S4E04

Narrator · Michael Bluth:'Ankles' means 'leaves' in Variety, Michael.

7.26.7
S4E04

Narrator · Kitty Sanchez:Narrator: 'And she'd proven as loyal to him as she was to her former boss, Michael's father. But without the quote-unquote benefits. Also, Imagine provided no health benefits.'

7.87.5
S4E04

Narrator:The narrator explaining Kitty's loyalty to Ron Howard: 'And she'd proven as loyal to him as she was to her former boss, Michael's father. But without the quote-unquote benefits. Also, Imagine provided no health benefits.'

7.36.5
S4E04

Michael Bluth · Kitty Sanchez · Narrator:Michael: 'You're probably going to call me a pig for this, too, but are you sure that you meant to say "knew"?' Narrator: 'She did.' — followed by extended explanation of what Kitty actually blew.

8.07.8
S4E04

Kitty Sanchez · Maeby Fünke · Narrator:Kitty: 'You know where all the bodies are buried.' Kitty: 'And I even helped bury some of them.' Narrator: 'Maeby was only 17 at the time.'

7.27.0
S4E04

Narrator:Narrator: 'And the project got thrown on the back burner.' — Visual: a literal project (script?) on a stove burner.

6.55.8
S4E04

Narrator:Only Jerry Bruckheimer's building was technically taller. But who wants to be south of Wilshire?

7.36.7
S4E04

Narrator · Ron Howard lookalikes:'But first, Michael would have to pass a few little Rons.' — Visual: multiple Ron Howard lookalike assistants.

7.37.3
S4E04

Ron Howard · Narrator:Ron Howard's movies sourced from random images: Splash from a counterfeit Hockney, Da Vinci Code from a photo, Willow from a Soft 'n Snuggly coupon.

8.38.5
S4E04

Michael Bluth · Ron Howard · Narrator:Michael assuming 'my girl Rebel' refers to Ron Howard's mistress — talking conspiratorially in the LEM — while Ron is actually referring to his daughter.

8.28.5
S4E04

Michael Bluth · Narrator:Michael is given a producer card that accidentally makes him a producer. He's delighted. Narrator: 'Health plan is not another one of the perks, by the way. No health plan.'

6.26.2
S4E04

Michael Bluth · Barry Zuckerkorn · Narrator:George Bluth Sr.'s father never signed birthday cards — only gave money orders — because he claimed he 'didn't have a signature.' Barry rhymes: 'Oh! If you don't sign, you will be fine.'

7.87.3
S4E04

Narrator · Michael Bluth:The narrator: 'It wasn't until Michael had walked two blocks past the California Pizza Kitchen when this happened. Hey, I met a girl today and her name is (BLEEP).'

7.87.8
S4E04

Kitty Sanchez · Narrator · Michael Bluth:Explanation of why Michael's office ceiling is so low: Brian and Ron wanted taller ceilings, Bruckheimer blocked the building height, so Ron said '(BLEEP) you, Jerry' and lowered his floor. Brian then wanted his ceiling just a few inches taller than Ron's — causing Michael's office to be lowest of all.

7.36.8
S4E04

Carl Weathers · Narrator:Carl Weathers never got rights for the Scandalmakers episode about George Bluth Sr. — and so he made himself the subject of the final episode when caught.

7.87.3
S4E04

Carl Weathers · Narrator · DeBrie Bardeaux:The DeBrie collapse on the Scandalmakers set — 'Her heart stopped. She's (BLEEP) dying.' / 'Hey, Dave, you shaved, I like it.' / 'Please get the paddles!' / 'Hey, Mike. How was Ojai?'

7.87.5
S4E04

Michael Bluth · Narrator:Michael: 'Who knows my father better than Warden Gentles?' — hiring the prison warden as screenwriter.

7.57.3
S4E04

Narrator · Michael Bluth:Michael's 'Orange County Imagine' office sign is so similar to 'Imaging' (medical) that the office receives confused medical patients.

7.67.8
S4E04

Narrator:The narrator on the bagpipe music: 'And like all bagpipe music, it was hard to tell if it was good music played horribly or horrible music played well.'

7.77.8
S4E04

Michael Bluth · Rebel Alley · Narrator:Age comparison of sons: Rebel: 'Lem's six in August.' Michael: 'Seven in July.' Narrator: 'Michael regretted the lie, so he sort of split the difference.' Michael: 'Teen. 17. In July.'

8.28.2
S4E04

Michael Bluth · Narrator:Michael finally sees Rebel's name — as a tattoo — after sleeping with her. Narrator: 'Oh, my God... I'm dating Ron Howard's girlfriend.' Actually, she's his daughter. 'But that's kind of worse, don't you think?'

7.88.3
S4E04

Michael Bluth · Narrator:Fake 'next episode' preview: Michael goes to a doctor about a hernia — 'That is a hernia. I'm gonna send you to my guy at Hoag Hospital. They call him the Bulge Whisperer. He does 20 of these a week.'

6.36.3
S4E05

Tobias · Narrator:What Sudden Valley does to these cell phones!

6.86.0
S4E05

Narrator:Yes, Tobias was finally about to get a starring role on a hit TV show. / It's John Beard's To Entrap a Local Predator Supercreeps.

7.97.8
S4E05

Narrator:It's Tobias' Arrested Development.

8.28.0
S4E05

Narrator · Tobias:They're still reading it, but... Well, I guess I can leave them some Love. So he just took Eat and Pray.

8.28.0
S4E05

Narrator:Eat was easy, although it provided no cosmic answers for him.

7.77.5
S4E05

Narrator · Indian Drivers:I guess this is why you never see them driving convertibles. / Stay in your lane, anus tart! / Anus tart!

7.27.0
S4E05

Narrator · Doctor:Tobias experienced India from the inside of a hospital room... once outside the airport and once in the elevator when his sheet got caught and he was pulled off his gurney. Literally. Two places indeed.

7.87.7
S4E05

Doctor · Tobias · Narrator:You should be a comedy actor. / And finally it had. / This is the sign I've been... Looking for.

8.18.0
S4E05

Tobias · Narrator:Although, as we discovered when our MasterCard bill came back, it was the same one she took.

7.47.3
S4E05

Narrator · Michael · Lucille:At the time of this family meeting, 2,000 rupees was $36. / I wouldn't. / Of course you wouldn't, Michael. You never accept help from anyone.

8.28.0
S4E05

Narrator:And so they went to the Fountain Valley China Garden instead.

7.57.5
S4E05

Narrator:The suicide of his ruined and despondent agent certainly could [deter Tobias].

8.08.0
S4E05

Tobias · Narrator:I believe he died as a warning, in a way, his message perhaps to live within our means and be realistic about our lives. / And yet it didn't. / Well, then I shall redouble my efforts so that he died in vain. / Meaning he will have led a pointless life, is what I mean.

8.88.8
S4E05

Narrator:Twenty years earlier, DeBrie Bardeaux had played Sue Storm in the low-budget version of the Fantastic Four, produced by Imagine Entertainment, when, during Imagine's Christmas party, a drunk lawyer reminded them they'd lose the rights if they didn't make the film in the next six days. After a two-hour search, they found their entire cast.

7.77.5
S4E05

Narrator:They also proved useful six days later at the wrap party.

7.37.0
S4E05

Tobias · Narrator:Well, I thought it was 'fantastic.' / Actually, most of the performance that had so captivated Tobias... was performed by a fishing line.

8.48.7
S4E05

Narrator:And after a not-very-cute meet-cute, Tobias continued to find DeBrie's behavior delightful, even when the methadone made her think she was a piece of toast.

7.67.3
S4E05

Narrator:She had been in a series of soft-core porn movies about women leading straight men into gay sex called StraightBait.

7.98.0
S4E05

Narrator:She did six of these movies, and after lunch, did three more.

8.08.0
S4E05

DeBrie · Narrator:You remind me of Billy Crystal... / It would have broken Tobias' heart if he'd known she was about to say 'Billy Crystal Meth,' a funny drug dealer.

8.58.7
S4E05

DeBrie · Narrator:You remind me of Billy Crystal... / Once again, she was going to say, 'Billy Crystal Meth.'

8.38.5
S4E05

Narrator · DeBrie · Tobias:If you're wondering what 'too' referred to, it was this... / Let's do this. / Blackout. / And scene, as they say. / Her heart stopped! She's dying!

8.28.3
S4E05

Tobias · Narrator:Mr. Feinberg? Would it change your mind if I offered you a free Sue Storm armband? / It did not change his mind.

8.17.8
S4E05

Narrator:And although the hate crime charges were dismissed, they were told they could not continue to pose as the Fantastic Four.

7.57.3
S4E05

Narrator · Bird/Maeby:And that's when he heard what sounded like two ostriches making love to a pop hit. / But was actually this. / ♪ Why don't you go away, go away / Get away, get away, stay away / You're hopelessly hopeless ♪

7.87.7
S4E05

Lucille 2 · Narrator · Tobias:It would only pay 120 grand a year to start. / Tobias, whose girlfriend had nearly sold her body for money in front of him, knew that everyone at some time had to face reality. / Ummmmmm... / But this wasn't the time. No.

8.18.0
S4E05

John Beard (offscreen) · Narrator · Tobias:Well, you're free to go. She's not here. / But this creep won't take 'go' for an answer. / That's all right. I'll stay, I'll wait.

7.57.5
S4E06

George Sr. · Narrator:Narrator describes the wall project as 'something some considered insensitive' while George Sr. simultaneously says 'Which was my idea!' and a woman responds 'Was your idea' — then George Sr. murmurs 'Oh. Tender.' and 'Curious feeling.' as the narrator says he 'was feeling more sensitive by the day'

7.26.5
S4E06

Herbert Love · Narrator:Herbert Love's campaign ad: embraced by 'everyone from the very wealthy... to their bankers and tax attorneys'

7.16.3
S4E06

Herbert Love · Narrator · George Sr.:Love: 'I don't want to be the one to say it, but I happen to be fond of redheads and greenbacks' — and the narrator notes 'George Sr. had neither'

7.87.5
S4E06

Narrator:Narrator: 'And, although too explicit for an American audience, the lovemaking was intense and beautiful but for one small misunderstanding that occurred during the afterglow'

7.06.7
S4E06

Narrator:The familiar 'Now the story of a family whose future was abruptly canceled...' narration is modified: '...and the one father who had no choice but to keep himself together' — then cuts to title card 'It's George Sr.'s...'

7.06.7
S4E06

Narrator · George Sr.:Narrator: 'And that's when George Sr. finally tipped a black man' — as George Sr. takes a $50,000 check from a waiter, having accidentally resolved Herbert Love's racial tension moment from earlier

8.28.3
S4E06

Narrator · Buster:Narrator explains that Buster made the property map 'as a cartography student, because the class where you get to see naked people and draw them was full'

8.38.5
S4E06

Narrator:Narrator: 'He was on his way to debase himself in an MRI machine when he ran into a son with whom he'd lost touch.'

7.77.8
S4E06

George Sr. · Michael · Narrator:George Sr. at the MRI facility, seeing Michael: 'I wanted to speak to you... in person.' / Michael: 'Then you're here to apologize; that right?' / George Sr.: 'Sure.' / Narrator: 'Although, he covered pretty well. And of course to see you at Orange County Im-a-gine.'

7.37.0
S4E06

Narrator:Narrator: '...and Michael, signed contract in hand, went to show off at the Ealing Club, while George Sr., magazine in hand, went to (bleep) off in an MRI machine.'

8.58.8
S4E06

Gob · Narrator:Gob: 'Things are incredible for me, I'm having an incredible year. I am a movie producer now, producing a movie, so they've got me in this enormous office.' / Narrator's note: 'Michael could see that his brother was unhappy and that his life had not worked out the way he had hoped.'

7.57.0
S4E06

Michael · Narrator · Rebel Alley:Michael's girlfriend is revealed to be 'Ron Howard's girlfriend' — actually Ron Howard's illegitimate daughter — 'a fact unbeknownst to many'

7.57.5
S4E06

Narrator:Narrator explanation of Rebel Alley: 'She was Ron's illegitimate daughter, a fact unbeknownst to many... A woman who, like Bryce Dallas and Paige Carlyle, was named after where she was conceived.'

8.07.8
S4E06

Narrator · Rebel Alley:Montage of Rebel's career: She did a Terrence Malick film ('Are we the same?'), got the lead in a Woody Allen film ('But I felt like I was in The Iceman Cometh, but, you know, in my case, he faketh'), and was directed by Ron Howard in a shoplifting PSA

7.77.3
S4E06

Narrator:Narrator: 'But George Sr. hadn't built miles of wall. He just found a roundabout way to make it seem that way.'

7.57.2
S4E06

Narrator:Narrator: 'Of course, it was Cinco, so it took a while for anyone to notice' — referring to the party being ransacked by protesters

7.37.0
S4E06

George Sr. · Narrator:George Sr. finds a disguise and the narrator says 'Fortunately, he was able to find a disguise.' / George Sr. in disguise: 'Oh, God.' / Narrator: 'Unfortunately...' / George Sr.: 'This feels right.'

8.08.0
S4E07

Narrator:Trout, a Southern boy who had a Northern man's taste in women.

6.86.3
S4E07

Narrator:J.B.J., a weekend weatherman, all-week party boy and a huge disappointment to his father.

6.96.7
S4E07

Narrator:Oakwood, a studio teacher, who might have had his own entourage, if his part hadn't been cut from the pilot of Modern Family.

7.07.0
S4E07

Narrator:And, of course, there was the man they called Getaway.

7.67.3
S4E07

Narrator · Gob:Gob had come far in the year since his girlfriend was less than an hour from turning 18.

7.88.0
S4E07

Narrator:Ann less-unflattered herself up.

8.07.5
S4E07

Narrator · Gob:A poll would confirm she was far from alone. For the fifth year in a row, your least favorite entertainers are magicians. A close second, talk show side-kicks. Hmm. You, too, America. 'cause I quit.

8.07.8
S4E07

Narrator:Of course, Ann's concept of fourth base was very different than Gob's.

7.77.3
S4E07

Narrator:Now, the story of a family whose future was abruptly canceled, and the one son who had no choice but to keep himself together. It's Gob's Arrested Development.

8.28.2
S4E07

Narrator:It seemed the only 'her' Gob would be getting off that day was the Queen Mary.

7.77.5
S4E07

Narrator · Gob:And Gob realized there was finally nothing standing in the way of a loving, committed relationship with Ann. My life is a fallacy. ♪ It's just a fallacy ♪

8.17.8
S4E07

Narrator:So, that night, as he broke into her house to break up with her...

7.67.2
S4E07

Narrator · Gob:But as she unzipped her pajamas, it reminded him of past situations which he'd successfully been aroused. Well, I could wait till after.

7.57.3
S4E07

Gob · Ann · Narrator:Well, marry me. Yes. Yes, I'll marry you, Gob! Of course, Gob meant it in the showbizzy way his niece had always used when she was accused of being too young. What are you, like 15? Marry me. Marry me. Marry me.

8.28.3
S4E07

Narrator · Gob:Gob was surrounded by unconditional love from a family for the first time in his life. [Beat of silence/reaction]

7.47.2
S4E07

Gob · Narrator:Tony Wonder's making a fortune with that gay magician act. Gob's long-time nemesis had come out of the closet and used it to great advantage in his act.

7.87.7
S4E07

Narrator · Gob · Michael:Gob was feeling bolder, which was perhaps why Michael returned home to find this. [Gob is nailed to a cross in the living room]

8.18.5
S4E07

TV Announcer · Narrator:Father Marsala's John the Baptist. Then the antiabortion drama, Embryo Dan: It Would Have Been a Wonderful Life. And later, break out the bagels. It's time for Father M's lighthearted comedy, A Jew Came to Dinner.

8.18.3
S4E07

Narrator · Church Member · Ann:Eleven exciting days, although nothing's really happened. Day 11. Once he gets out, it's going to be a beautiful, beautiful wedding. He's not coming back.

7.57.3
S4E07

Narrator:And a hoarse, weakened Gob was unable to stop them as the boulder was shipped to a storage unit in Tustin. Although a keen eye could see that Gob was alive but not well.

8.08.0
S4E07

Narrator:And that's why this particular chair was empty at the trial of Lucille Bluth.

7.77.5
S4E07

Narrator:Nah, he got it. Okay.

8.17.8
S4E07

Narrator · Rebel Alley:Never yell 'fire' in a crowded place. It's never funny. That's always funny.

7.57.2
S4E07

Narrator:The next few months were a blur of partying. And shame.

7.77.5
S4E07

Narrator:But Gob had a trick for helping him forget the shame. Unfortunately it also helped him forget that he tried to forget the shame.

8.28.2
S4E07

Narrator:The roofie circle: Whereby a roofie is taken the day after a degrading event too late to erase the memory of the degrading event itself, but not too late to erase the prior day's attempt to erase the event. Thus, with no memory of taking the roofie, but the memory of the event very much alive, the victim of the roofie circle finds himself constantly trying to re-erase the memory...

8.58.8
S4E07

Narrator · Mark Cherry:♪ Go away, Getaway, stay away, Getaway... ♪ But the lyrics were too subtle for Gob to notice.

8.68.7
S4E07

Narrator:He got a call that his bee colony wasn't doing much better from a very much alive Johnny Bark.

7.57.3
S4E07

Narrator:For Gob, however, it was an amazing night, and he couldn't wait to forget it.

8.38.3
S4E07

Narrator:Gob had slept through the seven ambulances that had arrived after Josh Abramson had swung by to pick up an old computer.

7.57.5
S4E07

Narrator:It was then that Gob noticed the presence of a competitor from his past. T.W. Tony Wonder.

7.77.8
S4E07

Narrator · Gob:And that's when Gob decided to take advantage of an unexpected diversion and have a little fun by wedging shut a panel on the podium he knew Tony Wonder would pop out of.

7.77.7
S4E07

Narrator · Gob:♪ Go away, Getaway, stay away, Getaway... ♪ Great, and now my boss is up my ass.

7.77.5
S4E07

Gob · Narrator:My cave. [Gob finds his boulder/escape cave in a storage unit] Why didn't you open? Only to discover that someone had wedged shut his secret compartment on the day he deserted his Christian bride. 'T.' Tony Wonder.

8.99.3
S4E08

Marky · Lindsay · Narrator:There's another dead iguana. / What does this mean? / Probably those bastards next door. [The bastards next door were actually a gathered group of CEOs attending a mid-summer sweat and squeeze.]

7.77.5
S4E08

Marky · Narrator:I thought I scared those bastards off by scaring their leader. / The strong will become the weak. / But I think I overdid it first on the maca, because I ended up seeing two of him.

6.96.3
S4E08

Narrator:Lindsay hated her new life, but even more, she hated herself for hating her new life.

7.87.2
S4E08

Narrator · Lindsay:Hey, I know a place that just opened up. [beat] ...herself. Now the story of a family whose future was abruptly canceled...

8.38.0
S4E08

Narrator:It's Lindsay's Arrested Development.

7.87.0
S4E08

Narrator:One year later, however, the only thing they'd actually changed was getting the 'not urine' smell out of the penthouse.

8.17.8
S4E08

Narrator · Lucille 2:Because Lindsay could only spend so many hours with a shrill, feathered creature... [cut] ...and needed to get away. / You look marvelous in that! Here, try this on.

7.77.5
S4E08

Narrator:Lindsay was no stranger to making campaign posters, having made several in her seventh grade class president campaign against Sally Sitwell. Sally ultimately proved successful with a more fact-based campaign.

7.97.5
S4E08

Lindsay · Narrator:"From Gangie 4: Facelift." / What a load of... / Mother.

8.48.2
S4E08

Lucille Bluth · Narrator:I already wrote you a check for that. [flashback] New nose. / Worrying it would hurt her daughter's feelings... Put a 'Y' on there. / ...she put a fun spin on it. / 'Nosy.' And you should be thanking me for that. You looked like a can opener.

8.38.3
S4E08

Lindsay · Narrator:And that's why she did this. [beat] I'm in. Let's bomb the bastard.

7.67.3
S4E08

Narrator:After a few nights in the trailer, Lindsay showed up in Lucille 2's Tennille wig to be ready to release Marky from the podium at the appointed time, and then stroll out together in disguise. I think that's what this part refers to back when the disguise was going to be a two-part horse costume.

7.67.3
S4E08

Maeby · Lindsay · Narrator:Maeby felt a foreign feeling. / I actually respect that. / Which is why, for the first time in her adult life... / So what are you doing here? / ...Maeby was totally honest with her mother. / I'm getting a lifetime achievement award for my work in the entertainment business. / I tried. Tell your therapist I tried.

8.28.0
S4E08

Narrator:Lindsay hadn't heard the word 'jewelry' in a long time but tried to stay strong.

7.06.8
S4E08

Lindsay · Marky · Narrator:Lindsay lost track of the time like Cinderella... and had forgotten to release Marky from the podium, and that's when she was struck with an eerie sense of déjà vu. / [Marky bursts from podium covered in blue] Oh, God, he blued himself.

8.38.7
S4E08

Narrator · Lindsay:In fairness to Lindsay, it was Marky's face-blindness that led him to mistake this photo for the candidate. / Why Lindsay failed to recognize musical icon Nat King Cole cannot be explained. / But he's so modern looking.

8.18.2
S4E08

Narrator:Lindsay was as blue as one of her men when she returned to the penthouse.

7.77.3
S4E08

Narrator · Buster · Gob:...she was at least able to turn a man's head... Gentlemen, start your engines. ...although, perhaps had his head not turned... Buster. ...he would have seen the ostrich warning on the door. No, Gob. Oh!

8.08.0
S4E08

Lindsay · Marky · Narrator:Why didn't you just come out? / I couldn't do it; someone locked me in. / In fact, it was Gob, thinking he was trapping the magician Tony Wonder into one of his illusions.

7.87.7
S4E08

Narrator:He wasn't. In fact, he was just using her Love connection to make good on a deal he'd struck to get his father's movie rights.

7.26.8
S4E08

Narrator:Lindsay wasn't special, but he'd gotten the necklaces on special.

8.68.7
S4E08

Lindsay · Narrator:Uh, Bluth. I made a reservation. / ...Lindsay had to pay for dinner the way she always had... by secretly putting it on her family tab.

7.47.0
S4E08

Lindsay · Michael · Narrator:Great to see you. And you look so good. / So do you. I do hate the campaign, okay, but I'm changing him. I'm his key advisor. / Although without an office, she was forced to advise him in the back of his limo. And soon she was advising him all over town. And he respects me for it.

7.97.7
S4E08

Narrator:Her head was with Marky... but it was Love who was close to her heart.

7.87.5
S4E08

Lindsay · Narrator:Lindsay tried to throw the money in his face, but she didn't have the muscle memory for it. / [She keeps it] / She's keeping it. / Oh, good.

8.78.8
S4E08

Narrator · Lindsay:Lindsay was done pretending to be red. / I don't need this anymore. / And she decided the best way to get back at her mother and Herbert Love was by working for their mutual rival.

7.67.2
S4E08

Lindsay · Herbert Love's Staffer · Narrator:Love wants to put up a wall. No, no. I mean, not just any wall. A wall to keep out the Mexicans. / Oh, wow, what a great crowd, uh... / And that's when the blowback began. / Checkmate!

8.28.3
S4E08

Lindsay · Narrator · Campaign Staffer:My name is Lindsay Bluth, and this is who I am. / A Bluth, just like her mother. / She's a game changer.

8.38.5
S4E08

Narrator:Herbert Love is discovered in a coma. They think it happened during the blowback. They found him behind the Kick a Goat.

7.77.5
S4E08

Narrator:The doctors say he may come out of it in a week to ten years.

7.57.5
S4E08

Narrator:And Annyong tries to stick the Bluth family for a tomato juice that costs him $700 and ultimately his freedom. Good-bye, Annyong.

7.77.3
S4E09

Tobias · Narrator:Narrator explains Tobias was arrested 'despite his innocence' — flashback to Tobias asking arriving police officers 'Oh, hey, Officers, are you here for the raccoon?' and then asking 'Oh, is this going to be SAG or AFTRA?'

8.68.5
S4E09

Tobias · Narrator:Narrator explains Tobias 'had, after a particularly vicious beating with a soup ladle, changed his tune — but didn't want to look too eager.' Cut to Tobias saying simply: 'Yes.'

7.87.3
S4E09

Tobias · Narrator:Tobias says 'We're not doing a musical here' — cut to the episode being largely about putting on a musical

7.37.0
S4E09

Emmett Richter · Narrator:Emmett insists 'I'm not Andy (bleep)ing Richter' while being described as Andy Richter's identical quintuplet brother — and 'unfortunately he wouldn't allow us to show his face'

7.87.7
S4E09

Tobias · Narrator:Tobias: 'When it comes to DeBrie, you don't have to worry about her being under pressure because she's a professional actress.' Narrator: 'Which also made its way onto Tobias's reel for some reason.'

7.77.8
S4E09

Narrator · Tobias · Argyle:Narrator: 'It was uncanny how much the two men had in common.' — both had 'Fantastic' connections, both called themselves 'Mr. Fantastic', cue ♪Mr. F.♪ sting

7.47.3
S4E09

Argyle · Narrator:Argyle: 'They used to call me Mr. Fantastic.' [♪Mr. F.♪ sting plays]

8.38.5
S4E09

Narrator:Title card: 'Now the story of a family whose future was abruptly canceled and the one son-in-law who had no choice but to keep himself together. It's Tobias' Arrested Development.'

8.68.7
S4E09

Narrator:Imagine Generic described as 'a division set up to extend the rights to films that studios weren't prepared to make yet' — cut to: 'I just hope the three of us make it back. / Three of us? / Houston, we're having a baby.'

7.07.0
S4E09

Argyle · Narrator:'I'll chase you down and find you, Michael. You can't hide in a gorilla suit from me.' / Narrator: '♪Mr. F.♪ Argyle was wrong on that count. It was Buster who wore the gorilla suit.'

7.77.5
S4E09

Lucille · Narrator:Cut to the new patient: 'Hello, anus tart.' / Narrator: 'And she never even saw the license plate.'

8.18.3
S4E09

Narrator · Tobias:Narrator: 'Without the play, he'd lose DeBrie from his life, but he'd made his bed and had no choice but to lie in it.' / Tobias: 'He's back. I got the rights. We're going to make a musical.' / Narrator: 'Or just lie.'

8.78.8
S4E09

DeBrie · Lucille · Narrator:DeBrie falls — 'Oh, DeBrie.' / 'Or ankle or knee.' — Narrator: 'And so DeBrie, who had been in the safe harbor of a drug-free zone, found herself in the free drug zone of an unsafe harbor.'

8.88.7
S4E09

Narrator:Narrator: 'Feeling frightened and fragile, she tried to keep it together in a very slippery place. And she probably would have made it, if the calming waves she was looking at weren't down current from where Dr. Norman was flushing away the remains of his medical career.'

8.68.5
S4E09

Narrator:Narrator: 'And so DeBrie, who had been in the safe harbor of a drug-free zone, found herself in the free drug zone of an unsafe harbor.'

8.38.5
S4E09

Tobias · Narrator:Tobias to Buster: 'You're a monster, you don't have to be good.' / Narrator: 'It wasn't a great choice of words.'

7.97.7
S4E09

Tobias · Narrator:Tobias: 'Time to channel my inner Storm.' — He then applies blue body paint and creates a costume 'out of some makeup he'd always had in case he got a call.' / Narrator: 'And perhaps it was his muscle memory that led to this.'

7.87.5
S4E09

Narrator:Narrator: 'And now the almost invisible Invisible Girl, got on the boat to head to the floating stage. Unfortunately, and not for the first time, Tobias got on the wrong boat.'

7.67.2
S4E09

Narrator:The boat is piloted by a man who 'expected a woman in disguise' and 'had a real bad case of face blindness'

7.67.7
S4E09

Narrator:Credits roll over the actual Fantastic Four musical performance — the narrator: 'does not look like it's going to Broadway. But since they worked so hard, we're going to run credits over it.'

8.38.3
S4E09

Buster · Narrator:Buster (in Thing suit): 'The only thing that can destroy me... water.' / Narrator: 'Nice ad-lib.' / Buster: 'Not an ad-lib... I can't swim.'

9.29.5
S4E10

Narrator:Meet the Jade Dragon Triad. They take no prisoners... because they are prisoners... at the Orange County Correctional Facility L.I.T.E.

7.77.5
S4E10

Narrator:the 'Real Asian Prison Housewives of the Orange County White Collar Prison System'

6.46.3
S4E10

Narrator:It's Lucille's 'Arrested Development.'

6.85.7
S4E10

Narrator:So, in a fit of what sailors call 'sea rage'... she turned back to show her the bird.

7.77.5
S4E10

Narrator:But Lucille 2 wasn't the only thing that got flipped that day.

7.47.2
S4E10

Narrator:Then the 'Queen' changed course, heading back to shore, before crashing into the jetty in what can only be described as a 'sail-past' gone wrong.

6.46.3
S4E10

Barry Zuckerkorn · Lucille Bluth · Narrator:First of all, won't be cheap. It's gonna cost you a fortune in legal fees. / What's the good news? / Correction: good news for Barry. / It's all bad news.

7.77.5
S4E10

Buster Bluth · Narrator:Ma! I fell in the ocean; why didn't you come for me? / And there it is.

8.18.0
S4E10

Buster Bluth · Barry Zuckerkorn · Lucille Bluth · Narrator:She stole the 'Queen Mary' to get away from the SEC. / Oh, and she winked. / Correction: it's a glare.

7.98.0
S4E10

Lucille Bluth · Narrator:After the trial, you can move back in. It's only a trial separation. / I made a pun. / Even in this time of stress.

8.18.0
S4E10

Narrator · Lucille Bluth · Buster Bluth:Narrator: 'There was one bright spot when they simultaneously stumbled on a term they both secretly recognized... hot mess.'

6.76.3
S4E10

Lucille Bluth · Narrator:Aw... / And he's supposed to be the good one.

6.96.5
S4E10

Narrator:Actually, they'd claimed those things years earlier when she was having a sunspot checked.

7.77.3
S4E10

Lucille Bluth · Narrator:Thank you so much for coming to be my witness. You're such a large shareholder... / Oh... / I've made a pun.

7.97.8
S4E10

Lucille Bluth · Lucille 2 · Narrator:Oh! / Now I've gone and done a double. / A double. / Like your pre-surgery chin. / Or your post-breakfast drink.

8.38.3
S4E10

Lucille Bluth · Gang members · Narrator:I know a loophole. / Huh? / 'Roop hore'? / Roop hore. / Roop hore. / You couldn't have chosen a harder word to say.

7.27.0
S4E10

Narrator:And soon the Dragons were taking 'drags on' their cigarettes again.

7.16.5
S4E10

Oscar Bluth · Narrator:Oscar calls the rehab clinic asking for 'Lucille 2' while pretending to be George; reaches the receptionist who says 'Austerity' / Oscar assumes any Lucille will do

7.77.3
S4E10

Oscar Bluth · Lucille Bluth · Narrator:I want to be with you; I... I have needs. / George, is that you? / It wasn't. It was Oscar who, living as George, and feeling more amorous... went to visit Lucille 2 for an afternoon delight.

7.77.5
S4E10

Narrator:And while Michael was waylaid... Lucille was working on her tap dancing.

7.47.2
S4E10

Narrator:She was the best villain casting since Shirley MacLaine in 'Gangie Four.'

8.18.0
S4E10

Narrator:And perhaps, ironically, it was also the night that Lucille 2 became the Invisible Girl.

9.09.0
S4E10

Narrator · Tobias Fünke · Lindsay Bluth Fünke:Lindsay remembers she's on a boat... that Marky had intended to bomb. / You gotta get off the boat! / And it turns out to be kind of romantic. / Bomb!

7.37.3
S4E10

Narrator:that Lindsay and Tobias have matching suitcases.

8.58.7
S4E11

Narrator:The narrator calls their pissing contest a 'tinkling match'

7.77.2
S4E11

Narrator:The episode title card: 'It's Gob's Arrested Development' — a parody of the show's own title card

8.28.0
S4E11

Narrator:Narrator: 'which, that night, did actually kind of resemble the Gothicassle'

8.18.2
S4E11

Tony Wonder · Narrator:'Did somebody say Wonder?' Narrator: 'Nobody actually did that time, but I think he got away with it.'

7.77.5
S4E11

Narrator:Narrator on the illusion: 'it really brought the crowd to their feet. Although it was pretty easy to figure out how he did it. They started out gay.'

8.38.7
S4E11

Tobias · Narrator:Tobias describes his romance: 'Last night, for instance, we both got a case of the munchies, and then we went out and we stole these pies...' Narrator: 'As it turns out, they did a lot more than steal pies.'

6.96.8
S4E11

Narrator:Narrator: 'And as long as we're recapping things that we already know...' — the 'inside source' reveal about Fakeblock

7.57.3
S4E11

Tony Wonder · Narrator:Tony trying not to react when he hears 'wonder': narrator notes 'It took a lot of restraint for Tony to not pop out when he heard the word wonder'

7.87.5
S4E11

Sally Sitwell · Narrator:Narrator: 'It seemed Sally had two secrets.' — after she reacts with terror to a caterpillar/moth that is clearly a reference to something else

7.26.8
S4E11

Rebel Alley · Narrator:Rebel puts a dead dove in a bag, writes down 'species and location from which she'd acquired it' and then 'one further caution' — narrator: 'It was a merry mix-up.'

7.26.7
S4E11

Narrator · Gob · Tony Wonder:Gob sees Tony's phone and chose not to take it. Tony sees Gob's mask and chose not to sabotage it — narrator describes both men's moments of choosing not to scheme

7.87.5
S4E11

Narrator · Gob:Narrator: 'although he did put the mask down his pants. Ah.'

7.37.3
S4E11

Gob · Tony Wonder · Narrator:'I have... feelings for you.' Tony: 'I have feelings... for you.' Narrator: 'The feeling was friendship, but neither had ever experienced it.'

9.39.5
S4E11

Gob · Tony Wonder · Narrator:Narrator: 'All they had to do now was avoid making any specific...' / Gob: 'Why don't we have normal sex on Cinco?' Tony: 'Let's have normal sex on Cinco.' Narrator: 'I guess they figured they could get out of it later. I'm not sure why they said that.'

8.08.0
S4E11

Gob · Tony Wonder · Narrator:'Why don't we have normal sex on Cinco?' / 'Let's have normal sex on Cinco.' / Narrator: 'I guess they figured they could get out of it later. I'm not sure why they said that.'

8.28.3
S4E11

Narrator:Cinco de Cuatro — the Newport Beach 'celebration' of Cinco de Cuatro

7.06.8
S4E11

Narrator · Gob:Gob dims the lights — preparing for his assignation with Ann (wearing a Tony mask), apparently unaware he's about to have sex with the woman while both wear masks of the man each loves

8.38.3
S4E11

Narrator · Ann:Narrator: 'And that's how Ann not only performed a real-life version of Tony's most beloved illusion... / Now everybody's gay! / ...but was responsible for the first reported instance of a Christian straight-to-gay conversion.'

8.89.3
S4E11

Gob · Michael · Narrator:Gob gives Michael the forget-me-now pill — Michael takes it, forgetting Rebel Alley; Gob remembers. Narrator: 'Stupid, forgetful Michael.'

7.98.0
S4E11

Narrator · Michael:Michael wakes up and the TV is showing an anti-abortion ad: '700,000 abortions every year...' Narrator: 'The amount of money he owed because Tobias wanted to mount this abortion.'

8.08.0
S4E12

Narrator · Maeby · Perfecto:Narrator introduces 'Perfecto Telles' as the boy Maeby is dating, and she rewards him for doing her English homework 'even though English was his second language.'

7.46.8
S4E12

Narrator:Narrator: 'Everyone could see that they had chemistry together, but it wasn't until Donny Richter's algebra class that the real bonding began.'

6.66.0
S4E12

George Michael · Narrator:George Michael: 'Didn't we graduate together five years ago?' Narrator: 'It was a decent question.'

7.37.2
S4E12

Narrator · Michael:Narrator recaps that Michael told George Michael 'She might not be a blood relative, but she is still family' — recontextualizing why George Michael backed away from Maeby.

7.77.3
S4E12

Narrator · George Michael · Maeby:Narrator: 'George Michael found the girl he now had to back away from on her back.'

7.06.5
S4E12

Maeby · Narrator:Maeby is lying on the floor to get her parents to notice her. She says she's been there 'for, like, an hour and a half.' Narrator: 'It had been seven minutes.'

7.57.2
S4E12

Narrator · George Michael · Maeby:George Michael is about to end things, Maeby thinks he wants to get more serious. Narrator reveals Maeby didn't want that — 'George Michael wasn't a very good kisser' — then launches into an extremely clinical anatomical description of his bad kissing technique.

8.68.8
S4E12

Narrator:Narrator: 'Really just rookie mistakes.'

7.98.0
S4E12

Narrator:Title card: 'It's Maeby's "Arrested Development."' — The episode title card parodies the show's own title.

7.67.0
S4E12

Narrator:Maeby's parents left town, so 'she put her plan to put her graduation on hold on hold.'

7.06.5
S4E12

Narrator:'Stop with the prayer hands. It just looks like you're out of ideas.'

7.57.3
S4E12

Maeby · Narrator:Maeby tries to insult Lindsay: 'Don't you think it makes you seem a little, um, what is that saying, full of (bleep)?' Narrator: 'Thank you, Maeby, that's actually a compliment in India.' 'My own fault.'

7.97.7
S4E12

Narrator · Tobias:Narrator: 'This is usually a tough time for teens. This is when drugs often become an issue.' Cut to: 'Time for Babies Having Babies!' 'Is "Babies Having Babies" on? That's my favorite show.'

6.76.3
S4E12

Narrator:Narrator: 'Mother's Day Eve was the most joyous day of the year.'

8.07.8
S4E12

Narrator:The family accidentally celebrated Thanksgiving a week early after 'they found that duck in the cupboard, tried to cook it alive, got scared, and then ended up eating it at a Chinese restaurant.'

8.58.5
S4E12

Narrator:'With no parents, no job, and no place to live, Maeby had squat, which is exactly what she decided to do... at her grandparents' penthouse.'

8.07.7
S4E12

Narrator:Narrator: 'And that's when Maeby did what we in the entertainment industry call "deadlining."'

7.87.3
S4E12

George Michael · Narrator:George Michael explains Fakeblock's technical details at length. 'It's just a Boolean-driven aggregation, really, of what programmers call "hacker-traps"...' Narrator notes Maeby's 'self-esteem plummeted as she started to question the entirety of what she had done with her life.'

7.47.0
S4E12

Michael · Narrator:Michael: 'You should see his Facebook page. Doesn't have a friend on it.' Narrator: 'Of course, that last part had nothing to do with Fakeblock... but it did help George Michael's self-esteem.'

8.38.5
S4E12

Maeby Funke · Narrator:Are you guys looking for a new bait house? / And that's how she made enough money to at least pay for her bar tab.

8.28.3
S4E12

Maeby · Narrator:Maeby runs into an ostrich in heat at the penthouse. 'And she wouldn't even let me get a cat.'

7.57.5
S4E12

Maeby · Narrator:Check made out 'From Gangie for facelift' — 'Mother.'

7.47.0
S4E12

Maeby · Narrator:Maeby: 'I'm getting an Opie?' Narrator: 'The only bigger honor would be having an award like that named after you, I guess.'

6.66.2
S4E12

Maeby · Narrator · George Michael:Maeby: 'Come on, this could be my only chance to be a Harris.' George Michael: 'A Harris?' Maeby: 'All right, fine.' Narrator: 'Oh, heiress. You meant... You don't pronounce the "H."' Maeby: 'I pronounce the "H."' Narrator: 'No, but that's not how the word is...' Maeby: 'You know, we say words the way we say them for a reason.'

8.08.0
S4E12

George Michael · Narrator · Perfecto:George Michael gets the new name 'George Maharis.' Narrator: 'And that's how George Michael finally got that new name. It felt like a good fit — strong, rugged... untainted.' George Michael: 'Yes.' 'Yes, George Maharis.' 'Perfecto.' 'De nada.'

8.78.8
S4E12

Narrator:Narrator: 'She narrowly missed the $50,000 check with her name on it that her mother gave to her grandfather... who gave it to this man... who gave it to this man.'

7.87.8
S4E12

Narrator:Narrator: '...and became her mother's pimp.' Maeby approaching Lindsay: 'Of course, the plan required getting back into her mother's good graces to trick her into turning a trick.'

8.38.3
S4E12

Narrator · Lindsay:Narrator: 'But this was a woman who once wore this to a men's prison, so she felt she'd be okay.'

7.67.5
S4E12

Narrator:Narrator: 'Although the house wouldn't remain pest-free for long. Heck of a birthday this is shaping up to be. In fact, it was about to get worse.'

7.87.7
S4E12

Perfecto · Maeby · Narrator:Perfecto: 'I'm a cop.' Maeby: 'But I saw your badge at the bar.' Perfecto: 'In fact, it was an anti-bullying badge. He'd received it from a police-run anti-bullying program at school. "You're never too old to stand up to a bully."'

8.08.3
S4E12

Perfecto · Narrator · Maeby:'But we messed around.' / 'Oh, they did more than that.' / 'Don't worry; nobody saw.' / 'Except Lucille 2.'

7.47.3
S4E13

Narrator:The narrator announces 'Now the story of a family whose future was abruptly cancelled' — meta reference to the show's own cancellation

7.17.0
S4E13

Narrator:'It's George Michael's Arrested Development' — the title card rebrands the show as belonging to George Michael

7.97.5
S4E13

Narrator:'Perfect for those who like the sound of a clock, but don't know their numbers.' — the narrator describes BabyTock

7.77.5
S4E13

Michael · George Michael · Narrator:The narrator says Michael 'did make sure his son got a car' as Michael shouts 'Get out of here' and shoves him toward a car

7.16.8
S4E13

George Michael · Narrator:George Michael's freshman-year rebellions: drinking Pepsi in the morning, having eggs at night

8.08.2
S4E13

George Michael · Narrator · Spanish Woman:George Michael's year abroad: he was nannying children for a woman who 'opened him up sexually'

6.96.7
S4E13

Spanish Woman · George Michael · Narrator:'Why do you kiss like this?' / 'The teeth, they must not be used like this.' — the Spanish woman critiques George Michael's kissing technique; narrator notes 'it was actually a jaw and lip retraction issue but she had neither a command of the language nor the data that we do'

7.57.3
S4E13

George Michael · Narrator:George Michael returns to senior year 'eager to unleash his new overt sexuality on an unsuspecting campus' — walks in, says 'It gets better,' gets laughs

7.87.7
S4E13

George Michael · Narrator:The narrator says he was 'like a king returning to his castle' at the same moment George Michael says 'I sort of feel like a king returning to his castle'

7.26.8
S4E13

George Michael · Narrator · Maeby:George Michael rehearses the fake-coincidence meeting with Maeby: 'Maeby, what are you doing here? As I live and breathe.' — narrator: 'But for the phrase, he nailed it.'

7.47.2
S4E13

Narrator · George Michael:Narrator: 'The urge to educate her was more powerful than the urge to kiss her.' — George Michael drops the seduction to teach Maeby algebra

8.18.0
S4E13

George Michael · Narrator:George Michael's interior monologue about whether to perpetuate the Fakeblock lie — 41 seconds pass according to his 'unfailing internal clock'

7.16.7
S4E13

George Michael · Narrator:After 41 seconds, George Michael begins lying about Fakeblock: 'A Boolean-driven aggregation, really, of what programmers call hacker traps' — the narrator: 'he found himself suddenly and effortlessly tapping into a long-inbred instinct for lying. A Bluth taking his first steps in deceit.'

7.77.5
S4E13

George Michael · Narrator:Narrator: 'And he found himself suddenly and effortlessly tapping into a long-inbred instinct for lying. A Bluth taking his first steps in deceit.'

8.38.5
S4E13

Lawyer · George Michael · P-Hound · Narrator:The Fakeblock lawsuit: 'Was it or was it not my client who put up the initial seed money for the block software that served as the underlying architecture of Fakeblock?' / 'It was 99 cents.' / 'Times three.' / 'Times three.'

7.57.5
S4E14

Narrator:It was Tres de Cinco, or the day before Cinco de Cuatro

7.97.5
S4E14

Buster · Narrator:I'm with a beautiful, elegant woman! / And I think we should take it to the next level.

8.07.7
S4E14

Narrator:Buster had come a long way since his fear of boats was conquered… and then rekindled, only to find himself facing a bigger fear. But his biggest fear wasn't confronting a wet, loose seal; it was losing one.

8.27.7
S4E14

Buster · Narrator:Mother is going to come waltzing through that door any day now, and she is going to be screaming, 'Make sure you frisk that girl before…' [cut to silence]

7.16.5
S4E14

Narrator:And with his mother gone, it was nice to get a chance to use the sewing machine.

7.77.3
S4E14

Buster · Narrator:Buster talking to the Lucille dummy/stand-in: 'Buster, you always come through.' / 'Oh, Mother, that's so nice.' / 'No, no, I mean it. It's amazing work.' / 'But he knew it wasn't real. Okay, I need to stop, or I'm going to be committed.'

7.67.2
S4E14

Narrator:To an uninformed observer, it looked a little like that Vince Vaughn movie Psycho.

7.57.5
S4E14

Narrator:The next morning, Buster awoke with a vicious juice hangover.

7.87.5
S4E14

Narrator · Lucille 2 · Buster:Did you hear it? / Wait. Did you just drop the 2 after my name? / Oh, I hope not. That would be creepy.

8.17.8
S4E14

Narrator:Before you accidentally skip back too far and wind up in the middle of the Maeby episode, trust me, no '2' was spoken.

8.38.5
S4E14

Narrator · Prison Guard · Buster:He even pretended to be an old college flame of Lucille's to gain admittance. / Alex Trebek? / She then rephrased it in the form of a question. / Who is Alex Trebek?

8.58.7
S4E14

Buster · Narrator:Oh, yeah, that plane was in Afghanistan. / It seems the Army had taken advantage of Buster's childlike interest in games… and his childlike inability to distinguish between games and reality.

7.87.5
S4E14

Buster · Narrator:You're not gonna get away from me, little nurse! Aah! He had been playing for 47 straight hours.

7.37.0
S4E14

Narrator:It was the first known injury to a drone pilot and the Army took it seriously. / Apparently, no one told him that they were real planes.

7.47.0
S4E14

Narrator:Well, that explains the photo shoot. / And so Buster began a rehab program he was terrified to succeed at.

7.16.8
S4E14

Army Staff · Buster · Narrator:I'm sorry, we're running behind with your testing, Buster. We'll just be a few more minutes. / Oh… well…! / And it was then that Gunner learned why it was called the Q-test. / Aren't you the 'cu-test'?

7.97.5
S4E14

Narrator · Buster · Army Officer:Buster was being discharged from the Army. / So where am I supposed to go? What am I supposed to do? I have nowhere to live. / You should've thought about that before you let that cat live.

7.37.0
S4E14

Narrator · Undercover Cop:Buster even received a badge from an undercover cop that was posing as a teacher. / You're never too old to stand up to a bully. Whether he's an attention hog who looks just like you, or whether he's half your size.

6.86.5
S4E14

Buster · Narrator:But not before using the wrong hand to punch a picture of Herbert. / Stupid Bust…!

7.27.0
S4E14

Narrator:Although 'helped' might not be the best description of what she did. / In fact, she'd been laying in wait for him.

7.57.0
S4E14

Narrator:And once she'd gotten Buster into the apartment, she eschewed the all-natural juice for the kind with cartoon animals and riddles on the box. The type Buster had been known to have a weakness for.

8.58.2
S4E14

Narrator · Buster:And soon, the partying was off the hook, with Buster drinking right out of the box. / Oh, this is just like Mother's Day Eve!

8.38.2
S4E14

Buster · Narrator:Hey! I need to punch something! / Even if it is a poor little donkey. / But it wasn't that kind of donkey punch.

7.78.0
S4E14

Narrator:And so he blindsided him and became one.

8.58.2
S4E14

Buster · Narrator:Buster goes into action and attempts to Fakeblock the footage. / Oh. / Sounds like it's working.

7.16.7
S4E14

Narrator:What she did to this boy.

8.27.8
S4E14

Narrator:Narrator final line: 'What she did to this boy.'

8.48.0
S4E15

Narrator:The show is titled 'George Michael's Arrested Development' in the title card

8.68.5
S4E15

George Michael · Narrator:At the student health center, when asked who to call in an emergency, George Michael says 'My dad' — immediately after the narrator notes he's 'twice hurt' his father

7.66.7
S4E15

Michael Bluth · Narrator:Michael attempts to be a 'down-to-earth rich guy' with Rebel — 'although by doing so, he was neither'

7.77.3
S4E15

Narrator · George Michael:"George Michael had just officially gotten over Maeby." — narrator line following the cut from their dorm encounter

7.87.8
S4E15

Rebel Alley · Narrator:"This is like making love with the Wright brothers in their bicycle shop." / "I'm sure she just meant one of them."

8.78.8
S4E15

Gob Bluth · Narrator:Gob appears on campus with a bologna from a Shop-Rite, claiming George Michael 'loves bologna' — the narrator clarifies he didn't think George Michael liked bologna

7.67.2
S4E15

Sudden Valley Residents · George Michael · Narrator:The Sudden Valley residents swarm George Michael because he is 'over 21' and they 'wouldn't have to find a home that was even more remote'

8.08.0
S4E15

Narrator:Narrator: 'In fact, it was the folks in the pool who were more at risk of being near Lem than he was of them.'

8.88.8
S4E15

Narrator · Gob Bluth:"And perhaps that's what led Gob to having to take out another ad." — narrator aside following Lem at the pool

7.77.3
S4E15

Michael Bluth · Rebel Alley · Narrator:Rebel tells Michael he's 'coming on too strong. Bugging me.' — Michael: 'Oh, uh, you want to come in?' / 'No.' / [beat] / 'Yeah? Yeah.' / It was the best sex Michael had ever had.

8.28.5
S4E15

Narrator · Michael Bluth:A song plays: '♪ I just stole this fair young miss / From a big shot, George Mahar... ♪' — then is cut off by subtitle spam

8.38.3
S4E15

Michael Bluth · George Michael · Narrator:George Michael tells Michael about his girlfriend (Rebel): 'I haven't been completely honest with her... I haven't even told her my real name.' / Michael: 'Oh, great... pain fades slowly.' Then corrects: 'Quickly.'

7.47.2
S4E15

Mongol Horde · George Michael · Narrator:The Mongol horde disrupts George Michael's Cinco de Mayo keynote speech; chanting 'Put up this wall!' bleeds into the event

7.77.8
S4E15

Narrator · George Michael:The anonymous note wasn't from Rebel — reveal after George Michael's decision

7.57.3
S4E15

Narrator:Narrator: 'And the Anonymous who left the note wasn't Rebel.'

8.37.8
S4E15

Narrator:The narrator: 'For the son, it was a night to remember, and for the father, a night to forget.'

8.18.0
S4E15

Narrator:Narrator: 'And for the son, it was a night to remember, and for the father, a night to forget.' Song: '♪ So easy to forget. ♪' Then: 'Shh.'

8.07.8
S4E15

Narrator:Narrator: 'Ironically, he could've told the truth and said he'd taken a forget-me-now. But like the victim of a roofie circle, having taken one was the only memory he had lost.'

9.29.2
S4E15

Ron Howard · Imagine Producer · Narrator:The narrator reveals Imagine cameras 'were there to capture it all' — Ron Howard celebrates getting 'the rights to this' (the murder story) — 'Only for the killer... but that's enough for us to get a green light, right?'

7.98.0
S5E01

Narrator · Michael Bluth:Narrator: 'Michael Bluth had been away from his family for two months, and his life had never seemed better.'

6.86.0
S5E01

Narrator:Tech company 'famous for providing access to any information, except for its own name'

7.06.8
S5E01

Michael Bluth · Narrator:'It's just one space after a period?' workplace retraining joke

7.06.3
S5E01

Narrator · Lucille 2:Lucille 2 described as a 'flirtatious family friend whose vertigo made it hard for her to stay on her own feet'

7.67.2
S5E01

Narrator · Michael Bluth:Michael starts a housing business 'at the worst possible time' — the collapse of the housing market, punctuated by 'That's not a great sign'

6.25.5
S5E01

Narrator · Michael Bluth:Michael acting like a movie producer after being told his 'leading lady' is Ron Howard's daughter

7.27.0
S5E01

Narrator · George Michael Bluth:George Michael claims to have invented privacy software, 'Not exactly. It did do this' — hacker traps. 'It's called Fakeblock.'

6.86.5
S5E01

Narrator · George Michael Bluth:George Michael gave Rebel a fake name: 'George Mi... Harris.' The narrator notes 'George Michael was acting like a... well, a movie producer, too.'

7.67.2
S5E01

Narrator:Rebel Alley 'was raised by a different mother than Ron's other kids. It's just a whole different thing over there.'

6.05.3
S5E01

George Michael Bluth · Narrator:He found one place to save money. Maeby, you're fired!

7.37.0
S5E01

Narrator · Michael Bluth:Michael learns Rebel is dumping 'the other guy' and 'promptly acts upon' it — not knowing the other guy is his own son

8.08.3
S5E01

Narrator · George Michael Bluth:'George... Maharis' — the narrator's knowing pause on George Michael's fake name

6.75.8
S5E01

Narrator · Lucille 2's brother · Michael Bluth:Lucille 2's brother threatens Michael: 'You can't hide in a gorilla suit from me.' Narrator: 'That one's hard to explain.'

7.06.8
S5E01

Michael Bluth · Narrator:Michael decides to 'have sex with you, for money' as a way to clear his $700,000 debt — narrator notes this 'overestimated his value, at least according to the latest Balboa Bachelor Auction totals'

7.88.0
S5E01

Gob Bluth · Michael Bluth · Narrator:Gob makes Michael wear a mask and asks 'Was that wax?' — Michael ends up drugged on the floor of the model home

7.87.8
S5E01

Narrator · Michael Bluth:Drugged Michael 'peacefully sleeping' in the model home, deterring 'at least one badly needed buyer'

6.96.7
S5E01

Narrator · John Beard:John Beard's 'Predator Entrapment' cameras were hidden in the model home — his 'predator hole had been fished out'

6.56.0
S5E01

Narrator · Michael Bluth:Michael comes up with a plan to work off his debt — 'that he'd forgotten he'd already come up with'

7.06.7
S5E01

Narrator · Michael Bluth:repay you that loan. That he'd forgotten he'd already come up with.

6.86.0
S5E01

Narrator · Michael Bluth:Michael is 'surprised to find people working on what he thought was a holiday' — the narrator dryly notes 'Michael had missed two'

7.26.8
S5E01

Michael Bluth · Exterminator · Narrator:Bug exterminator: 'Not sure if Maeby's in there, or Tobias, or something?' Michael: 'Hopefully, it's not my father. George Sr.!'

7.07.0
S5E01

Narrator:Narrator: 'Fortunately, this wasn't Michael's first scuba scare... scare.'

7.57.5
S5E01

Narrator · Michael Bluth:Michael arrives to end things with Rebel and 'almost immediately found himself helplessly doing the opposite' — 'I'm dating Rebel Alley.'

7.17.2
S5E01

Narrator:'Like when you punch your dad.' — narrator's commentary on the 'earthquake in a family that shatters both members' notions of themselves'

8.18.7
S5E01

Michael Bluth · Narrator:Michael having second thoughts about having written 'Love you' on the note to Lucille 2

6.86.3
S5E01

Michael Bluth · Narrator:Michael reassures someone: 'She's still in there... She's kind of obsessed with me, so I gotta... go.' — Narrator: 'But she wasn't in there.'

7.47.0
S5E01

Narrator · Maeby Fünke:Maeby's boyfriend — 'while she believed that he was an undercover cop posing as a teenager... he turned out to be a teenager, posing as an undercover cop, posing as a teenager. It's hard to explain.'

7.88.0
S5E01

Michael Bluth · Narrator:Michael explains the postman who taught him to 'love each other': 'He is the one that taught me about loving each other... I guess this is sort of my way of keeping him alive. No, it was not.'

7.57.2
S5E01

George Bluth Sr. · Narrator:George Sr. in drag telling the detective 'I don't allow men in my apartment without my husband present'

7.37.2
S5E01

Narrator · George Bluth Sr.:Narrator: 'But George Sr. soon realized his impression of a woman wasn't going to win him any awards. So he took off in his trailer for Mexico to forget his shameful mistakes.'

7.16.7
S5E01

Gob Bluth · Vendor · Narrator:Narrator: 'A request he'd made over 500 times.' Gob continues: 'See, I did something a little out of character... the window's kind of closing in on, you know, before it lodges in the long-term, um... What do you call it?' / Vendor: 'Brains.' / Gob: 'Long-term brains.'

7.87.5
S5E01

Gob Bluth · George Sr. · Narrator:Yeah, make a call. Yes, definitely... Policía. Definitely check with Belicia. Wish her a Happy Five, by the way. You guys get that here or is that just out in the States? Getting in on it. Happy Five. Oh, thank you. How's your Five treating you? Dad? That's when he ran into his father.

7.37.0
S5E01

Gob Bluth · George Bluth Sr. · Narrator:Gob proposing they 'our way through Mexico' — narrator: 'A horrible idea.' / George Sr.'s response: 'Mexico won't be able to walk for a week.' / Gob: 'Two full weeks!'

7.87.8
S5E01

Narrator:Narrator describes Lucille circumventing Austerity Clinic's red tape 'as well as its security tape.'

8.38.0
S5E01

Narrator · Lindsay Bluth-Fünke:Lindsay arrives at the Mexican border she just called for a wall to be built at — 'Oh. They have one.'

8.28.3
S5E01

Narrator · Lindsay Bluth-Fünke:Lindsay is 'proud that she thought to include her driver' — her driver being used as a translator because Lindsay cannot speak Spanish despite having called for a border wall

7.57.3
S5E02

Kitty · Narrator:Ron Howard wants to make a heartfelt father-son drama that has a good clean message for his illegitimate daughter to star in.

7.77.5
S5E02

Narrator:It's a severance thing they're doing because of Ron's need to be loved and Brian's conflict avoidance issues.

7.26.8
S5E02

Buster · Narrator:Winner of 1982's Least Seen on Campus.

8.68.3
S5E02

Narrator:Question's been asked. [reaction beat — the narrator's deadpan acknowledgment]

8.38.3
S5E02

Michael · Narrator:Just Mama's worst nightmare. Buster's missing. Oh, and his bath has gone cold.

7.77.2
S5E02

Narrator · G.O.B.:His recent rivalry with magician Tony Wonder had blossomed into a kind of friendship... before contracting into a rivalry again. Same. Which suddenly became a... oh, let's say, boarding school romance.

7.97.8
S5E02

Narrator · Michael:Hi, it's Lucille Austero. I've been looking for you. Note, I mean. I know, I'd left you a note... This is why you always... leave a note.

7.17.0
S5E02

Michael · Narrator:Hi, it's Lucille Austero. — No! — I've been looking for you. / Note, I mean.

7.06.8
S5E02

George Michael · Maeby · Narrator:Just the cousins. Mm-hmm. Which turned out to be... Primos! This crew.

7.47.2
S5E02

Michael · Narrator:Michael was also heading to Mexico. And after taking care of one last bit of business... Uh, yeah, I'm completely sure he's been gone 72 hours. As a matter of fact, his bath has grown cold. So that's, uh, an alarm bell right there.

7.06.8
S5E02

Michael · Narrator:No pictures, thank you! Put your phones down. We take the pictures. When the fleet of recovery vans arrived from the search engine Michael had been working for, he discovered that the car that takes the pictures was no longer under his control.

7.77.5
S5E02

Dave · Narrator:Oh, no. They never arrest the drivers. They do come down pretty hard on the cars, but it's cheaper to just retrain the people instead. It sounds super futuristic and dystopian, but it's really not. Earth was right.

7.57.2
S5E02

Narrator:Meanwhile, George Sr. and G.O.B. continued trying to out-goop each other.

8.38.3
S5E02

Narrator · Oscar:It was just on the wrong side of the border. Which they might have known had George's brother Oscar not burned the signs. It's okay to burn these? Well, this is America. They don't want us to burn signs, they shouldn't write 'em in Spanish.

7.77.3
S5E02

Lindsay · Narrator · Bar Worker:Lindsay had also made it to Mexico, and was enjoying the fact that men were more respectful. Puta Night is Thursday. That's so nice. No, I'm not. That was based on her belief that 'puta' meant 'young.'

7.47.5
S5E02

Narrator · Noah:They saw foreign films. I'm glad someone had the guts to give the Minions their own movie. It's great because it's subtitled in Spanish, but we don't have to read. It's in English. If you don't want to see 'em, you can block 'em.

7.57.3
S5E02

Narrator:They discovered charming native communities where local artisans peddled their wares. [cut to: Señor Frog's or equivalent American-style tourist bar/shop in Mexico]

7.16.8
S5E02

Narrator · George Michael · Noah:Adopted customs like the midday break, or siesta. Yes! Who left the air conditioning on? Oh, me. I never left.

6.76.3
S5E02

Michael · Narrator:Michael had been at Search for a month. In that time, he'd developed himself physically... And then lunge. Duck, sweep the leg, lunge.

7.57.2
S5E02

Michael · Narrator:Ted, I think you see your daughter coming. You're not expecting this, but she's coming in hot with a right... He'd gotten to teach a class he'd successfully persuaded management to try out. Mona, I know your husband's down, he probably needs medical attention, but you got another son on your flank.

7.87.3
S5E02

Narrator · Michael:She forgave the debt. And feeling bad that he'd been forgiven by someone he wanted to forget, he decided to thank her in person.

7.36.8
S5E02

Narrator:Like a Motherboy Ball.

7.88.0
S5E02

Narrator · George Michael:And George Michael dips his toe into the Mexican nightlife. Guys, it's 9:00. Gives us 30 minutes till they shut down that last machine at Pinkberry.

8.38.3
S5E03

Narrator · Lindsay · Lucille:Narrator: 'And perhaps Lindsay would have gotten a little healthier... had the cell reception been a little worse.' — Lindsay immediately gets a call from Lucille.

7.56.8
S5E03

Lindsay · Maeby · Narrator:I'm running for Congress, and I don't have a campaign manager and I need you. / Maeby had never heard her mother this vulnerable. Yeah. Sounds great. I'm in.

8.27.8
S5E03

Maeby · Narrator:Hey. It is hard to resist. Taking advantage of the vulnerable.

7.36.5
S5E03

George Michael · Narrator:Hello? Here to clean the windows! / Total regression!

7.06.5
S5E03

Narrator:He even inspired a certain move that would eventually appear two years later in a Han Solo origin picture.

7.67.2
S5E03

Lindsay · Maeby · Narrator:She had her mother mock a reporter who had a speech problem... This so-called reporter from the Wee Guardian says I was right.

7.37.0
S5E03

Narrator:Although, remember, this was in 2015, and many of the offensive comments almost seem quaint by today's standards.

7.68.0
S5E03

Michael · Narrator:Well, if you ever change your mind, I ain't going nowhere. / Michael didn't know why he said the next thing out of his mouth. Maybe it was relief that he didn't have to break up with her, but for some reason, he came up with...

7.57.0
S5E03

Narrator:Actually, the only contact George Michael had had with Rebel was watching one of her movies, with a Shane and three Noahs.

7.26.5
S5E03

Narrator · Buster:And Buster wonders why Michael isn't doing Michael. Why hasn't Michael come back? What happened to 'Michael always comes back'?

8.18.0
S5E04

Narrator:Now the story of a wealthy family who lost everything, and the one son who had no choice but to keep them all together.

7.87.3
S5E04

Michael · Narrator:Just to see the roof of a Rite Aid? Which was the first that G.O.B. had heard of the view.

7.77.3
S5E04

Narrator · Maeby · Stan Sitwell:But whom Maeby did not. [Recognition of Stan Sitwell] Hello.

7.37.0
S5E04

Narrator:George Michael's father had drifted farther south than he realized, despite swimming with a GPS system that cost roughly as much as Buster's left thumb.

7.37.0
S5E04

Narrator:Narrator: 'George Michael's father had drifted farther south than he realized, despite swimming with a GPS system that cost roughly as much as Buster's left thumb.'

7.77.5
S5E04

Michael · Narrator:My wife died there. Ovarian cancer, actually. He's a liar. And... He shouldn't have said that. Ignore the man.

7.67.5
S5E04

Narrator:Michael had just discovered his family never sold their family cottage. Lied to me, and that's worse.

8.68.7
S5E04

G.O.B. · Narrator:I'm the president or CEO or whatever of the Bluth Company. I control the company checkbook, so I don't need false things to make me feel important. Okay. There's no trophy for that. Although he did visit a trophy store earlier that day.

8.08.0
S5E04

Narrator · G.O.B. · Tony Wonder:G.O.B., who hadn't been with a woman since he'd gotten closer to this man... I was wondering what you were going to pop out of. I mean this one... Vámonos. Thought that 'Busty' was referring to this woman...

7.87.5
S5E04

Narrator:But his hopes for an emotional father-son reunion... Were ruined... By an emotional father-son reunion.

8.38.3
S5E04

News Anchor · Narrator:The news rock pun repeated three times with Van Halen → Nirvana → 50 Cent, spanning decades of music

8.08.5
S5E04

Narrator:And before long, they were in the first stages of a beautiful early October-late November relationship.

8.28.3
S5E05

Michael · Narrator:Narrator sets up the cactus as a breakup signal — 'I got a cactus, for God's sakes. That's a universal sign for things are over.' — while the actual message was 'I ain't going nowhere.'

7.87.5
S5E05

Michael · George Michael · Narrator:Both Michael and George Michael independently claim to have plans with Rebel, each lying to the other, with the narrator revealing both are lying.

7.97.5
S5E05

Michael · Narrator:Michael, seeing his son approach, 'decided to be the adult in the relationship and avoid conflict by squatting in a bush.'

8.17.8
S5E05

Rebel · George Michael · Narrator:Rebel says 'I've gotta be gone in five minutes. It's gonna be a quickie.' — which was the exact line George Michael had planned to use, so he improvises: 'Fine, but I hope we can spend some quality time together later.'

8.07.7
S5E05

Narrator:The Arrested Development theme song plays as the title card appears over an awkward freeze frame, then: 'It's...'

5.85.0
S5E05

Michael · Narrator:Michael 'handed his son a breakup cactus' — the narrator retroactively reframes the cactus as a breakup gift to George Michael.

7.87.3
S5E05

Narrator · Lucille · G.O.B. · Lindsay · George Sr.:The Bluths are 'graciously receiving the Family of the Year award they were generously giving themselves at the banana stand.'

7.47.0
S5E05

Tobias · Narrator:Tobias in a costume 'had finally found a way to slip into the family' — revealed to be dressed as a banana stand worker (or similar) for the ceremony.

7.16.7
S5E05

George Sr. · G.O.B. · Narrator:George Sr. reads a letter from G.O.B. about their Mexico trip, which includes: 'always horny shirts,' 'eating chips in the car,' 'Shut up, G.O.B.!' and 'almost making love to some roadside bushes.'

8.08.0
S5E05

Lucille · Lindsay · Narrator:Lindsay arrives 'in what was her second outfit of the day.' Lucille: 'You're running to fill a House seat, not a sofa.'

8.28.3
S5E05

Scuba Instructor · Michael · Narrator:The scuba instructor: 'Know what your number one tool is for a scuba diver? Your sun.' Meanwhile Michael is having a breakdown about leaving his son.

6.66.2
S5E05

Michael · George Michael · Narrator:'And without the ability to speak, they resorted to a language they'd learned long ago.' — Michael and George Michael communicate via hand signals learned in a previous scene/season.

7.77.7
S5E05

Michael · Lucille · Narrator:Michael's theory about the fake Buster: 'I declared Buster missing, and then they were gonna try to teach me a lesson, right? By having the fake Buster over at Lucille 2's today when I walked in.' Response: 'How did they know you were gonna walk in today?' / 'It was a last-minute trip. You just came down to get your scuba gear.'

7.77.5
S5E05

Lucille · Lindsay · Narrator:Lucille's speech: 'I want to make special mention of my only daughter, who thinks I didn't write a speech.' / Lindsay: 'She stole my speech.'

7.87.5
S5E05

Lindsay · Maeby · Narrator:Lindsay: 'I think I'm gonna go now. Find out who my real family is. Find my real mother.' Narrator: '...Lindsay stole a line from Michael.' / Maeby: 'I'm out of here.'

7.77.2
S5E05

Lindsay · Narrator:Lindsay decides to 'find her real family' and 'find her real mother' — stealing Michael's exit line

8.07.8
S5E05

Michael · Narrator:'I wanted to make it clear that I'm never coming back again.' Michael immediately after: 'Okay, I will stay.'

7.97.7
S5E05

Buster · Narrator:Buster tried to erase the security tape using Fakeblock — his nephew's fake software. 'Unfortunately, to do so, he used his nephew's software, Fakeblock, which was fake, so it couldn't block anything. But it was easy to dance to.'

8.18.2
S5E05

Buster · Narrator:The family gathers under a banner 'they'd been repurposing' for Buster's party — 'customized to Buster's limited palate.' Buster orders: 'I guess I'll take a hamburger with two tops.'

7.26.8
S5E06

George Michael · Narrator:Narrator: 'George Michael had been looking for an opportunity to come clean about Fakeblock... But this wasn't it.'

7.26.5
S5E06

Michael · Gob · Narrator:Gob's confession: 'Who were you dating?' / Michael: 'Julie Bowen!' — and the narrator reveals it was actually Tony Wonder

8.08.0
S5E06

Narrator:Narrator: 'Tony Wonder, a man Gob had been longing to hear from ever since the gay magician poofed into his life, and then, just as quickly... Disa-poofed.'

8.28.2
S5E06

Narrator:Narrator: 'In a way, she was our mom.' / 'George Michael was seeking motherly advice from a cousin who'd been living as a grandma.'

7.87.5
S5E06

Narrator:Narrator: 'George Maharis was ready to alienate his soon-to-be ex-girlfriend's family with a head full of Tobias Pink hair.'

7.57.0
S5E06

Narrator · Gob · Kitty:Narrator: 'Meanwhile, Gob was trying to get in the mood with Kitty.' / Visual: Gob in the space capsule LEM

7.06.7
S5E06

Lucille · Michael · Narrator:Lucille: 'And what if Buster chokes?' / Michael: 'I guess that's what Ron's for.' / Narrator: 'That would prove to be a very... No, you'll see on the next "On the Next."'

7.97.5
S5E07

Lucille · Narrator:For some reason, he wants to wait till after the election to be what he likes to call 'intimate.'

7.16.7
S5E07

Gob · Narrator · Closet salesmen:Gob told the closet salesmen all about his night with Tony, and how devastated he was by being ghosted. / ...Michael walked in, I had to waste my roofie... But he doesn't remember... Him, with my... / I guess that's how we're different, in the same way.

7.87.3
S5E07

Closet salesmen · Narrator:We should put him in the Catalina cedar walk-in with the pocket doors and the floor lighting. / And that's when Gob realized his mistake.

7.87.3
S5E07

George Michael · Narrator:George Michael couldn't tell his father that he'd attempted to dye his hair pink to push Rebel away. — Um... Yeah, I guess, you know, so... so Rebel would think that I was cool.

7.06.3
S5E07

Narrator:George Sr. turned south on Coast Highway, unaware he was being followed by Michael, unaware he was being followed by George Michael.

7.47.0
S5E07

Narrator:Michael felt doubly guilty for not just telling a lie, but stealing one.

8.17.7
S5E07

Barry · Narrator:He's going to Father B's. / Which, to Barry, could only mean one thing. / I have time for an ice cream.

8.38.5
S5E07

Tobias · Narrator:Well, maybe I'll jump in here. / After being kicked off Father B's land, the men finally found their way to Marky Bark's trailer. / It was worth it. Now you know how to do a proper spit take.

7.67.0
S5E07

Narrator:♪ Coincidence? ♪

7.47.2
S5E07

Narrator:And the family that was chasing itself for no reason... soon had a reason to stop.

8.07.5
S5E07

Narrator · Mexican Romney spokesperson:♪ Mexican Romney Family ♪ / Although, we used to have better signs.

8.08.3
S5E07

Narrator · Oscar:Until, as it turns out, Oscar and his friends discovered how cold Mexico was at night. / This is America. If they don't want us to burn signs, they shouldn't write them in Spanish.

7.77.5
S5E08

Narrator:Gob called a man he had tried to forget by purchasing a closet conversion store in the first place. It's hard to explain.

7.67.3
S5E08

Maeby · Narrator · Lou:Well, not exactly. They weren't cops. / This is wonderful. I've always wanted to be a Keystone Cop. It would be my honor to wear this handlebar mustache in the 2nd of July parade.

6.96.7
S5E08

Tobias · Narrator:Murphybrown saw an armadillo, men held us up at gunpoint, and I got to dress up as an os... / It would be five minutes before he would realize she was no longer on the phone.

7.57.2
S5E08

Narrator:Oh, well, at least Buster's being held. Which is more than he had as a child.

8.78.8
S5E08

Narrator · Tobias:She was coming off a three-month run as Lindsay in front of a sold-out audience of one face blind man.

8.68.8
S5E08

Narrator · Lucille:Upon a float where, unless she gives a perfect performance, she goes to jail for fraud. / Fine. You've left me no choice.

7.36.8
S5E08

Michael · Narrator:Michael unicycling as part of the parade to reach the D.A. — 'who had done some light unicycling in college'

7.77.7
S5E08

Michael · Narrator:Although a less complicated plan emerged. / [Michael approaches D.A. and simply asks to parade alongside her]

7.16.8
S5E08

Narrator · George Sr.:DeBrie on the float — fearful and self-conscious, hiding from the crowd, ironically embodying the person she was meant to impersonate. / She does capture Lindsay.

8.38.3
S5E08

Lucille · Narrator:We may just get away with this, George. / And George Michael arrived looking to finally be honest with his father.

7.77.5
S5E08

Narrator:A plan that we've decided to present in the style to which it harkens back.

7.87.5
S5E08

Oscar · Narrator:The extended silent/stylized sequence depicting Oscar's parade plan — approximately 80 seconds of non-standard presentation

8.38.0
S5E08

Buster · Narrator:Buster, unaware that he has only a few days left in jail, is also unaware he's part of a prison break... / It's, uh, part of the act. / Oh. / Anything for the kids.

8.38.2
S5E09

Narrator:Gob still had a very uncomfortable 'heart on' for his friend Tony.

8.08.2
S5E09

George Michael · Narrator:Oh, shit. That's who the note was from.

8.18.0
S5E09

Narrator:Click. [Second callback to the heart switch]

8.58.3
S5E09

Oscar · Buster · Narrator:Left, right. Left, right... So we always start with left. Smooth and easy. Lemon squeezy. And... left... It wasn't a good system.

7.47.3
S5E09

Michael · Narrator:Boy, you have to have balls of steel to survive in a hole like that. / And the same could be said for prison.

7.16.8
S5E09

Narrator:Meanwhile, Gob was preparing to walk out of a job he'd put over eight hours of his life into.

8.28.3
S5E09

Narrator:Hurt people, hurt people.

8.07.8
S5E09

Narrator · George Sr. · Bystanders:And soon, finds himself having a ball. / Don't cry, don't die. Don't cry, don't die. / Help me. / Don't die! / It sounds like he said, 'Don't help me.' / I heard, 'Help me die.' / Either way, it looks like he's having fun.

8.28.3
S5E10

Gob · Narrator:Gob misunderstands 'Guy Fawkes' as 'foxy guys'

8.48.3
S5E10

George Michael · Narrator:George Michael discovers no one was ever fired — the HR woman was fired before she could fire everyone

8.18.0
S5E10

Narrator · Buster · Oscar:Narrator: 'George Michael wasn't the only one who felt shackled to his father.' — cut to Buster literally in handcuffs with Oscar

8.78.5
S5E10

Narrator:Narrator explains Gob's 'premature emulsification' during the sexuality switch illusion

7.87.8
S5E11

Narrator · George Sr.:Narrator: 'Buster was missing, and George Sr. was eager to make it look like that was something he cared about... in order to woo his wife.'

7.37.0
S5E11

Lucille · Narrator:Lucille wants to make a stuffed bear from a wallet photo at Build-A-Bear to 'let Buster know authorities weren't after him and get a little dig in'

7.06.5
S5E11

Narrator · Michael:The printer is so slow that the narrator explains 'the speed of the printer made it very clear why Two Hour Teeth went out of business'

7.37.0
S5E11

Narrator:Narrator: 'Tobias had been squatting in the very chain store where his brother-in-law was now trying to repair a chain problem'

8.07.3
S5E11

Narrator:Narrator: 'Ironically, finding out they weren't shackled was a bonding moment for the men.'

7.06.5
S5E11

Narrator · George Sr. · Oscar:George Sr. finds the 'more fun version of himself' at the Tent City — it's his twin brother Oscar

7.36.8
S5E11

Narrator:Narrator: 'But before Oscar could even not share the news with Buster that they weren't on the run, Tobias would not solve a mystery he wasn't trying to solve himself.'

7.67.0
S5E11

Narrator · George Sr.:George Sr.'s backstory: he failed at 'ocean balling' to impress Lucille and 'gerbilled up to the beach' controlled by the Newport Bay Boys

7.67.3
S5E11

Narrator:'Unfortunately for Gob... it works a little too well.'

7.26.8
S5E12

Narrator · George Sr. · Lucille:Narrator: 'George and Lucille were finally having dinner with their wall investors, and they were waiting for the right opportunity to lie about why they couldn't build it.'

6.75.8
S5E12

Narrator · George Sr.:Narrator: '...George Sr. had no choice but to tell a lie with the word 'truth' in it.'

8.27.8
S5E12

Narrator · Chinese Investors · George Sr. · Lucille:Honesty unexpectedly rewards George and Lucille with a $3 million 'monetary gift for removing shame'

7.57.0
S5E12

Narrator · Michael:Michael 'got off on his son's floor, which he claimed was a force of habit'

7.36.8
S5E12

Michael · George Michael · Narrator:Michael anticipates George Michael's disappointment about Fakeblock — 'as George Michael prepared himself for his father's disappointment' — and then Michael erupts: 'You what? That's so great!'

6.86.5
S5E12

Narrator:Narrator: 'But the real cops weren't out of business and were about to stumble on a big piece of evidence.' — Cut to police discovering something

6.35.8
S5E12

Narrator · Police Officer:Cop: 'Well, now I've seen it all.' — as Gob dances with a boom box

6.86.3
S5E12

Gob · Narrator:Tag scene: Gob continues to sing well after the family realizes Buster is being arrested; on the next AD: 'Gob continues to sing'

7.57.3
S5E13

Narrator:Mr. Bluth was arrested last night in an elevator in Newport.

5.45.0
S5E13

Narrator:In fairness to him, it had taken him a super long time to get a decent parking spot that he didn't have to walk, like, a mile from.

7.27.2
S5E13

Narrator:In fact, Tobias would've taken any job at that moment, as his current living arrangement was tense, indeed.

6.76.0
S5E13

Narrator:Something that is really only clear without the quick editing and carefree score.

7.47.2
S5E13

Narrator · Anita Bramwell · Garrison Sweet · Shara Winfield · Jack Griffin · David G. Barnes:The Guilty Guys [narrator introduces five elite lawyers with absurdly over-produced dossiers]

7.27.0
S5E13

Narrator:She was an expert who wasn't afraid to get a little DNA on her.

7.16.8
S5E13

Narrator:David G. 'G-Man' Barnes cared about but one thing above the law: his beloved Raiders.

7.57.2
S5E13

Narrator:And I think I might have gotten Jack and David mixed up.

8.38.5
S5E13

Michael · Narrator:Just no rush on the software, but just... ASAP. Chop, chop. / Well, not 'chop, chop,' not... That's a bad choice of words. For Christ's sake.

8.17.8
S5E13

Narrator:Yup. This is how it ended for the honeybee, as well.

8.68.8
S5E13

Buster · Narrator:Buster becomes one of 2015's biggest memes. [with triumphant music, one-armed Buster dancing]

6.96.5
S5E13

Narrator · Guilty Guys:As they clear a man... / They're billing hours. Get our time sheets in. / ...who had died two years earlier.

8.49.0
S5E14

Narrator:The narrator's opening monologue: 'the one son who had no choice but to keep them all together'

7.57.3
S5E14

Lucille · Grandmother Mimi · Narrator:'You never let me wear the sash when I was little.' / 'Oh, please, you were never little.' / 'Your mother was never little.'

7.27.0
S5E14

Grandmother Mimi · Narrator:Grandmother's prize reveal: 'It's an all-expense paid cruise... with her grandmother.'

7.26.8
S5E14

Grandmother Mimi · Narrator:'And I can be a judge.' / 'Never too early to get Buster used to being in front of a judge.'

8.18.2
S5E14

Narrator · George Sr. · Lucille:Narrator: 'George Sr. and Lucille entered a courtroom that abounded with memories of Bluth family get-togethers.'

7.36.7
S5E14

Narrator:...the Guilty Guys. Very expensive but very, very good, especially if you're guilty.

7.67.5
S5E14

Narrator:Narrator recap of plot: 'They're going to be mildly displeased.' (describing Chinese investors' reaction to Michael spending their money)

7.16.7
S5E14

Narrator:The Guilty Guys — introduced as a law firm whose record was 'so unblemished,' they were the subject of a Netflix reality show 'abandoned early on as not being binge-worthy'

7.98.3
S5E14

Narrator:Narrator: 'Look at that. There is always a guy who wants to know what's going on. It's why I could never go to the movies with my father.'

7.37.2
S5E14

Narrator:Narrator: 'I'm out of context again, aren't I?'

8.38.3
S5E14

George Michael · Narrator:George Michael: 'there was something else... afoot.' (while discussing the severed foot threat)

8.38.3
S5E14

Michael · Narrator:Michael has been ignoring Lucille 2's calls, believing she disappeared — then realizes the voicemails are all about the same topic and erases them: 'Uh, I guess I erased them. Yeah, fine. Sure, we'll try it your way.'

7.06.7
S5E14

Gob · Narrator:Gob and narrator simultaneously: '...the gay Mafia.' / '...the gay Mafia.'

8.38.3
S5E14

Narrator · Gob:Narrator: 'Gob would leave the office three minutes later.'

8.28.0
S5E14

Narrator:Narrator: 'But even though Lucille felt good about making George feel bad, she knew that he was right.'

7.77.3
S5E14

Lucille · Narrator:Lucille arrives at what she imagines is Dusty's modest home — and it turns out to be a mansion with a full multi-floor staff: 'How rich is this sand hobo?'

7.77.5
S5E14

Narrator:On the next Arrested Development... / Maeby uses her mathematical ingenuity to rig an election.

7.47.3
S5E16

Narrator · Gob Bluth:Gob's 'body-shaped thing' from a magician described as 'part of his final farewell disappearing act' — the narrator euphemistically explains Gob handed Buster what is strongly implied to be Tony Wonder's corpse.

7.47.3
S5E16

Narrator · Gob Bluth:The narrator explains Gob was 'left with the necessity of pretending he was a gay man' after the sex-pref-swap illusion — 'He's gonna have to stay gay.'

7.26.8
S5E16

Dusty · Narrator:'These are three-quarter-inch, Michael. This is not a TV station in the '70s.' / 'But, fortunately, Michael knew someone at a news station in his 70s.'

7.87.8
S5E16

Gay Mafia members · Narrator:The Gay Mafia threatens: 'if Argyle isn't happy, the wall isn't gonna be the only thing covered in cement' — then the narrator reveals they were 'two tough guys right out of Guys and Dolls, a play they were in the middle of a very successful four-week run of at a local community theater.'

7.98.2
S5E16

Gob Bluth · Narrator:'Well, cis male, high butch.' / 'Gob had learned a lot in the short time he'd been magically gay.'

7.77.3
S5E16

Narrator:The narrator: 'As, after Gob had outsmarted a dumb lawyer, the question was, could he out-dumb a smart lawyer?'

7.67.3
S5E16

Narrator:'Interesting, huh? Hers were a lot easier than his.' — Narrator after Lottie's cross-examination.

7.26.8
S5E16

Narrator:'The rift between the brothers had been repaired.' — Narrator, as Gob backs up Lucille.

7.36.8
S5E16

Michael Bluth · Narrator:Michael's courtroom examination of Lucille spirals into him accidentally confessing to murder: 'I think that I'm the killer.' / 'And that's how Michael A Few Good Men-ed himself.'

8.58.8
S5E16

Michael Bluth · Narrator:'You're goddamn right I did!' [beat] 'And that's how Michael A Few Good Men-ed himself. I think.'

8.89.2
S5E16

Narrator:The narrator describes Michael's confession as 'a real Making of a Monster-type moment.'

7.46.8
S5E16

Narrator:'And that's when, in my opinion, George Michael went too far.' — Narrator, after the punch line/punch.

8.68.8
S5E16

Narrator:The narrator: 'That's how Gob, years before anyone else, ended up with an immovable position supporting a wall.'

8.89.0
S5E16

Narrator · Buster · Tony Wonder:But onstage, it was Gob's face that was at risk. / Don't use the sledgehammer. / Get him out of there. / Did somebody say... Wonder?

7.98.3
S5E16

Narrator · Murphybrown:Narrator on Fakeblock's uselessness: 'You wanna see Ben Affleck's peen? Because after installing his homemade software into George Michael's computer... It's gone. Yep, and forever.'

7.78.0
S5E16

Narrator:'But, of course, Rebel wasn't in on the con. Maeby was.'

7.97.8
S5E16

Narrator · Maeby Fünke:'Maeby really wanted to roll her eyes, but not as much as she wanted the hug.' — Narrator, on Maeby's reaction to the family reunion.

8.18.0
S5E16

Narrator:'No, no. I don't think anything's gonna go horribly wrong for a long, long ti—' [cuts off]

7.98.2